Chapter Seventy-Six: Soul Wall Painting (II)

It would be a big joke if the system did come up with a curse rehearsal, and Riki didn't doubt the danger of this curse. Booing and shouting is very cool and refreshing, it is a pure joke, but one day you have to break out in front of others - "How many years did the Pentagon get hit?" "Will they be taken to the United States as terrorists?

The curse of mystery is to play tricks, but the curse of words is to play with life.

The task requires 100 people to draw a wall painting of more than 100 meters with the use of skills, and it requires 100 people to understand the artistic conception to be expressed in the painting, which is quite difficult for Riki who has not been exposed to wall painting much.

Fortunately, there is also an experiential skill to help -

[Mapping Projection Lv1 (Trial Version): Active skill, capture your momentary artistic inspiration, and save the inspiration image in the system. Once saved, you can recall the inspired image at any time and project the virtual image onto any surface to help you paint, which only you can see.

[Preservation of Mind Images: 10 images.]

[Storing Operations: You don't need to turn on the skill to silently recite "Mind Rubbing" to save the image, and you need to restart the skill to reset the operation.

[Duration: Enables the skill until the skill is turned off.]

[Special note, to activate this skill, you need to use startup coins; The trial version of "Image Projection Lv. 1" will be reverted to "Image Projection Lv0" after the "Mind Wall Painting" quest ends. The trial version of "Image Projection Lv1" has been used to store 5 psychic images. 】

Riki blinked.

Seemingly-

This skill bunker is here!

I can actually grasp the momentary inspiration! The biggest headache for artists is not being able to grasp fleeting inspirations. I finally sat on the beach and looked at it with some understanding, and went home and sat in front of the easel and just picked up the paintbrush - "Huh? What did I just want to draw? ”。

There are also often painters who drop stools and smash easels in the middle of painting. When Leonardo da Vinci was painting "The Last Supper", he lost inspiration and stopped working on Judas for several days, and was deducted from his salary by the abbot of the Grechs Monastery in Milan. Of course, Leonardo da Vinci painted Judas as the abbot, and the last abbot was able to leave a stench in the image of Judas's greed to this day.

Secondly, this skill can also convert the electrical signals in the artist's brain into video.

Painters often scribble on the drawing paper, and always feel that the lines and colors they draw are different from what they are thinking in their heads. Once this skill is out, there is no such trouble, and the user directly reflects the image in his mind on the drawing paper, and even a novice comic who has never drawn a manga can draw a line drawing with dot lines.

For those who have painting skills, the virtual shadow of the line is placed on the paper, and you can pass it by following the direction of the line. The lines will never be trivial and intermittent, rubbing back and forth, and will not be rubbed because of too heavy grasping ability, so how much painting time can be saved! Tick a line on the original paper, and you can get a page with the dot paper!

…… Limu likes to draw comics, and the system obviously gives the skill of grabbing artistic inspiration, so it was only two or three times to associate this painting artifact with comics.

In fact, as soon as "image projection" was born, it was enough to turn a fledgling boy into an artistic master. As the saying goes, looking at words is like looking at people, and the same is true for painting. Painting is also a process of cultivating the mentality, the length of the line, the frustration of the turning and turning, and the grasp of the degree of virtual strength are all related to a person's state of mind and artistic attainments.

"Ge Laozi, this skill is so tempting, and those five images, I can't help but spend an extra gold coin to test it today." Li Muwu made an excuse for extravagance and waste, and pulled out a gold coin from the groove and threw it into the coin slot.

The "Mapping Projection" lights up and a horizontal selection window pops up.

Riki slid the interface back and forth with his fingers, and found that there were a total of ten frames in the selection window, the first five of which had been pre-stored by the system for five paintings, and the last five frames were pitch black, so the images would only be displayed if they were saved.

Riki closed his eyes and imagined a page of manga images from the New World in his mind, and did not silently recite the words "Mind Rubbing" until the image was close to perfection. When I opened my eyes, on the far left of a row of black frames, there were already more black and white comics! Click on the comic and stare at the drawing paper on the table, and the shadow of the comic will immediately appear on the drawing paper. He changed the target of his gaze to the wall, and the phantom ran to the wall to expand and fill it properly!

Exit the projection and return to the selection screen, and switch to a painting - "The Slender Man on the Volga". This elongated "100-meter version" of "Slender Man" is suddenly projected on the wall, adapting to the original scale into a slender image.

"Bunker!" Riki exclaimed in the room.

The melancholy, loneliness, and helplessness of "The Slender Man" really penetrated into the depths of his soul when it was projected.

What's more, his tentative surname experiment this time was successful! The system doesn't mention whether or not you can switch between artworks while the skill is activated, so Riki is thrilled with the results of her experiment.

Ordinary cartoonists have no plagiarism objects, they can only paint while imagining, and the amount of professional cartoonists is 2~3p per day; Limu usually draws comics while reminiscing, and the amount of plagiarism is 3~5p; If there is a comic template placed on the desktop to copy, and the skill is not opened, the speed is estimated to be able to draw 6~10p a day; Now if you want him to draw it, if you want him to draw it, he will directly reflect the virtual image on the drawing paper.

"Nima doesn't draw 20p a day, I don't !! much"

Ideally, do a regular task once a day and get a coin after completing it. "Image projection lv1" is deleted and refilled every time it is turned on, and even if it is not turned on, he will definitely be able to finish drawing 10p paper.

According to all 108 chapters of "Steel Refining", each word is about 40p, and the whole book is about 4360p. Draw 10p a day, and you can finish it in just a year and a half! It's six or seven times faster than Mr. Arakawa's serialization from 01 to 10 years!

Moreover, the projection is a system projection, which can be cast anytime and anywhere, and the projection will not be artificially interrupted, so there is no environmental limitation.

If you are willing to spend 2 gold coins a day, it is said to be 20p! If you are willing to spend 4 gold coins, it is said to be 30p!

It's not a problem to hold four or five comics at the same time.

What is more practical for Riki is that the skill of capturing mental images is very helpful for original manga. No matter how plagiarized the comics are, they are other people's comics, and if you want to become a real great cartoonist, you should draw your own comics! That's what he really wants to pursue.

It's just that if you have to copy it now, you should copy it directly.,Original comics can wait for the technology、Skills are mature.,Or when there is no copy, then create your own.。 Although Riki is stubborn, he is not an elm head, and it is not easy to find an opportunity to accumulate popularity with classic manga while making money with his favorite business.

However, Limu doesn't want to rush to 30p every year (two skills are matched), and he knows that the more advanced the skill, the higher the efficiency of the use of gold coins. Just like the second cousin, the more people who can save money, the more successful they will be in the future.

It's Riki's fault that he couldn't help wasting a gold coin, but there are still four empty slots to fill and switch, isn't it, and I'll spend the evening drawing four pages after dinner.

And there are still 5 paintings given by the system that I haven't seen.

Pick them up one by one.

The first is an extended version of "The Slender Man on the Volga" that he has just switched to. Don't project it anywhere, just hover the image in front of your eyes and slide your finger over the extra-long painting.

The river in the background is long, empty, the sun is fierce, the beach is barren, and the inspiration of the mental projection makes him feel: a slender man in tattered clothes is lonely and helpless struggling for life, exhausted by the scorching heat.

Because Limu is a primary five lesson that he has just taken, Mr. Lan also said when teaching Chinese class: "The Slender Man on the Volga...... They are the true face of working people such as bankrupt peasants, veterans, distrusted priests and vagabonds in Russia, living a miserable life under the exploitation of feudal forces and capitalists. ”

That's probably what happened, and it shouldn't be difficult for people to recognize the artistic conception when they draw it.

However, the tip of the drawing reads: [Ilya Efimovich Repin must not have thought so much at that time, and it was someone else's business to talk about the feudal capitalist class. Repin was only moved by the misery of their lives and painted the picture. Was it his intention to express the oppression of the bourgeoisie? 】

Seeing this, Limu has a feeling that he will accidentally step on the wrong mine.

The extended version of "The Slender Man on the Volga" is a painting that has been perfectly lengthened to 100 meters on the basis of the original work, and the painting may not represent "The Slender Man" but the 3,500-kilometer-long "Volga River"?

Then click on the other four works in turn, they are Van Gogh's "Starry Night", Miller's "The Gleaner", Picasso's "Guernica" and the system's self-sufficient "Battle of Red Cliffs", all of which are systematically completed and extended, and the lengthened places are suitable for the theme, flawless, and there is no trace of acquired processing.

As if the original artist had painted it this way, the long mural and the original painting seemed to be so natural that either one would have shocked the industry – and the world.