It's a pity that there is no endless August in this world, so it will soon be the end of August, which is the end of the summer vacation.

For other students, this will be the beginning of painful learning. For the future, however, it is slightly easier.

However, she had already finished most of the storyboards before she went to school. It sounds like a strong one, but it's actually a lot easier for her.

There are probably more than 300 cuts in an episode of animation, and a five-grid storyboard needs to be drawn about 100 times.

Of course, it's not a joke for a strong person to get it in two or three days, and it's possible for a slow person to do it in a month. Normally, it's only about a week or two.

The current speed in the future can only be said to be a relatively normal speed, and she is still relatively brief. This is naturally because she is not skilled enough.

Of course, the speed of the storyboard is very related to the quality, and since it is the second episode, the requirements for quality are not so high. Except for a few shots to think about a little more, the future has already decided that it can move on to the next step.

The quality of her storyboards is not high, compared to some supervision, the storyboards can almost be used directly, and everything will even be drawn in the room, which can be used as the quality of comics, and the future can only be looked up.

In fact, the future could have been completed earlier, but she never finished the storyboard, because she conceived the third episode and even some later storyboards, and even considered the storyboard of the edge of the void.

The reason why she is like this is to distract herself, and it's also very depressing to always focus on one episode of animation. And the other more important reason is to get into a new job.

For supervisors, there is actually a lot of work, and I want to learn a lot in the future. But I didn't expect the next work to confirm the number of original paintings.

This work is called fighting.

That's the painting meeting.,The painting meeting is actually a meeting with the original paintings.,The main discussion is how to draw.,For example, what kind of clothes the heroine is wearing now.,What kind of thing to take off.,Whether the breasts are shaken or not.,H's range of action and so on.。 Of course, a normal TV animation discusses what kind of clothes the heroine wears, what color of clothes, and what kind of clothes.

Of course, this is not the point, the point is about the number of pieces in the original painting.

Generally watching animation, there will always be people shouting wow and burning funds again, and the frame rate is off the charts.

But in reality, the frame rate is not going to explode.

Because there is so much time for an episode of animation, 24 frames per second is enough, and no matter how explosive the table is, it won't give you 100 frames per second, so people can't see it.

What really burns money is the number of original paintings.

An episode of animation is about 300 calories, and one card is a set of shots.

This is actually a limit on the number of original paintings.

The bigger constraint is in the drawing meeting.

The final animation, which is actually done by the concept art and animation. Animation, understood in the most superficial way, is a moving painting, but in fact, the painting does not move, and it relies on a lot of paintings to make it appear to move.

So, you need to draw a lot of pictures.

So, one part of this is the key painting, and the other part is the middle painting. The key painting is the core picture, and the middle painting is the picture that is supplemented according to the key painting. The former requires deep skill, while the latter is basically manual labor.

Therefore, there is a big difference in the treatment of concept artists and animators. The price of an original painting and an animation is also very different. And outsourcing this kind of thing,It's also trying to outsource the animation instead of the original painting.。

Because there are many original cuts, it is actually the most technical and critical cut.

In the case of animation companies, it is common to stipulate the number of original paintings in an episode. Some overseers are very good at controlling the number of their cards, and then they will also stipulate how many original paintings each card, and the number of daily coins will be less, and the number of coins will be more when fighting.

The ability to control the number of original paintings is also a reflection of the level of supervision. It is also a manifestation of a supervisory personality and even professional morality.

Some supervisors will consider the audience, so they will try to arrange as many original paintings as possible, such as Hosoda, and even like to step on the line to arrange.

Some supervisors will consider the company and will try to reduce the number of original paintings. There are many light novel adaptations, and the original plot is inherently lackluster. Animation is only made to serve as an advertisement, so the supervisor will save money, minimize the number of original paintings, and it will look more boring.

This is just like some TV series, just form a team, write a script casually, and add a little five-cent special effects, and a work will be freshly baked.

This kind of work is hell for the future.

In the general direction, the more critical the place, the more the number of original paintings will be allocated, which is still clear in the future. But how much to allocate is a bit confusing in the future. Fortunately, the original artist and painting supervisor here are all experienced, so they can be assigned about the same by themselves.

For this work, the future is actually very annoying, especially the more I learn, the more I hate it. Of course, in the future, I would like to have as many coins as possible, but this is not possible. Funding is limited, so try not to exceed the limit. How to reduce the number of pieces as much as possible and still maintain a good completion effect, this requires the strength of supervision.

To save money, but also to try to maintain a good finish.

In the future, I feel more and more that the so-called good superintendent is actually a cow that eats grass and milks milk.

I want the horses to run well, and I want the horses not to eat grass.

Fortunately, this is its own animation company in the future, and the sales of the first episode are very good, even if it exceeds it, it is acceptable.

If it's a TV animation.,Especially if you get the original work with a good reputation.,The budget is relatively large.,And in the end, the sales of the work are low.,The blow of the supervision will be very big.,The reputation will also be greatly affected.,The name of the aura of violent death is very interesting in the eyes of outsiders.,It's not necessarily an interesting thing for the supervision itself.。

The progress here in the future can only be said to be normal, and it may be very smooth for others, and for the future, it can be regarded as a slight flaw.

On the other hand, Hashimoto Mori's progress is very fast, and it is estimated that the work will be released in a few months. It is said that they expect to be able to complete it by this year.

They went very smoothly, and it went beyond imagination.

Of course, the main reason is that Hashimoto is desperate, and even the others have to speed up.

Although there was a slight setback in the painting meeting, the future was not affected much, and everything was still going well.

Compared to this, after arriving at school, I feel that life is simply too smooth in the future.

Learning this kind of thing is no longer a problem, and the course should go smoothly. But life is a little scary.

First of all, the relationship between Chiho and Yukino seems to have become a lot closer.

And there always seemed to be some estrangement between Chiho and Yukino, but now it has disappeared without a trace.

The relationship between the two has become very close, and Chiho always cares about Yukino's physical development and teaches Yukino breast enlargement cheats; And Yukino is always concerned about Chiho's academic performance, worried that Chiho's grades will continue to decline. The two are intimate and friendly and help each other. The relationship is so good that it even makes the future feel that it is a little redundant.