Chapter Forty-Six: Talent: Liangyi Lives and Destroys Xuanguang

"Because of the special nature of our primordial lineage, coupled with my natural talent, the Liangyi Birth and Destruction Method is my fundamental Dafa, and my cultivation and combat are all tied to it. There is no need to say much about cultivation, as long as it is a disciple of the first lineage, it will naturally know. In terms of combat, I can form a complete combat system with only the Liangyi Life and Death Method!"

"My Liangyi birth and death method has now been pushed to the level of artistic conception by me, and at the very least, I need to use two opposing artistic conceptions to form the artistic conception of Liangyi birth and death, such as the two major artistic conceptions of yin and yang that you now comprehend. After that, I can also integrate water and fire, wind and earth, light and darkness, life and death, clear and turbidity, fast and slow, and I can use the integration of multiple artistic conceptions to develop attacks, defenses, supports, movements, and so on.

"However, the two of us have different understandings, different visions, different insights, different mentalities and even different perspectives on thinking about problems, so it is impossible for me to teach you all my development and application.

This is not very accurate, I mean that I will not impart all the knowledge to you, but will give you all kinds of inspiration in the process of your own development, and it is up to you to develop and apply it in the end.

For example, your senior brother Zhang Qian regarded the Liangyi Life and Destruction Method as a pure attack and killing technique, but you can develop it into a healing and defensive technique. ”

"And the external manifestations of successful cultivation are not the same, and at the same time, for example, my Liangyi Life and Death Method looks like a mysterious light on the outside, but your senior brother Zhang Qian, the external performance of his Liangyi Life and Death Method is a black and white chess piece, and the methods of use are quite different from mine. Don't just think about cultivating my two rituals and destroying the Xuanguang. ”

Li Chu knew in his heart when he heard this, the two of them used the same method differently, and the difference in external performance was based on their respective talents, and Li Chu had already checked the talent information of the two.

"Talent: Liangyi is born and extinguishes Xuanguang

Rank: Fourth

Effect: (1) Passive, after mastering an artistic conception, if the artistic conception has an opposing artistic conception, it can improve the affinity of its opposing artistic conception.

(2) Active, consuming aura can condense a two-yi birth and extinguishing Xuanguang, which can be converted between birth and death, and life can heal all things, and destruction can destroy all sentient beings.

Note: The current level is Level 4, and Life and Death are only valid for targets in the Divine Fetus Realm and below.

Introduction: The change of the two instruments, between birth and death, one thought is born, and one thought is extinguished. ”

This is Lin Yuxin's talent, Lin Yuxin's Liangyi Life and Death Method is based on her own talent, and then created on the basis of the Taichu One Vein Foundation Method.

It is also a trend for advanced cultivators to create all kinds of spells according to their own talents, first of all, there are conventional means, so that they do not use their talents at every turn, and most of the time as long as they are not particularly obvious talents, they will basically be used as hole cards.

Another reason is that as long as there are corresponding conditions, most cultivators will plan their own cultivation path according to their own talents and build their own combat system.

If the practitioner does not create the corresponding technique, and the practitioner wants to leave the inheritance after death, but finds that his greatest reliance is his own talent, at this time, the practitioner can never tell the later person, "All my inheritance is in my talent, if you want it, go find it yourself!"

Even some physique talents have the possibility of being transformed into battle physique-type spells, but the stronger the physique, the more difficult it is to transform into the corresponding method.

Another reason is that not all talents are extremely powerful, and they may also have their own flaws, and the creation of magic spells has the possibility of breaking the boundaries of talents.

Zhang Qian's Liangyi Life and Death Method's external performance as black and white chess pieces is also related to his talent.

"Talent: Black and white

Rank: Third Order

Effects: (1) Active, consume aura to condense black chess pieces.

(2) Active, consume aura to condense white chess pieces.

(3) Trigger passive, when black and white pieces appear at the same time, the two will collide within a certain distance to burst out of powerful attack power, the farther the distance, the stronger the attack power.

Note: The current collision distance limit for black and white pieces is 100 meters.

Introduction: Chess is divided into black and white, people are divided into black and white, and the combination of black and white makes it stronger. ”

Li Chu had seen Zhang Qian demonstrate his talent, or the spell he had created based on his talent.

Zhang Qian made all kinds of different spells into black and white chess pieces, and the power of the collision between the two was definitely greater than two.

After Zhang Qian learned Lin Yuxin's Liangyi Life and Death Method, he could seal and collide the spells of opposing attributes, and use the Liangyi Life and Death Method at the same time as the black and white chess pieces collided, so that he could burst out with more powerful power.

After Li Chuxin flashed the talent information of Lin Yuxin and Zhang Qian in his heart, he continued to listen to Lin Yuxin's explanation.

"My current Liangyi Life and Death Method is a spiritual method, containing artistic conception, and words can no longer express it, and I have not specially engraved a spiritual inheritance jade plate containing artistic conception, so I will demonstrate it myself!"

Saying that, Lin Yuxin's fingertips flashed with a black and white light, it was the Xuanguang of the Two Rites of Life and Extinction condensed by Lin Yuxin with the Liangyi Life and Death Method!

"This is the most basic artistic conception of the combination of yin and yang, and the combination of other opposing artistic conceptions is also inseparable from the category of the combination of yin and yang artistic conceptions, in addition to the fusion of the two artistic conceptions, if you want to carry out the integration of multiple artistic conceptions, then you have to rely on yourself!"

Lin Yuxin clearly displayed the artistic conception of the two yi birth and extinguishing the Xuanguang at his fingertips in front of Li Chu's eyes, and Li Chu only glanced at it, and many insights emerged.

Li Chu understood what Lin Yuxin meant.

The artistic conception of the two instruments can not only be combined by the artistic conception of yin and yang, but also life and death, fast and slow, water and fire can be combined to form the artistic conception of the two instruments.

This combination is the same law in it, learn one of them, and the other will naturally understand.

However, if Li Chu wants to combine two pairs of opposing artistic conceptions into two artistic conceptions at the same time, then Li Chu needs to deduce it himself.

It is not that Yin and Yang combine the artistic conception of the two instruments, life and death combine the artistic conception of the two instruments, and then the two can be superimposed to form a more powerful artistic conception of the two instruments, but another combination method is needed.

This method of combination does not yet have all the formulas or laws of combination, so it needs to be deduced by Li Chu himself.

Li Chu was immersed in the mysteries of the artistic conception of the two instruments, and it was not until Lin Yuxin put away the Xuanguang of the two yi that Li Chu woke up from that state of understanding.

Li Chu knew that today's teaching time had come, although he really wanted to successfully comprehend the artistic conception of Liangyi, but Li Chu knew that it was not realistic.

Maybe Lin Yuxin was optimistic about Li Chu, but just when Li Chu retired and wanted to leave Yurou Peak, Lin Yuxin stopped Li Chu.

"I have four True Immortal Inheritances in the First Lineage, I don't know which one you have chosen?"

The lineage here is not about contemplation, but about the thousands of methods that are contained in each lineage, and contemplation is only one of them.

Of course, there were more than four true immortals in the first vein of the primordial lineage, but only four true immortals left a legacy in the first vein of the primordial lineage.

The four inheritances are named "Taichu Qi Sutra", "Taichu Xuanguang Sutra", "Taichu Qiankun Sutra" and "Taichu Yuxiao Sutra".

In addition to the Taichu Saint Venerable, the founder of the Taichu First Lineage, the three True Immortals who left behind the inheritance did not jump out of the scope of the Taichu Saint Venerable.

The reason why the latecomers did not jump out of the category of the founder of the Taichu Shengzun is because the foundation of the latecomer's inheritance is still the Taichu Foundation Method "Tai Initial Qi", and the different inheritances are only different development directions of the "Tai Initial Qi".

"The disciple hasn't chosen yet, isn't it generally the divine artistic conception that will completely select the inheritance?"

Li Chu shook his head, saying that he had not yet chosen the inheritance.

What Li Chu said, how could Lin Yuxin not know that Lin Yuxin was not afraid that Li Chu would choose the "Taichu Qi Sutra" that seemed to be the most suitable for the Ten Thousand Laws Immortal Body.

In order for Li Chu not to embark on a dead end in the future, Lin Yuxin analyzed the pros and cons of the four great inheritances for Li Chu, so that Li Chu could have a clear understanding of the four great inheritances and make the right choice when he was in the artistic conception.

“......”