But when preying on beasts, if you don't have enough certainty, you will never do it, although there seem to be a lot of people at the moment, but in the eyes of the tiger, these people around are not too threatening, I believe that with its strength, it can completely pounce on the prey, and then run away.

I saw that it suddenly showed its thick teeth and retractable claws, and pounced towards the princess, although Qin Xiu raised his bow and arrow at this moment, the line to shoot at the tiger had already been vigilantly blocked by the commander of the guards.

Fortunately, Qin Xiu did not panic, he now has advanced riding skills, and he has a tacit understanding with the Shenma under the seat, at this moment, the Shenma comprehended and jumped up-

Qin Xiu also took advantage of the momentum to jump up, jumped high, and stared at the tiger's attack with his eyes in mid-air.

Just right!

When the commander of the guards heard the whistling sound, he immediately understood that Qin Xiu was not trying to attack the princess, but in the woods in front of the princess, there was actually a colorful tiger hidden, this adult tiger was strong and tall, and its coat color changed from yellow to red from north to south, with dark stripes.

The tiger will also have a time to smell the rose, and the busy and ambitious ambition will also be impressed by the gentleness and beauty, and feel the beauty in peace.

But Qin Xiu knew very well that at least the current princess, although gentle and beautiful, still could not convince the busy and lofty ambition of the tiger.

"Oh no! there is a piracy .................. ahead"

The Book of Songs, the beginning of ancient Chinese poetry, is the earliest collection of poems, a collection of poems from the early Western Zhou Dynasty to the middle of the Spring and Autumn Period (11th century BC to the 6th century BC), a total of 311 poems, of which 6 are sheng poems, that is, only titles, no content, called six sheng poems (Nanyi, Baihua, Huaxiao, Youkang, Chongwu, Youyi), reflecting the social outlook of about 500 years from the beginning of the Zhou Dynasty to the late Zhou Dynasty.

The author of the "Book of Songs" is unknown, and most of them can no longer be verified, and it is said that it was collected by Yin Jifu and compiled by Confucius. The Book of Songs was called "Poems" in the pre-Qin period, or its whole number was called "Three Hundred Poems". In the Western Han Dynasty, it was revered as a Confucian classic, originally called the "Book of Songs", and has been used to this day. The Book of Poetry is divided into three parts: "Wind", "Ya", and "Song". "Wind" is the ballad of the Zhou Dynasty; "Ya" is the positive sound of the Zhou people, and is divided into "Xiao Ya" and "Daya"; "Song" is the music song of the Zhou royal court and the noble temple, and is divided into "Song of Zhou", "Song of Lu" and "Song of Shang".

Confucius once summarized the tenet of the Book of Songs as "innocence" and taught his disciples to read the Book of Songs as a standard for words and deeds. Among the pre-Qin princes, there were many people who quoted the Book of Songs, such as Mencius, Xunzi, Mozi, Zhuangzi, Han Feizi and others, and quoted sentences from the Book of Songs to enhance their persuasiveness. By the time of Emperor Wu of the Han Dynasty, the Book of Songs was regarded as a classic by Confucianism and became one of the Six Classics and the Five Classics.

The Book of Songs is rich in content, reflecting labor and love, war and conscription, oppression and resistance, customs and marriage, ancestor worship and banquets, and even celestial phenomena, landforms, animals, plants and other aspects, which is a mirror of the social life of the Zhou Dynasty.

directory

1. The process of writing a book

2. Introduction

3 Main notes

4. Appreciation of works

5. Academic research

6. Value impact

7 Historical evaluations

The process of writing the book

Origin of the name

The Book of Songs was written in the middle of the Spring and Autumn Period, and was originally called "Poems", which Confucius mentioned many times, such as: "Three hundred poems, in a word, say: 'Thinking is not evil'". "Reciting the "Poems" three hundred, giving it to the government, it is not reached; It can be used in all directions, and cannot be specialized. Although there are many, I also think that ?"

Sima Qian's record is also this name, such as: "The three hundred poems are probably what the sages and sages did when they were angry." “

Because there are a total of 311 poems recorded in the later version, for the convenience of narration, it is called "three hundred poems". The reason why it was renamed "Book of Songs" is because Emperor Wu of the Han Dynasty took "Poems", "Books", "Rites", "Yi" and "Spring and Autumn" as the Five Classics.

Generation

The Book of Songs is the first collection of poetry in China, the earliest record is in the early years of the Western Zhou Dynasty, and the latest works produced are in the Spring and Autumn Period, spanning about five or six hundred years. The production area is centered on the Yellow River Basin, south to the north bank of the Yangtze River, and distributed in Shaanxi, Gansu, Shanxi, Shandong, Hebei, Henan, Anhui, Hubei and other places.

Experts in scripture history have determined that the works in the Book of Songs were produced after King Wu of Zhou destroyed Shang (1066 BC).

"Song of Zhou" was the earliest in the era, produced in the early years of the Western Zhou Dynasty, and was a work of aristocratic literati, mainly based on the music songs of the temple and the music of the gods, and some of them also described agricultural production.

"Daya" is a product of the prosperous period of the Zhou Dynasty and is the only surviving epic in ancient China. Regarding the creation age of the eighteen articles of "Daya", there are different opinions: Zheng Xuan believes that "The Shi of King Wen" is a poem of the era of King Wen and King Wu, and the eight poems of "The Shi of the Shengmin" from "Shengmin" to "Juan A" are the poems of the Duke of Zhou and King Cheng. Zhu Xi thinks: "It is "Daya"...... It is also determined by the public production of many weeks. But they all believe that "Zheng Daya" is a poem in the early years of the Western Zhou Dynasty.

"Xiao Ya" was produced in the late years of the Western Zhou Dynasty and after the eastward migration.

Both the Lu Song and the Shang Song were produced after the Zhou dynasty moved eastward (770 BC).

creator

Legend has it that the Zhou Dynasty had an official who collected poems, and every spring, he went deep into the folk to collect folk songs with a wooden duo, and handed over the works that could reflect the joys and sufferings of the people to Taishi (the official in charge of music) to compose music and sing them to Zhou Tianzi as a reference for governance. The works of these folk authors, whose names are not recorded, occupy most parts of the Book of Songs, such as the style of the Fifteen Kingdoms.

The works of the aristocratic literati of the Zhou Dynasty constitute another part of the Book of Songs. "Shangshu" records that "The Wind and the Owl" was written by Zhou Gongdan. In 2008, in the "Qi Ye" chapter of a group of Warring States Bamboo Slips (Tsinghua Jane) in Tsinghua University, it is narrated that King Wu and others celebrated and drank after defeating the Li Kingdom, during which Zhou Gongdan impromptu poem "Cricket", the content of which is closely related to the "Cricket" in the existing "Book of Songs: Tang Feng".

Background of creation

The ancestral home of the Zhou Dynasty was originally suitable for agriculture, and the poems such as "Shengmin", "Gongliu" and "Mianmian Gulu" in "Daya" all show that Zhou prospered by relying on agriculture, and the development of agriculture promoted social progress. The Zhou people became the co-rulers of the world after King Wu's war, and the family patriarchal system, land, slave ownership, and the rule of noble lords became the social and political characteristics of this historical period.

The Western Zhou Dynasty replaced the Yin Shang, in addition to the tyranny of the Shang Dynasty, which was mainly related to its implementation of the slave economic system. After the establishment of the Western Zhou Dynasty, in order to alleviate the sharp contradiction between the relations of production and the productive forces, ease the class struggle, and change slavery into serfdom, as Wang Guowei said in "On the System of Yin Shang": "The changes in China's politics and culture were not changed during the Yin Zhou Dynasty...... The three major changes in the Yin Zhou period, from its appearance, are nothing more than the rise and fall of one family and one surname, and the transfer of the capital. In other words, the old system is abolished and the new system is prosperous, and the old culture is abolished and the new culture is prosperous......"

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