In the movie, the friendship between the two people is getting deeper and deeper, and the movie is also pushed to a climax at this time. Philip's birthday arrived, and after his birthday, he asked the band he had invited to play for him. Liszt listened to music with him, expressing his hilarious views on these classical music, and soon, with Philip's repeated connivance, he also made a statement: music without dance is not music.

Therefore, he also danced to the music: his quirky hip twisting and the sound of classical music were absolutely incompatible, and the two represented two completely different cultures, but at this time, the dance of the black people, combined with classical music, seemed to be incomparably matched here.

It's a fusion of cultures and a triumph of friendship. Friendship is something that really comes from the heart, and cultural barriers cannot stop it.

The friendship between Liszt and Philip was thus established.

But happy times were always short-lived, and after Philip's birthday, another trouble had already found Liszt.

When he came back from an outing with Philip, Liszt found that his brother had come here, which made Liszt know immediately, but he was afraid that trouble had come to his door.

Sure enough, things turned out to be as he expected. His brother was being used outside, and others were using his brother to sell drugs, and his brother was in crisis because of this. He wanted to get out of this situation, but he was threatened because of it.

In the movie, there are only two young people, one is Philip's daughter, who is young and frivolous, ignorant of the world, and has no sensible performance when his father is paralyzed, but is sad for his little daughter. And the other one is Liszt's younger brother. At a young age, he was involved in illegal transactions for money and did wrong things. But there is no turning back.

The gap between white and black was once again presented on the table, which made people feel a headache.

And now, it is up to Liszt to make a choice, after all, he is a black man. Black families are destined to have all kinds of troubles. He himself could leave that society, and under Philip's protection, he lived well in this family, but his family could not leave his own society.

And when his relatives came to the door, it was time for him to make a decision.

For the sake of their loved ones. Liszt decided to leave here and go home. He wants to go back to his home, where he can take better care of his relatives.

He made this clear to Philip, who was reluctant to accept it. He knew that it was impossible for Liszt to stay here for a long time: he was a paralyzed man, and Liszt was still very young. Although he and he are friends, a young man, he should always do something else. Instead of staying next to a paralyzed person.

There was always a time when he would die, and Liszt would live a long time. He can't tie him to himself, let alone cut off his relationship with his relatives.

For him, it was time for a change of caregiver.

Liszt said goodbye to everyone in the family. Left the house. Unlike when he came here, when others were disgusted by his vulgarity and rudeness, when he left, he gained a lot of friendship. Everyone here is very friendly to him. One by one, they said goodbye to him and saw her off, and Philip was by the window. I've been watching him go far away.

It seems that this friendship has come to an end. In addition to nursing, their lives did not have much intersection, and it was unlikely that they would meet again after leaving here.

The new caregivers were already sitting in a row in the living room, and Philip needed to find a new caregiver as well.

However, the new nursing worker, compared with Liszt, is obviously different. Unlike Liszt's spontaneous nature, this caregiver looked particularly reserved in front of Philip.

He wears a white robe, never forgetting that he is here to work as a nurse, but this only reminds Philip that he is a patient.

In front of Philip, he didn't dare to say a word, only dared to mechanically complete such activities as feeding and taking care of his health. Such an attitude, completely treating Philip as the boss and ignoring the patient's communication, can be said to be unable to do anything wrong.

When taking care of a patient, it is important to observe and care for the patient's body in detail, but the psychological care of the patient cannot be neglected. Communication with patients, respect for patients, these are all aspects of care, but this nurse did not do any of them.

Even when Philip wanted a cigarette to smoke, he was reminding Philip that it was not good for his health, and that you could not exercise now, so don't smoke anymore - all such things made Philip restless, how could he know these things? However, it is a big mistake to repeatedly remind a patient that 'you are sick' without paying attention to the communication with the patient.

What the disease robbed Philip of his ability to move, and these people simply wanted to put Philip in his hospital bed and take care of him as a rag doll, so that he could no longer experience the joy of life.

People who can be satisfied as long as they are full of food and drink are very few after all.

After leaving Liszt, Philip's beard grew longer and longer. Such a simple change implies that Philip is getting worse and worse in the care he receives. Aging and dirtiness are things that are as bad as illness, and these also imply that Philip's illness is worse than before.

To some extent, he was already inseparable from Liszt's care.

At this time, Liszt returned home and was also dealing with trouble.

On the one hand, he sent away the people who were pestering his brother to prevent his brother from getting into those troubles and chaos again. The affairs of the family were taken care of by him, and on the other hand, he also began to enter the society and began to want to find a job to support his family.

He didn't have much work experience before, and even his driver's license had just been obtained, so it can be said that his surroundings were full of various disadvantages, but with the little knowledge of art he learned from Philip, he easily won the favor of the interviewer and found a job.

If these two people represent knowledge and emotion respectively, it is clear that the white man cannot live without the emotion of the black representative, and the knowledge of the white representative is learned by the black man - there is no superiority or inferiority between the races, but some races have not had the opportunity to be educated and learned before. After learning the knowledge, blacks can also be excellent. And the loss of emotion is the biggest problem for people to live.

In the movie, it is not that blacks cannot do without whites, but that whites cannot do without blacks.

Philip's life is not as good as day by day. In desperation, the housekeeper called Liszt again.

"Hey, the way you look now, that's funny."

The first time he saw Philip, Liszt began to make fun of him. Philip's bearded appearance became Liszt's laughing stock, but such a disrespectful joke made Philip feel the joy he had not seen for a long time.

Compared to the rigidity of life, such jokes can also be very interesting. And this kind of banter, which only exists among friends, also made Philip feel the warmth of friendship again.

Liszt knew how to make Philip happy.

He immediately came up with an idea, he drove Philip's Maserati, carrying Philip, speeding down the road. Cars are left behind by them, and they experience the thrill of drag racing that they have never experienced before.

Of course, such drag racing will only attract the police. However, when the policemen approached, Philip and Liszt immediately began to perform. Liszt claimed that Philip was ill and was now being rushed to the hospital, and Philip immediately began to cooperate with him, acting as if he was seriously ill and fooling the police.

At this moment, the police immediately panicked. He even offered to open the way for two people and take them to the hospital. And these, Philip took full view, and he also felt the joy he had not seen for a long time.

It's not because of drag racing, or breaking the law, but because he still has all kinds of experiences in his life that make him happy.

The policemen dispersed, and Liszt lit a cigarette. He took two puffs and handed them to Philip. Philip smoked a cigarette and gradually became happy: this was exactly what he wanted: the unusual excitement and joy of not communicating all day, and waiting for death after being disabled, was what he really wanted. And after the stimulation, light a cigarette and smoke comfortably, so that the days can be comfortable.

Sure enough, it was Liszt who could really understand him and understand him.

Back at home, Liszt gave Philip a mustache, and even this time, he didn't do a good job. He constantly changed the shape of Philip's beard, including sideburns, mustache, and Hitlerian beard, and he made some changes to the shape of his beard every time. And in the midst of these changes, he also had to make fun of it every time, which also made Philip laugh constantly.

For Philip, understanding is greater than physical care.

Liszt, who returned, helped Philip find the right track in life again. Philip came back to life again, and he began to go back to the old days of talking and laughing. Moreover, the lady who had been in correspondence with him for a long time finally came to him and met him with the help of Liszt and others.

Everything was perfect for him. He seemed to have completely recovered his pre-injury mood, and even took Liszt with him to skydive again.

His paralysis was caused by parachuting, but now, he didn't care at all to face the killer who hurt him again. His illness may not get better, but his psychology has become healthy.

Under the blue sky, two parachutes flew, and the friendship between the two people also flew into the sky.

The power of friendship does not heal the body, but it heals the soul - and this is the greatest thing about friendship. (To be continued......)