Chapter 452: Sand Girl

After leaving the public elementary school and returning to the rental house, Takeshita Kusaokei went straight into his bedroom. He turned on his laptop, waiting for Windows to enter the main interface to make it better, and thinking about what he was going to do. After clicking on the word himself, he began to write the preface to the novella of Shuichi Minamino, his only disciple at the moment.

Takeshita Kusaoke, who is completely out of public spirit and professional ethics, not only carefully read the novella of Shuichi Minamino, but also gave a certain amount of recognition. I know very well that if the other party's single book has a preface written by him for the novel, then the effect will be very different.

Even if Takeshita Kusaoji had a heart for his disciples, he did not capitalize the close-up in the preface. still adheres to the most fair and objective one, and he still praises the places that should be praised in the novel, and he also gives a certain amount of criticism mercilessly where he should be criticized. Overall, I still have an endorsement of the novel.

Although Shuichi Minamino can use the status of a disciple of the national writer Mr. Takeshita Kusaoji to promote it to the outside world, it is difficult to convince readers who do not know the inside story that it is true. If he had a preface written by his teacher at the beginning of the forthcoming monograph, he would have strangled all doubts about his identity as a disciple of the great writer of the People's Republic of China.

After writing the preface, Takeshita Kusaoke, picked up the mobile phone placed on the desk and looked at it, and found that it was still early, so he suddenly thought that he seemed to have not used Wen Copy's gold finger stunt for a long time. At present, although I am a first-line writer in Japan and have won a lot of honors with my personal strength, I still have the responsibility and obligation to make public the representative works of great Japanese writers who have disappeared in this parallel world.

With his hands crossed over his chest, he drooped his head and remembered the words "Abe Public Housing". He grew up in Shenyang, China, spent his elementary and middle school years before being repatriated to Japan in 1946. After graduating from the University of Tokyo in 1948 with a medical degree, he received a bachelor's degree in medicine on the condition that he would never open his profession, and began to engage in literary activities.

Kenzaburo Oe, Japan's second Nobel Laureate in Literature, once said that if Mr. Abe was alive, he would be the only one who would be honored, not me.

Yukio Mishima's evaluation, the creation and profound meaning of Abe Gongfang, have a great impact and horror on Japanese reality, and fully demonstrate his literary genius.

At present, the most popular Japanese writer Haruki Murakami, who is nicknamed the Nobel Prize for Literature Xiao Lizi, is the most beloved predecessor of Abe Gongfang.

From this, it is enough to show that his literary achievements are extraordinary. Abe Kobo's short story "The Wall" won the Akutagawa Literary Prize, which established his reputation, and his "Friend" won the Junichiro Tanizaki Literary Award, which represents Japan's stalwart writers. At that time, he stood with Kenzaburo Oe and Yukio Mishima, forming a unique landscape of contemporary Japanese avant-garde literature.

Abe's works have been translated and published in more than 20 countries, and he is known as the most popular Japanese writer and a world-class literary master. According to the "History of Japanese Literature", the emergence of Abe Public Housing was an epoch-making event for post-war Japanese literature. Not only that, but he was also known as the "Kafka of Japan".

At this time, Takeshita Kusaokei wanted to write the most representative novel "Sand Girl" of Abe Public Housing word for word. Thinking that he had made up his mind here, he immediately began to type. Although his first original novel, "Evil Deeds", has not yet been published, it has not hindered him.

For the sake of her adopted daughter Kitagawa Miyuki, she can suppress the Takeshita Kusa mustard who came out in the single book of "Evil Deeds", and you can also continue to suppress it for the sake of her disciple Nanno Shuichi. After they officially debuted and completed a series of promotion and publicity activities, they will let the single book of "Evil Deeds" be printed.

In my heart, I am not in a hurry to let my original novel come out, and then I have to move its release date back, after all, I want to put Abe's "Sand Girl" in front of it. The reason why he is like this is, on the one hand, a tribute to his predecessors, and on the other hand, he is ashamed to have to steal the honor of a great writer who has disappeared.

Once you put yourself into the work, Takeshita will not only forget yourself, but also have a desperate spirit of Saburo, and will not stop until you finish it. As a result, the passage of time became meaningless to him, after all, he could not feel it at all, and an hour passed as if a minute had passed.

I didn't think of the grass mustard under Takeshita for lunch, and my hands were "crackling" on the keyboard at a rapid pace. At this time, he was not a writer at all, but a very good typist. The current self has a different state of mind from the past self.

In the past, Takeshita Kusaoke, whenever he opened the golden finger to plagiarize the work of a certain great Japanese writer who did not exist in the parallel world, his heart was torn, entangled, struggled, and painful...... Stubbornly entangled. For this reason, I also know that this is an immoral act of theft. And at the moment, he no longer has that sense of guilt. Relying entirely on his own hard work, he has already achieved achievements that can begin to approach these great writers who have disappeared.

The purpose of Takeshita Kusa is very simple, that is, to let their representative works be passed on once again, so that they can be welcomed and worshiped by readers. Although he will still occupy his honor, he will not change anything because of this, after all, the highest title of the National Writer has already been worn on the top of his head. As for money, status and prestige, one more point, one less point, there will not be a qualitative leap and change.

For this reason, the work that Takeshita Kusaka, who is calm and calm in his heart, is not plagiarizing and plagiarizing the works of others for his own use, but shouldering the God-given function, as if he is protecting and restoring monuments, so that it can be reproduced in the world. He did not run out of talent, but he was full of thoughts and ready to go, and the reason why he took out his noble personal time to do this one thing was that he thought it had extraordinary historical significance. This is also an extremely important task for oneself to be reborn here. (To be continued.) )