~,――~ The debate on the quota system for movie release schedules has not stopped to this day, although these debates have not been made public. In 1998, when the controversy was at its highest, opponents of the quota system argued that its mandatory protection of Korean films would undermine free competition in the film market and, eventually, the entire market. And now these people believe that since Korean domestic films have a certain competitiveness, it is natural to reduce the quota of Korean domestic films in terms of release schedules. In its platform for the 15th presidential election, the current ruling party specifically mentioned its policy of supporting domestic Korean films: "We will guarantee the quota of domestic films in the release schedule through coercive means, and give tax incentives to distribution companies specializing in domestic films and theaters that exclusively screen domestic Korean films, and these policies will continue until the market share of domestic Korean films reaches 40%." "This year, the market share of domestic films in South Korea has exceeded 40%, so does that mean that the time has come to eliminate rationing? No! For the question of market share, at least a five-year cycle should be used as the criterion. At the same time, it is also very necessary whether the surrounding environment of the film market has entered a benign operation. For example, in the media, we stipulate that the proportion of domestic films in TV shows or other audio-visual products must reach 40%, which coincides with the relevant regulations of the French government. The French government also stipulates that 3% of the total revenue of media companies must come from the broadcast and sale of local films. They have also passed a series of laws that stipulate that media funds invest in local films. Right now. French cinema as a whole maintains a market share of more than 30%, and even reached about 50% in the first half of this year.

Although the Korean nation is very shameless, it has to be said that they can use their shamelessness to create benefits for themselves, just like now.

Lin Yu looked at the blonde girl in front of him, with big breasts and fat buttocks, and a devilish figure, but this face did not conform to his Oriental aesthetics at all, and Lin Yu was not interested in this kind of woman at all. There is only one, that is, Liu Qianjing is married by family.

The blonde is the company in which James Cameron's "Terminator 2" invests - Emerald Bird Films.

Emerald Bird Films is just a small film company founded in the mid-eighties. In Hollywood, such companies are born and die every year, and it was Cameron's "The Terminator" that made it famous. As a result, it has gained a foothold in Hollywood, but in the years since, although many works have come out, few have really hit the market. So Gower remembered his ex-husband again and planned to make a sequel to "The Terminator". Although it has become an unspoken rule in Hollywood that the sequel to a blockbuster movie is not as good as the first episode, she believes it. Cameron, who broke this rule on "Alien", will also make "Terminator 2" shine.

The villa where James Cameron lived was actually what she provided, and she knew it. His talented ex-husband has encountered a little difficulty with movies. It's just that she didn't think about it either. It was only two days before things turned out to be radically reversed. Not only is the editing of "Terminator 2" about to be completed, Cameron has also obtained the film adaptation rights of Michael Clayton's new work. As an American, the president of a film company, the name Michael Clayton is naturally familiar to her. Being able to get the right to adapt his new film is like pie in the sky for Emerald Bird Films. It's hard to say whether this pie can fall into the mouth of Emerald Bird Films.

Emerald Set Films over the years, although it has gained a foothold in Hollywood. But the results are limited, and in Hollywood, it is only between the second and third rate. The copyright of "The Terminator" is in hand, and whoever wants to shoot this subject cannot bypass Emerald Bird Films. But the film adaptation of Michael Clayton's new work, Hollywood didn't know that there was ~~-