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Death, through the excellent work of the mortuary, becomes no longer terrible, it becomes a continuous whole with life.

The relationship between life and death is the simplest and most complex at the same time, the simplicity lies in the fact that people can see clearly, and the complexity lies in the fact that people can't see clearly, and seeing clearly and not seeing clearly are often very easy to transform, so the simplicity and complexity of life and death are only instantaneous differences.

As the ancient Chinese saying goes, people are about to die, and their words are also good, that is because the conscience of human nature has not been extinguished, and only with this work of connecting life and death can the greatest conscience be shown in the most quiet and undisturbed manner.

When the hands playing the cello touch the dead with such melody and artistic sense, it is really the most moving picture, enough to make people forget all the blood and unbearable life of life, how quiet and beautiful.

When slowly figuring out the script of "The Undertaker", Lin Youmeng suddenly felt that he was very lucky, his parents were alive and happy, could there be anything happier than this.

Park Hyo-min has also faced the pain of losing her loved ones, and when her sister-in-law, who treats her like her own sister, dies together, that feeling is absolutely uncomfortable, and Park So-yeon has also felt it.

Originally, Lin Youyang had moved the idea of asking Hyo-min and So-yeon, but in just a moment, this thought disappeared without a trace, what the mortuary needs is sincerity and piety, why bother to uncover the scars and pain of others.

Lim Woo-myong also has expectations for "The Undertaker", Kim Tae-hee seems to really have nothing to do, and stays by his side every day with nothing to do. Accompany him to flip through the script. Practice Japanese.

Kim Tae-hee became famous very early. Naturally, she also came to Japan to develop, and she has long been familiar with Japanese, except for writing, everything else is no problem, so she has become Lin Youming's best teacher to practice Japanese.

There is a person who accompanies him in Japanese conversations and constantly corrects his mistakes, and Lim Woo-myung's Japanese level can be said to have improved by leaps and bounds, even because of Kim Tae-hee. Lin Youmin can also practice the scenes in the play with her and experience the emotional changes of the characters.

Kim Tae-hee also booked a room in the hotel where Lin You-min was staying, right next to him, on the same floor, she seemed to have become more and more familiar with Lin You-jung, and she could freely enter and leave Lin You-myung's hotel room in pajamas at will, and even had a room card.

Under the influence of Lim Woo-chan, Kim Tae-hee gradually became interested in "The Undertaker", and this script not only shows the professional art of the undertaker, but also runs through the strong family affection.

The father of the main character, Daigo Kobayashi, abandoned his family at an early age. It caused a lot of trauma to his psyche, although he often missed his father when he played the cello. But he has always been unwilling to forgive him, and his father wandered alone because he was ashamed of their mother and son.

Until the death of his father in the end, the father and son separated from each other for 30 years, when Dawu collected his father, he warmed his father's clenched fists with his hands, and saw the stone given to his father when he was a child, and finally completed the final communication between father and son, and couldn't help but burst into tears.

Such a scene, with Lin Youming's current life experience, can it be understood? This is the most worrying issue for Takida and Koyama Kaorudo.

Of course, even if he overcomes the emotional hurdle of the film, Lin Youming still stands in front of him an insurmountable mountain - Japanese culture, this barrier cannot be broken casually.

At least, the current Takida doesn't think that Lin Youlu has the strength to break down the boundaries between cultures and understand the essence of a movie full of Japanese culture as a Korean-American.

The technique of this film is to show people the Japanese burial procedures and Japanese culture in detail, and people have to be amazed by the rituals in Japanese culture.

Ritual is an important element of Japanese culture, from tea ceremony to flower arrangement to incense to kendo, everything is required in accordance with the procedure of the ceremony, and there can be no slightest difference, which may originate from Japan's unique island culture, which is not conducive to the development of a wide range, so it is necessary to develop deeply, and if you can't do it broad and broad, you must do it fine and deep.

Take the mortuary as an example, the procedure of the funeral also reflects this ritualized characteristic, every step and every action, requires excellence, as strict as walking on the stage, which is not only respect for the deceased and their families, but also respect for life.

Kobayashi, as a cellist, creates beauty for the living, and Kobayashi, as an undertaker, creates beauty for the life of the dead.

In order to gain insight in this cultural ceremony, Lin Youmian has been crazy in Japan for most of the month, and I don't know how many I have watched just the videos I have searched for on the Internet, almost day and night, while holding the Japanese annotation and script, while staring at the computer screen.

Even when I go out occasionally, I go to the old neighborhoods in Japan, find some old people, and talk about Japanese society and their feelings about life in Japan.

Half a month is a lot of time, but if you use it, there are actually a lot of things that can be done, and such days are a bit boring, but fortunately, with a big beauty like Kim Tae-hee with you, it is not particularly boring.

In order to cultivate his own kind of mortuary temperament, he even applied for a concession certificate through his relationship, and went to the funeral home every day to observe, trying to make himself more compatible with the protagonist in the script.

Maybe such a move looks disgusting and perverted to outsiders, but Lin Youyang doesn't care at all, Quan Encan has opposed and persuaded him, if he is recognized by others, then his whole image will plummet, but it is useless.

Lin Youmin is still firmly on the path of his choice, and there is a wonderful feeling that tells him that if he misses this role, then he will regret it for the rest of his life.

What is an undertaker, the undertaker is actually the person who is responsible for putting the body in the coffin and applying makeup to it, this kind of work that ordinary people look creepy.

Life is like a river, we are all a fish in the river, no matter how hard we try to go back, we will eventually return in vain.

The arrival of some deaths also catches people off guard, but when life suddenly turns from existence to nothingness, people are slowly relieved, and the burial work for the dead is meaningless, perhaps just to give the living one last chance to release their heavy and unspeakable emotions.

And it is precisely because of this understanding that the mortuary can always win people's respect and change the industry at the last moment with his respect for the deceased.

When Lin Youming searched for a lot of information on the Internet and observed silently in the funeral home for so many days, he suddenly had another kind of enlightenment.

The theme of life and death is still very empty and completely incomprehensible to him, but Lin Youmiao feels that life and death are another thing, and what this script wants to express may be another level of consciousness: only by cherishing everything in life and calmly accepting this true feeling, can we not leave regrets and better enjoy the art of "life".

Watching Lin Youchan go back and forth in Japan every day for this script, sweating, Kwon Eun-chan persuaded and persuaded him without words, and let him go, Kwon Eun-chan felt for the first time that Lin You-chan no longer seemed to be a star, but an actor!

Even if so much time is wasted for this elusive Japanese film, and other excellent scripts are missed, so what? On the road of being an actor, Lin Youming still has a long, long way to go, and this time he failed, and the grinding and experience he gained are far more useful and useful than starring in a stress-free TV series and movie.

Although he talked with director Yojiro Takita many times, he still didn't negotiate, and many times he refused politely, but Lin Youlang was not discouraged, but became more energetic.

Not once, twice over there, two times is not enough, then three times...... He's stalking anyway.

Of course, this is also based on the fact that Yojiro Takida appreciates Lin Youmeng's acting skills very much and the relationship between the two is really good, otherwise no director would be so patient, listen to your nonsense again and again, and it's good if you don't blow you out.

It doesn't matter if Lin Youmian is persevering, I don't know how thick the sky is, anyway, before the actor of "The Undertaker" is officially announced, he will not give up!

Lin Youmin is not without confidence, and he stepped on such an action without any basis, because it is obvious that many Japanese artists avoid themes like "The Undertaker", and almost no famous Japanese actor is willing to accept it, if it weren't for Yojiro Takida's very extensive connections and decades of mixing in the circle, I'm afraid even screenwriters and investors can't find it.

On this day, when Kim Tae-hee had nothing to do and was about to talk to Lim Woo-chan about the script again, as soon as he walked into his hotel room, he heard Lim Woo-myeong's voice a little excited.

Just as he was surprised, suddenly a gust of wind whistled by, and a figure hurriedly ran out, swished, and collided with Kim Tae-hee.

Before Kim Tae-hee could react, she felt that her whole person was being brought into a warm and thick embrace, she couldn't help but rub her shoulders and wondered, "You-myeong, what are you doing so fast?" Is there a hurry? ”

Lin Youyang was slightly embarrassed, he rushed too fast just now, and he didn't notice Kim Tae-hee standing at the door, so he quickly pulled her up and explained, "Yes, I'm going to go out, Director Takida said that I was going to audition!" ”

"Auditions? Right now? Kim Tae-hee's mouth opened wide, and her beautiful eyes sparkled.

Lin Youming's tone couldn't hide his excitement, and he clenched his fists, it was the first time he had insisted on a script for so long, and now he finally saw a glimmer of success.

Although it was only an audition, and the news was a little sudden, Lin Youming was still very happy and maintained 100% confidence, he really liked the script.

When Kim Tae-hee heard this, he showed a bright smile, "Shall I go with you?" (To be continued......)