Chapter 601: Lacquerware Identification

Seeing this situation, Luo Songrong rubbed his hands and said to Fang Ming: "Teacher Fang Ming, it seems that this matter is still going to trouble you." ”

"Yes, Teacher Fang Ming, it seems that our people don't agree on the same views now, so we have to ask you to come out."

Lin Zhizhong also looked at Fang Ming, most of these people who just got started were masters in nearby stores, but their opinions were also inconsistent, so now they could only see what Fang Ming said, Fang Ming was recognized by everyone, and his words were the hammer of the sound.

"Okay."

Fang Ming nodded, he picked up the bottle on the table again, and said, "There are many factors that determine the price of an antique, but one of the most important factors is its age, and I think everyone agrees on this. ”

The people around nodded slightly, Fang Ming was right, the so-called antiques and antiques are ancient things, so this time is the most important thing.

"So, for us to see whether the bottle in front of us is real or fake, in fact, the simplest way is to determine what age it is. Oh, in fact, if it can be concluded that it is the Tang and Song dynasties or earlier, then there is not much difference between true and false. ”

"Coax."

The onlookers burst into laughter, Fang Ming was right, isn't antiques like this?

For example, if a high-imitation antique is hundreds of years old, it has become a real antique, so at this time, it is not necessary to investigate whether it is real or not.

Of course, this is not to say that it is not important whether it is from a famous artist, but that sometimes it is not very important.

Therefore, in fact, for the appraisal of antiques, as Fang Ming said, it is necessary to determine when the time is, if the years are long, it is not important whose hand it is.

After everyone calmed down, Fang Ming continued: "This bottle in front of me is a piece of lacquerware, the collection of this thing is not played by ordinary people, and to be honest, I am not too familiar with it. ”

The people around didn't think that Fang Ming had no ability just because Fang Ming said this, because this was the most common in antique collections, and who in this world dared to say that he could identify all the antiques in the world? You must know that the antique industry is very deep, not to mention ordinary people, even a master may drown in this water.

"For the begonia lacquer bottle in front of me, my opinion may not be very mature, say it

It's also to talk to everyone and see what is going on. ”

With his ability to do so, coupled with his recent diligence, Fang Ming knew that there would be no problem with the identification of the bottle in front of him.

The reason why I say this is not that I don't believe in my own appraisal or find a way back for myself, in fact, I am just modest, after all, I am now facing a large number of peers, many of whom are meeting for the first time, but it is not in Gu Xuan Zhai to chat with Zheng Bai, Sikong Zhe and others, so naturally it can be casual.

"As I just said, the most important thing in the identification of antiques is to determine its age, and there are naturally lacquerware masters in each era, but these masters are not necessarily able to have names to be handed down, the key is that there are many masters in the folk, so, all the reasons add up, I think the most important thing to judge a lacquerware is not which person's hand it comes from, but its own craftsmanship and age, among them, my most important is the age."

"There's a reason for that, in my opinion, lacquerware is far less preserved than porcelain and so on, so if a piece of lacquerware is quite old, it can only be a master."

As the so-called master is in the folk, as the time of rolling in the circle of antiques is getting longer and longer, Fang Ming understands more and more that the identification of antiques is indeed the case in many cases, and it cannot be just from the famous masters.

The people around him became more and more quiet, they were all experts, so they naturally understood that what Fang Ming said sounded like nothing "nutritious" on the surface, but in fact they were very important, and understood that this was some philosophy that Fang Ming was talking about his own identification.

Starting from the famous hands to identify antiques, it is said that some people identify antiques regardless of 3721, as long as they can't identify it is a certain dynasty or a master, then it is considered worthless, this statement is difficult to say incorrect, but it is indeed a missed large number of good antiques, Fang Ming said such words before his correct identification, which is to show his attitude and opinion.

This is actually very touching for the people around me.

In fact, there is already a reputation in the circle that Fang Ming is good at picking up leaks and picking up big leaks. What is Pick Up Big Leaks? Naturally, all that was missed were antiques from famous artists, but at this time, they found that this was not the case at all.

To be honest, this "nonsense" is a touch for everyone.

"Okay, that's the end of the nonsense, the next thing we really want to talk about is the identification of lacquerware."

Fang Ming saw that the people around him all had thoughtful expressions

, I also nodded lightly in my heart, today's opportunity is actually very rare for him, so he took this opportunity to put out some of his views and let more people know.

With his current position in the antique collecting industry, it is estimated that there will be such "lecture" opportunities in the future, and it is even more necessary for him to pass on his own appraisal views.

"The two most important bases for identifying the age of lacquerware, that is, the length of time, are hue and segmentation, so when we get a piece of lacquerware, the first thing to do is to identify it according to these two points."

Finally arrived at Xirou, the surroundings were quieter, and at this time, the sun rose a few points, the temperature was even higher, Fang Ming was fine under the shade of the trees, and the people outside could only stand under the strong sunlight, the feeling and the sweat on their foreheads were really uncomfortable, but there were more and more people around, and no one who had come before was willing to go.

"To give you an example, the lacquerware of the Song Dynasty is characterized by the fact that their lacquer is generally not very good-looking, and the color has already shown the characteristics of a plum bore, and it has no luster and little brightness. Since the lacquerware at this time has been around for a long time, the lacquer and the wood have been blended together, and when they are expressed, the lines of the wood have already appeared in the lacquer, which forms the so-called segment pattern ......"

"Segment? Mr. Fang Ming, what is a segment? ”

As soon as Fang Ming said this, someone among the onlookers called out, obviously an anxious person.

This kind of behavior is actually quite impolite, but now in such a situation, it seems very reasonable, after all, although the people around him are all playing antiques, not every appraisal of lacquerware is proficient or familiar, so it is not surprising that Fang Ming said that this section pattern is not clear. In addition, people who play antiques have a mentality of eagerness to know the outcome when they encounter their favorite antiques, so it is not surprising that this situation occurs.

Fang Ming didn't care either, nodded and said, "Duan pattern refers to the fine lines formed on the surface of lacquerware. As I said earlier, this is because after a long time, the texture of the wood is 'imprinted' into the lacquer, so it is formed. This kind of lacquerware is good lacquerware, and based on this, you can basically identify the age and quality of the lacquerware. ”

"Can you identify the age of lacquerware?"

The bottle in front of him was Lin Zhizhong, and after he got it, he naturally studied and identified it, but when he identified the clam, it was not in a way like Fang Ming, but through checking

Reading the relevant information, from the characteristics of the process to identify, where would he think of such an appraisal as Fang Ming said?

Fang Ming nodded and said, "Yes, this method can indeed identify the age of lacquerware.

"There are two kinds of patterns, one is like the wrinkles on the palm of a person's hand, so it is also called hand wrinkles or cow hair patterns, and there is another called snake belly pattern, if it is a lacquerware with cow hair pattern, it must be lacquerware before the Song Dynasty, because only the lacquer of that era is better and better, will there be cow hair pattern, on the contrary, if it is a snake belly pattern, it is absolutely impossible to be the lacquerware before the Song Dynasty."

"I see!"

Lin Zhizhong suddenly realized that in fact, it was not only him, but the other people around him also felt this way. To put it bluntly, this kind of identification knowledge really makes people feel that it is not worth a dime, because after knowing it, as long as you are not a fool, you can identify it, but if no one points it out, it is impossible to know. This is actually a matter of knowledge, and now that Fang Ming has said this unreservedly, it will be able to divide the lacquerware after Song He.

"The lacquerware of the Ming Dynasty is characterized by luster, you can see a little bright light, however, it should be noted that such light is obviously darker on the whole, the color on the lacquerware at this time is also printed into the wood grain, but it should be noted that there are two kinds of patterns at this time, one is the cow hair pattern that the lacquerware will have in the Song Dynasty, and the other is the snake belly pattern just mentioned, to the Qing Dynasty, especially the lacquerware of the Kangxi period, there is light, but it is not dark, but it is not conspicuous at the same time, In terms of segment pattern, it is the same as Ming lacquerware, and in terms of segment pattern, there are cow hair patterns and snake patterns. ”

"However, there is an exception that must be paid attention to when appraising, that is, the lacquerware at this time is somewhat without segmentation."

"The lacquerware of the Qianlong period, basically only in the black lacquerware, there are segments, but it is not too obvious, of course, if you want me to describe how deep this pattern is, I have no way to describe it now, if you are interested, you can go to the museum to find lacquerware of various ages to compare and distinguish."