The code word is very fast, and in a blink of an eye, it is Monday, which is the first day of the homepage of "People in Embarrassment".

On this day, Lin Feihong turned on the computer as soon as he came, and entered the Tuku network as soon as he went online, and when he saw the data of "People in Embarrassment", Lin Feihong's heart trembled.

The power of the strong push far exceeds the classification recommendation, "people in the embarrassment" on the homepage of the list of strong push less than a day, click-through rate, subscriptions, appreciation, collections and other data have reached the peak, the number of subscriptions from yesterday about 500 suddenly rose to more than 1,000, and this is only from the early morning to the present ten hours of time about the subscription increment, the number of appreciation has now reached twice as much as the previous day, especially the click rate, in the home page click rate list has risen from the original fourteenth to eighth.

The top ten in the top ten of the homepage click-through list are basically the works of big directors or famous screenwriters of Tuku.com.,As a rising director or screenwriter, it's generally difficult to squeeze into the top ten.,Unless your work is a masterpiece.,Such a masterpiece will appear in Tuku.com in a year.com.,Now "People in Embarrassment" has also become one of these three or four works.,This kind of honor is both enviable and jealous.。

Of course, most of the people who harbor this kind of envy, jealousy and hatred are screenwriters or small directors who have been hovering at the bottom, most of these screenwriters have written multiple scripts, and almost only one or two of these scripts have been made into film and television works, and the results of these film and television works are not very good, to be exact, they are not even good.

Lin Feihong's first work is so popular, it's no wonder that these people are not red-eyed.

The click-through rate of "People in Embarrassment" is relatively high, but the number of subscriptions is not necessarily so high, usually this ratio is 30:1, but no matter what the ratio is, the more people watch, the number of subscriptions will be correspondingly higher, so the high click-through rate is definitely a good thing.

It's a good thing that the click-through rate is high, but it includes a lot of viewers with bad intentions and black "People in Embarrassment".

At most, these ill-intentioned viewers click on the subscribe button, watch the trailer and stop subscribing, or just enter the "People in Embarrassment" page to see the introduction, and then do not directly ignore it, leaving this page, they will leave a message similar to "visit here" in the movie review area. Of course, their "visit here" is definitely not simply writing down the four words "visit here", if it is just like this, Lin Feihong will not be annoyed.

Their comments, to be precise, are insulting, and all they write about how bad, rubbish, tasteless, and so on "People Are in Embarrassment" is. For this kind of behavior, Lin Feihong is very helpless, all he can do is to be calm, although he is annoyed in his heart, he still has to stay calm and can't scold these people... Otherwise, half of your future will be ruined.

Lin Feihong understands in his heart that a work is good enough to have a variety of voices... This is a habitual behavior in the film and television industry, as long as you know, you don't have to take it too seriously, just take it too seriously, just be too careful, after all, there are still many supporters.

Lin Feihong believes that most audiences are still very qualified, and they will not say some abusive and offensive words to the creator because they can't get used to watching your movie or hate this work. Of course, when the forest is big, there are all kinds of birds, and it doesn't hurt to let someone scold a few words if they like to scold, after all, you can't stop their mouths.

Perhaps, few viewers who can make such intentional slanderous behavior really think that what they write is what they think, most of them are envious, jealous and hateful to this work, and most of these people are peers, for example, the comedy film "People in Embarrassment", the peers are also comedy screenwriters or small directors, but in Tuku.com, there are still relatively few people who are directors themselves, there is no one in ten thousand, most people are still screenwriters, after all, the director's road is not easy to walk, if you have a major relationship with a famous screenwriter, As long as he makes a movie for you, you, the director, will take off, of course, there are still relatively few people with this kind of relationship, so in Tuku.com, most people still choose screenwriters, and only a few people like Lin Feihong who are persistent and like hitting the wall will choose to be directors.

These screenwriters with bad intentions are naturally not famous screenwriters, they are all small screenwriters who have been struggling at the bottom for a few years and are still struggling at the bottom, if calculated by time, they can also be said to be an old screenwriter, after all, the people who entered Tuku.com with them have not become famous screenwriters but are basically brilliant, most of these screenwriters have written several scripts, but they have not succeeded in one so far, so their psychology is very unbalanced, when they see Lin Feihong's first work is so popular, They find a way to vent their deep imbalance in their hearts – invective. Even if they recognized this work in their hearts as good and recognized as good, they still insulted and did not feel that their conscience could not pass.

Lin Feihong has no hatred for these screenwriters with envy, jealousy and hatred, but feels that it is not easy for them, they think about it night and night, racking their brains, nothing more than wanting to make a fortune in the film and television industry, so as to get rid of the bitter and persecuted words, and change the status quo. Most of these struggling screenwriters are young people who have just graduated or are not very satisfied with their current jobs, and they live all over the country, not satisfied with the status quo and have dreams.

In this fairly developed world, entrepreneurship is basically a fantasy for the young generation without any background, and nowadays, even if you open a small restaurant, you can't do it without a million. Under the persecution of this harsh form of society, these young generations chose the relatively cost-free screenwriting industry.

As a screenwriter, as long as the script you write is a hit and made into a movie, even if it is not released, then you will get a good income, and if it is released, it will be even better, and you will also get a little remuneration from the box office, which is very small, about 1%, but if the box office is high, this 1% is not a small amount.

The film and television industry can be said to be the most profitable industry, attracting people from all walks of life to enter the field, and even the host who is the host has gradually infiltrated the film and television industry, constantly trying to shoot film and television works. But the film and television industry is also the most difficult industry to make money, there is no certain opportunity, and people who do not have a certain ability can't make money at all, even if you hit your head and bleed, it is estimated that it will be nothing.

Like the host as the host, they have money to burn when they enter the film and television industry, but the young generation of screenwriters who live at the lowest level have difficulties in life, so how can they burn the money? They only seem to have a lot of time and energy, although they are all young people, but at the same time they are facing a very real problem: starting a family.

Getting married is not simple for these young generations, starting a family is not something you want to achieve, if you don't have a suite in your hand, don't talk about getting married, I'm afraid you don't even have a marriage partner. In this day and age, a house is the first condition for starting a family.

But how can a house be so easy to get? Especially for the "poor second generation" who have no background.

So they don't really have much time and energy to spend right now.

There is a certain gap between reality and ideals, and they can only struggle at the lowest level...

Seeing clearly behind these young generation of screenwriters, Lin Feihong suddenly sighed, how could his initial situation not be like this? If he is not a director now, but continues to study and go to college, then his fate is estimated to be no different from theirs.

Now I have more than 300,000 yuan from cooperating with Singularity Network for a year, and I took home more than 200,000 yuan, and I still have about 100,000 yuan left.

(The collection fell straight down, resulting in no mood to code words today, nothing else to ask for, just ask those friends who are off the shelves to give a reason to leave before leaving this book, and help point out the shortcomings in the book, Lin Sanshao will be grateful.)

At the same time, I hope you will give more comments to this book, and Lin Sanshao will adopt it as appropriate... Thank you for the kind words of the wolf who ate the sheep, and I hope you can give some good words, thank you! I would like to thank Tianya Lu Miao Miao again for her reward, thank you! ）