291 Tattoos
The small-eyed Korean named Shengyong was stunned by Luo Fei's scolding, he didn't expect Luo Fei to open his mouth and scold.
He pointed at Luo Fei and stammered, "You...... You ......"
Luo Fei grabbed the finger pointing at him, gently swiped it upward, and squatted down the little eye from the Republic of Korea. Sheng Yong's arm had to follow Luo Fei's force and bend unnaturally upward, so he had to squat down in order to keep his fingers from being hurt to the least.
"What are you, if you are not educated, you are not educated. Not only do wild dogs block other people's paths, but they also point their fingers at others, and your mother didn't tell you, are these rude behaviors? โ
Luo Fei's mouth is more powerful than his skills, and he has an advantage in the face of Koreans who only turn over and turn over a few words even when they scold.
"Oops...... Let go...... Lighter! At this time, Shengyong no longer has the demeanor he had just in front of Aoba Gongmei, and the huge pain in his fingers made his tears almost come down. There was only one thought in his heart, his fingers wouldn't be broken by this bastard, right?
The Koreans in the back saw that their companions were suffering greatly, and they all gathered around, shouting and scolding: "Bastard, let go of Shengyong!" โ
"Miscellaneous, who do you think you are? Let him go! โ
โฆโฆ
At this time, Luo Fei used his remaining hand to pull Rina Aida and Aoba Gongmei in front of him, and he turned around, and the one named Shengyong was still holding his fingers in Luo Fei's hand, so he only pouted his ass like a dog and turned with Luo Fei.
In this way, it becomes Luo Fei facing those Koreans. Rina Aida and Komi Aoba hid behind Luo Fei.
"Hooray! What to call? This is Japan, you beaked sticks. What are you yelling about? Get out of here! Don't stand here as an eyesore! โ
Luo Fei said these words in Japanese. However, Koreans living in Japan can come out and play as long as they dare to. Most of them know some Japanese. Due to the relationship between work and study, all of these people can understand Luo Fei's words.
Although they were a little curious, why Luo Fei, the Japanese, would scold himself for sticks, knowing that only those annoying Chinese would scold themselves like this, but this is not important, the important thing is that this arrogant boy has just scolded all his own group of people.
Doesn't this kid know his situation?
There are five men in the prime of life on my side, uh, okay. Shengyong doesn't count, there are four too! He dared to challenge his side alone, is he looking for unhappiness? It's not a downtown area, and only the two women behind him are Japanese!
This opening is the bastard of the map attack, does he think that he can beat the four people on his side by himself?
The four Koreans who have such an idea are already eager to try, ready to use their fists to teach Luo Fei, a bastard who doesn't know the height of the sky!
Luo Fei smiled, and the demonstration seemed to move the hand holding Shengyong's fingers at will, and the guy named Shengyong let out a scream like killing a pig very cooperatively.
"How. Don't you want to worry about your companions? Koreans are really unkind. โ
Luo Fei continued to add fuel to the fire.
"Bastard!"
"Chop!"
The four Koreans who had scruples really had nothing to do with Luo Fei for a while. You can't really watch Seungyong get his finger broken by the guy in front of him.
One of the four Koreans was a vicious-looking guy who deliberately rolled up his sleeves to reveal the tattoo underneath his shirt.
In Japan, a large area of tattoos is basically a sign of a yakura. This South Korean, who doesn't know if he also has something to do with the underworld, knows Japan's national conditions quite well. Revealing a tattoo that identifies you first is probably also a form of intimidation.
Japanese gangsters usually have a variety of tattoos carved on their bodies. There are many yakuza in Japan, and the origins of each gang are very different from those recorded in history. In their own words. The founders of the gangs were all knights who robbed the rich and helped the poor, specializing in protecting their homes from foreign robbers. Some gangs even claim to have inherited the mantle of the Japanese ronin (a reference to Japan's political turmoil in the 17th century). Wandering samurai who left the daimyo).
Others say that Japanese yakuza are actually born out of the maverick "strangers" of the past, who dress strangely and behave strangely. Often armed with long knives, they intimidate villagers and even kill innocent people indiscriminately. Actually, about the origin of the Japanese underworld, it can be said that it is a mixture of the above stories. After the abolition of the samurai class, many samurai lost their focus in life and gradually turned to violent crime. There were also samurai who went into business or engaged in shady trades (such as casinos and brothels). These thugs, ronin, and other new forces entering the Japanese market system all have one thing in common: they are not socially acceptable.
In Japanese, the word ใใใ reflects the lowly status of the underworld members. The word is derived from the Japanese card game "Oicho-Kabu". "ใใใกใใใถ" is similar to 21 points, and the win or loss of the game is determined by the size of the mantissa of the sum of the points of each hand, with a minimum of 0. If the 8, 9, and 3 cards are drawn (the sum of the three cards is 20), then the value of the hand is 0 and the holder loses. The pronunciations of 8, 9, and 3 in Japanese are "ใ", "ใ", and "ใ", respectively, so the combination of these three sounds becomes "ใใใ", which means "useless and worthless".
"ใใใ" originally referred to gangsters, but now the term also refers to organized crime in Japan. Violent ๅฃ (Boryokudan) is synonymous with ใใใ, and it is a pejorative term that refers to thugs who do not have a traditional sense of honor. Japanese police often use the term "violent" when referring to gangsters.
The art of tattooing has a long history in Japan, dating back more than 2,000 years. The Ainu people, the early inhabitants of Japan, used to wear tattoos. Fishing is an important livelihood for the Ainu people, so they decorate their bodies with tattoos and dive into the water to catch fish. This is probably the earliest origin of tattoo art in Japan.
Attitudes towards tattoos were different at different times of the development of Japanese society. Japan once accepted the act of tattooing, but at one time it was also outlawed. Afterward. They were treated as the same punishment as "living crimes" and were reserved for exiled criminals. It is a sign of shame. Later, it was gradually expanded to gang symbols used among workers to show brotherly affection. A secret testimony of a lover's vow, or an amulet for mortals to be protected by Buddhism, and so on. These developments have gone through a certain historical stage
During the Edo period (1603-1868), the art of tattooing became a part of ukiyo-e culture. At that time, in society, prostitutes used tattoos to make themselves appear more attractive. "Laborers" and "firemen" mostly use body tattoos.
Beginning in 1720, tattoos were officially used as a punishment for criminals, replacing the previous punishment of cutting off a person's nose or ears. There are two main types of tattoos on criminals: a ring tattoo on the arm, or a text engraved on the forehead. This form of punishment lasted for 150 years until it was abolished by the Meiji government in 1870.
During these 150 years. This form of punishment has led to the formation of a new class in society, namely the social outcasts with tattoos. They have no place in society and are at a loss. Many of them were samurai who had nothing to do after the abolition of the samurai class. They have no choice but to gang up and become outlaws. This may have created a fear of tattoos among the Japanese population, an effect that continues to this day.
Secondly, in addition to the influence of this historical policy on tattooing, the cultural development of the Edo period was another important reason for the development of tattoo art in Japan. Around the 18th century, in the second half of the Edo period, as the system declined, the common people had more and more freedom and power, and the traditional art of Japanese tattoos flourished along with other folk popular arts.
Unlike the upper class. People tried to abandon the influence of centuries-old Confucian beliefs and began to create their own artistic culture. They focus on novels, plays. These new trends led to the formation of a new system of Japanese popular culture at that time.
During this period, the classical Chinese novel "Water Margin" was translated and introduced to Japan, and it was quite popular in Japanese society. The image of one hundred and eight heroes in "Water Margin" is very popular among the Japanese people.
Some so-called "green forest artists" tattoo the images of these heroes on the human body. Over time. Some of these people who have tattoo skills become specialized tattoo artists.
The art of Japanese tattooing, which developed during this process, has a unique traditional Japanese art form called Horimono. This Horimono tattoo art is the tattoo of a hero all over the body in a variety of colors, which has largely become a fixed style of Japanese tattooing. But at the time. Tattoos belong to the lower classes.
By the time of the Meiji government, efforts were made to follow the trend of Western civilization. The Meiji government enacted a law prohibiting tattooing, which it considered to be a barbaric act of primitive tribes.
But here's what's interesting. With the invasion of Western capitalism, foreign merchant ships sailed into Japanese ports, but Japanese tattoos spread throughout the Western world with these merchant ships.
In the first half of the 20th century, the ban on Horimone ended in 1948. Some believe that the ban was lifted because the post-war American GIs' demand for Japanese tattoos legalized it. In any case, Japanese tattoos have been ill-fated in history.
Having said all this, there is only one meaning, that is, this Korean intends to scare Luo Fei with his tattoo.
This made Luo Fei speechless.
He doesn't respect or hate tattoos. It's just that looking at the Korean in front of me, I think it's a little funny.
Nima, you think you have a protective color tattoo on your body! As soon as it comes out, Lao Tzu has to get out of the way obediently? But now it seems that I also want to tattoo something on my body with the big stream? Luo Fei thought a little distracted.
"Bastard, let go of Shengyong!" The Korean who showed his tattoo was winning with momentum at this moment, and his voice was naturally a little louder.
"Oh, is that so?" Luo Fei still smiled and let go of the finger called Shengyong. It's just that when he let go, he twisted it slightly.
A scream pierced the sky. (To be continued......)
PS: Daddy was busy until four o'clock in the morning last night, and he was not idle all day today, and he started coding words at nine and fifteen in the evening, which is already the highest hand speed of Daddy~ Try to have another chapter at night, but it may be past twelve o'clock~ It's considered that today's two chapters are completed.