As soon as the connoisseur makes a move, there is only nothing. When Zhou Kun flipped "The King of Painting" to the homepage of "Full-time Hunter", his eyes suddenly lit up, not to mention the plot, at least this painting skill made him praise on the spot: "Wow! This author's drawing skills are very strong, and it's not like other domestic cartoonists who just draw variants of comic strips, but it's the same as "Xiaoshan Diary", which has a very Japanese comic feeling, which is really good! ”

Indeed, as Zhou Kun said, most of the domestic cartoonists who are currently serializing comics on "The King of Picture Books" are transformed from comic book painters, so their works also have a strong comic book color, the character painting style tends to be realistic, and the theme of the story is basically related to Chinese ancient myths and legends and historical allusions.

Of course, it's not that such works aren't exciting.,In fact, these comics themselves still have a certain connotation.,But compared to Japanese comics, the imagination of the comics themselves is not enough.,It's far less entertaining.。 This leads to the fact that readers are not very fond of these domestic comics, and many readers look at the pictures when they watch these comics, and they don't even read much of the text inside.

Although they don't say it verbally, some cartoonists do wonder why their works are not supported by readers, and why they are not as popular as Chen Xiang, a young man who is less than 20 years old, after more than ten years of drawing experience. Is it just because the back waves of the Yangtze River push the front waves?

In fact, the reason why these domestic cartoonists are not favored by readers has to be mentioned is that the platform for showing themselves has not been selected well. Although "Picture Book King" was the undisputed comic magazine No. 1 in the mainland at that time, with a large number of readers, this magazine is a juvenile comic magazine in the final analysis, and its readership is basically only readers in the age group from primary school to high school.

For readers of this age, their favorite comic themes are nothing more than juvenile inspirational themes or youth love themes, like the kind of comics with a heavy sense of history, which is not the type they like, so cartoonists who draw this kind of theme are not the best choice to show themselves on a platform like "Picture Book King".

Just like the Japanese manga master Inoue Yuhiko in the future, his comic "Slam Dunk" created in 1990 is an inspirational sports comic, and "Shonen Jump" has always been a Japanese comic magazine for teenagers, the magazine takes the spirit of "friendship, hard work, and victory" as the theme of the magazine, and the works published are mainly action-adventure. Because the platform of "Shonen Jump" is very suitable for "Slam Dunk", coupled with the super-first-class quality of the comic itself, "Slam Dunk" won the popularity of countless comic fans as soon as it was published on "Shonen Jump", and finally surpassed "Soccer Player" to become the undisputed No1 in the sports comic industry.

In 1998, Inoue Yuhiko created his second full-length manga "Wanderer's Journey", which is a manga with a strong sense of the times with Miyamoto Musashi, the great sword hero in Japanese history. When publishing this manga, Inoue Yuhiko did not choose the first issue of Japanese manga "Shonen Jump", but serialized it in the weekly youth manga "morning".

The reason why Inoue Yuhiko made such a choice is naturally not because of a conflict with "Shonen Jump", but because he understands that because of the theme of the new work, it should be some older comic book fans who will be interested in his works, and the readership of "Shonen Jump" is young, so "Shonen Jump" is no longer his best platform this time, so it is reasonable to jump to "Morning", which has significantly increased the age of readers.

This time Inoue Yuhiko also made the right choice, and then "Drifter" has been serialized in "Morning" and has been widely acclaimed, and if he chooses to release "Drifter" in "Shonen Jump", the work will be cut in half by the editorial department because of its lack of popularity.

A master manga artist like Inoue Yuhiko will choose different display platforms depending on the audience of his work, which shows how important it is to consider whether to serialize his work in this magazine according to the readership of the magazine, otherwise even the best manga will be buried because of the different appetites of readers.

In fact, in 1994, there were only a handful of platforms for domestic cartoonists to appear, and all of them were juvenile magazines, so even if these cartoonists could realize the problem, they had no choice, either stick to their own opinions and continue to maintain their style, and publish youth comics in these juvenile comic magazines; Either it caters to the reader and changes the juvenile theme, and there is no other choice.

It's a pity that readers don't think so much, for them, what suits their appetite is good comics, and vice versa, it's not good-looking comics, and their feelings for the work are clear. For Zhou Kun, "Full-time Hunter" is undoubtedly a comic that suits his appetite, comic fans of their age, their minds are not full of dreams of adventure in the world, in real life, they live the same life every day, parents and teachers only require them to study hard, although they can understand that the elders are completely for their good, but for children of this age, learning should not be the whole of their lives, they are eager to do what they are interested in.

Of course, due to various reasons in reality, children cannot turn their dreams into practical actions, so they can only retreat and find psychological paradise in the world of comics.

In the world of "Full-Time Hunter", there is a unique world view, a whimsical plot, characters with full personalities, and bloody and fierce battles...... Readers can find adventure, bravery, struggle, brutality, family affection, friendship and other popular elements of almost all shonen manga in this work. For such a comic masterpiece that can be met but not sought, how can Zhou Kun not like it. Although the first sentence is only an introduction for the entire comic, it is enough to make Zhou Kun give it a thumbs up, "Awesome...... Awesome! Ah...... I really can't imagine that there are such a powerful cartoonist in China.,Although it's only a serialized word now.,But in my experience.,The framework of this comic must be quite large.,I'm looking forward to Xiaojie's future performance.,The next issue of "Painting King" can be out early! ”

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