Chapter 292 co-directed

Have other ideas? Lu Yan really didn't have this meeting. It's just that there happens to be such a bridge, and he also wants to hear how Beyond's "No More Hesitation" is practicing. As for the increasing number of students coming, he didn't pay much attention to it. Because of the shooting, it has to continue.

The members of the band Beyond were visibly excited.

The discussion of the students and the admiring eyes of the staff, they naturally paid attention. At the end of this song, Huang Guanzhong and they whispered on the side.

And Huang Jiaju's performance continues

"Wow, that's so good......" Zhou Huimin showed a cute expression and immediately began to applaud.

Huang Jiaju put down the guitar and smiled shyly. is filming the emotional scene between the two, which is the most handy for Lu Yan. Because Zhou Huimin is indeed too lethal, Huang Jiaju will be a little shy even if she stares at her a few more times.

After all, Zhou Huimin is an official actor, and Huang Jiaju is just a musician. In terms of acting, he naturally doesn't have the characteristics of an actor. But it is precisely this that makes Lu Yan's shooting very smooth. Isn't that what he wants?

"Amin, your expression is more subtle......"

In Lu Yan's opinion, Huang Jiaju's true performance is naturally better than Zhou Huimin's somewhat blunt performance. So more often, he is asking Zhou Huimin.

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"Cut is good, everyone take a break. Xu Duo, hurry up and prepare ......"

There is no difficulty in filming these scenes at the University of Hong Kong. In addition, Huang Jiaju basically belongs to the true nature of the performance, so it is easy to pass. The role of 'Ng' can be said to be very rare.

Seeing the end of the filming of this scene, Wong Kar-wai got up and said to Lu Yan with a little frown: "Yan Zai, youth inspirational film." Will it not be suitable for me, I think Wang Jing is more suitable than me. After all, the stylistic surprise is difficult to reverse......"

"Don't worry, I'm not willing to shoot you for such a scene" Lu Yan laughed and teased a few words before explaining: "In fact, in the difficult plot of Huang Guanzhong later, I need you to shoot the feeling unique to Hong Kong people." I don't think you have any problems with that."

"That's ......" Wong Kar-wai thought for a moment and nodded.

In showing the gray style of the shot, Wong Kar-wai is still very confident. Especially after the success of "Mong Kok Carmen", his desire for filming has expanded even more.

Since there is an opportunity to cooperate with Lu Yan, and if it is appropriate, he is very happy.

"By the way, Yan Zai, the song "No More Hesitation" just now was written by you, right?"

As soon as Wong Kar-wai's question came out, Yi Shouyi and the others couldn't help but look at each other. Lu Yan smiled, waved his hand and said, "No, no." They have written a lot of songs themselves, and I just changed the lyrics of this song. As for the song, they composed it themselves."

Although Lu Yan said this, everyone's eyes were full of admiration.

"What do you see...... Ready, ready. Lu Yan clapped his hands, there are a lot of scenes to be filmed today. It was the students who were watching that their eyes were full of anticipation. Perhaps, what new songs will come out later?

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"Rock and Roll Youth" continues to be filmed, and the outside world is hotly discussed with the box office of "Mong Kok Carmen". In particular, many film critics seem to have another layer of expectation for "Mong Kok Carmen".

"Mong Kok Carmen, Another Jianghu"

"Mong Kok Carmen" still tells a story of rivers and lakes, during which it is mixed with love and friendship, love is poignant, and friendship is sincere. In fact, for Andy Lau, it is contradictory, on the one hand, he wants to escape, wants to guard love, and would rather be incognito, when he and Wang Zuxian live a sweet two-person world in a rare and quiet fishing village, they are happy, gag and playful, as if to linger in a lifetime, Andy Lau's uninhibitedness, Wang Zuxian's girlish style, are infinitely amplified by the director, perhaps deliberately to add some sharp contrast to the sadness of the ending.

The people in the play are happy, but for the audience, they are cruel, and all of them hope that they can reap the rewards. But in that kind of rivers and lakes, it is inevitable that you can't help yourself, and the imperfection of love is actually because you want to fulfill friendship, when you learn that your brother is going to work hard, as a big brother who has been dressed from beginning to end, he has no other choice, and the ending has already been doomed, come out to mix, sooner or later one day will have to be returned, this is the answer that this type of film will give.

"Mong Kok Carmen" naturally makes us nostalgic for such a love and hate in the rivers and lakes, the story is wonderful, black but warm and romantic, when we are faced with a cruel bloody scene, what appears in our hearts is a romantic love scene, the most enviable and memorable is that Andy Lau and Wang Zuxian kissed wildly and unscrupulously in the phone booth, with Jacky Cheung's equally heart-wrenching and somewhat heart-rending singing "Forget You Forget Me", It was a truly memorable and unforgettable scene.

All the beautiful imagination of a person for love can be found in this movie, and this kind of storytelling mood cannot be created by any director. Lu Yan can, and Wong Kar-wai has obviously done it. Maybe he has the same complex in his heart as the movie, which is the expression of a filmmaker's original dream, maybe closer to his real thoughts.

The actor in "Mong Kok Carmen", Andy Lau is actually a true act, he has played too many Taibao roles, so there is not much breakthrough. Wang Zuxian first saw the signs of maturity in her performance, melancholy and simple, and her expression was portrayed very well and naturally. The biggest brilliance is to say that the fly played by Jacky Cheung, an extreme gangster, is a righteous but bull's horns, always dreaming of getting ahead one day. But he always causes trouble, and he always has to come out to save his life. In the middle, Andy Lau and Jacky Cheung's expression of brotherly affection can be said to be insurmountable so far, and Wan Ziliang plays the gangster brother, who is ruthless and will make you want to slap a few times, and it is also quite brilliant.

In fact, love, in such an environment, can show the sorrow of love more, and the kind of helplessness and entanglement makes people more likely to be touched. I can't forget that period of love in the rivers and lakes, looking at that lingering from afar, a few gorgeous, but extremely lonely. It's good to love, it's good to love, maybe you can only live for one day, and I hope to be with you, such a simple but great declaration of love, subconsciously conveyed by the film, the unfinished dream, just like this.

And many people compare "Mong Kok Carmen" with "The True Color of Heroes", and what I want to say is: these two movies are obviously completely different. They fascinate us just as much, but they have different emotions.

According to Wong Kar-wai himself, the idea of "Carmen in Mong Kok" is completely to portray such a story after watching "The True Color of Heroes". Because "The True Color of Heroes" is a simple brotherhood, while "Carmen in Mong Kok" is obviously a love scene as the main line

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From this, we can see that in fact, Hong Kong films do not lack talents in this area. New directors continue to emerge, and new faces begin to be active on the screen. Their acting skills are getting more and more exciting...... I sincerely hope that Hong Kong films can maintain such a momentum......

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When countless film critics began to criticize "Mong Kok Carmen", "Film Fortnightly" finally issued a film review. In comparison, this film review is obviously more detail-oriented and emotional. Other film reviews will more or less entangle Wong Kar-wai with Lu Yan completely.

However, in this report of "Film Fortnightly", Lu Yan is rarely mentioned. What's more, is the movie itself, and the praise for Wong Kar-wai.

A famous director, the best example is Lu Yan.

And now Wong Kar-wai seems to have taken over the high banner of Dongcheng Image. Because Lu Yan began to play alternative, he always tried to break through. Although a movie like "Rouge Buckle" is very good, it is a literary film after all, and it is too niche.

In terms of commercial effect, where can it be compared with movies like "The True Color of Heroes" and "Mong Kok Carmen". In terms of influence, literary films are more in the film critics' world. And commercial films are a good reputation among the audience.

In fact, many viewers are looking forward to Lu Yan coming back to shoot a movie like "The True Color of Heroes". Or - "A Chinese Ghost Story".

Although other movies are very deeply rooted in the hearts of the people, they are obviously too cold in terms of emotional catharsis.

"Rock 'n' Roll Youth" - a youth inspirational film, has obviously made a large number of other audiences lose interest. However, everyone knows that Lu Yan is seeking a breakthrough or opening up the situation for Hong Kong films.

This ghost director, since he got this title, has become a complete 'ghost talent'. He seems to have lost much focus on commercial value and instead sought breakthroughs

However, the news about "Rock and Roll Youth" has always been followed by media reporters.

"Rock and Roll Youth" on the set, making waves again - Lu Yan creates a new song for Beyond

"Wong Kar-wai appeared on the set of "Rock and Roll Youth", intending to co-direct? 》

"Lu Yan has rarely appeared recently, suspected of preparing for the release of "The Saint of Gambling"? 》

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The news about Lu Yan is always topical. And the "Saint of Gambling" that everyone is looking forward to seems to be really ready to go?

[Dedication]