Chapter 134: Disqualification in the World

On this day, Takeshita Grass Mustard, who was blowing the central air conditioner, was alone in the study and was thinking, pacing back and forth. With the name "Osamu Dazai" flashing in his mind, he naturally thought of the other party's "Retrograde", which won the first Akutagawa Award candidate. However, he did not intend to choose to write such a middle and upper work silently as a publication for his work. He needed a good work from Osamu Dazai at the moment.

Although Osamu Dazai never won the Akutagawa Prize, which he desperately wanted to be recognized, many of his works have long since transcended the meaning and value of this award itself. The most admired Akutagawa Ryunosuke, he was too focused in the first half of his life to be recognized by the Japanese literary world, and even did not hesitate to write an article in his heart that he was eager to win the Akutagawa Prize in order to get rid of Kawabata Yasunari's bad opinion of himself.

It wasn't until he got married, and in the middle of his life, he gradually moved towards a period of peace in his heart, and wrote a rare positive representative work "Run, Mellors", and in the later period, he took a sharp turn for the worse, and also chose the same path as Akutagawa Ryunosuke to finally commit suicide. Throughout Osamu Dazai's life, it is also the reason why the early works are mostly decadent and rebellious, the middle works reflect the spirit of regeneration, and the later works fully express the consciousness of destruction and the idea of never compromising.

The only difference is that Osamu Dazai did not commit suicide alone, but chose to commit suicide with one of his female readers. In Japan, great writers often choose such a final path to the end of their lives, after all, they seem to be as short as cherry blossoms, but they are very gorgeous.

Thinking of the grass mustard under Takeshita here, his eyes lit up, and he naturally thought that the other party had left a rare masterpiece. And this work is exactly what I need at the moment. The reason why I have such an idea is that I learned that Natsume Soseki's "I Am a Cat" has been popular all the way and continues to heat up. For this reason, he couldn't help but think of releasing another masterpiece that would make literature lovers enthusiastic and carnival again.

The three great writers of modern Japan have all been copied and published as original works by themselves, and the lingering thought in my head is not to continue the works of any of the three Natsume Soseki, Akutagawa Ryunosuke, and Mori Ouwai, but to temporarily turn a big bend and turn to the works of the three representative figures of the peak of literature after World War II.

Takeshita Kusaoke, who continued to meditate in his mind, made a personal speculation, maybe Osamu Dazai was a little out of time, or maybe he and Yasunari Kawabata were one left and the other right, and they were born not to fall in love. After all, Yasunari Kawabata, who has been a judge of the Akutagawa Award for several times, has always believed that Osamu Dazai's character has fatal flaws in his mind.

Finally made up his mind, took the attention of Takeshita Kusaoke, and sat cross-legged in front of his laptop. Picking up the laptop from the wooden floor and placing it on his two laps, he put his hands on the keyboard and typed out the four big words "human disqualification" in the blank page of the word that had been opened a long time ago.

With his own unique superpower, Takeshita Kusaoke, of course, began to write such a most prestigious and influential representative work of Osamu Dazai word for word. In the novella "Human Disqualification", the most difficult thing for me to let go of is that the male protagonist Ting Ye Zang hid in the dark and saw his wife sexually assaulted by another man, but he showed no feeling of indifference, and he could talk calmly with such a man afterwards. In addition, it is the self-destructive and beginning to smoke morphine, and even the emotionally lame, ugly-looking, and emotionally unemotional XXOO who sells this contraband.

Takeshita Kusaoke, who remembers this work very clearly, is an alternative tribute to Osamu Dazai's reference to Dostoevsky's world-famous "Crime and Punishment" in his work. In fact, I have a common understanding with some of the world's great writers, that is, I first admired Dostoevsky's "The Brothers Karamazov", not "Crime and Punishment".

As a copyist, Takeshita Kusa not only simply copied some great Japanese writers who had never existed in the parallel world, but not only absorbed a lot of nutrients from their works, but also absorbed the works of great writers and literary masters from all over the world to strengthen themselves. The reason why he continued to work as a copyist was to inform the Japanese people about his good works, and on the other hand, to earn money and change the quality of life for himself and Kitagawa mother and daughter.

Others don't know, and Takeshita Kusao, who knows best, doesn't have a sense of accomplishment for his work as a copyist. As time passed, I felt a strong boredom more and more. So far, he is most proud of the fact that he has won the award of a small and unknown publishing house. I love to write more than life.

Takeshita Kusaoke, whose heart is like a mirror, knows very well that the title of writer is not so easy to get. Under normal circumstances, without one or twenty years of pen practice and a decent work, one is not qualified to become a writer. As for great writers, it is the pursuit of a higher level, and the dazzling halo of world-class literary masters is the highest dream of relevant practitioners in this industry.

For the first time, Takeshita Kusasa, who was dual-minded, typed with both hands and silently wrote Osamu Dazai's "Human Disqualification" little by little, and on the other hand, he had to think about the idea of his new original work from time to time in his mind. He suddenly stopped the movement of his hands, looked straight ahead, sighed deeply, and said to himself: "Should I go out and see more, feel the different living conditions and ways of others, and collect more wind to get more inspiration, so as to write more flesh-and-blood, close to reality, and more perceptive works?" ”

Leo Tolstoy's sentence "If you want to move others, you must first move yourself" began to echo in my head, and I savored it again. After being stunned for more than a quarter of an hour, he slowly came back to his senses. His eyes continued to fall on the screen of his laptop, and his hands were typing again, silently writing the words that should be written.