"I don't know what's going on, I always feel like Yukino wants to eat me, did I offend her somewhere?"

"I don't know. But I think this kind of appearance has the feeling of a big lady, a proud and cold demeanor. ”

The future is quietly discussed with Chiho.

"Forget it, I still have to hurry up and finish the storyboard, and at the end of this week, I have to meet Miss Megumi Amara." Thinking about the future, I can't help but be more interested in communicating with the painting supervisor.

As for the curriculum, the future is not in the eyes, and there is no difficulty in the middle school anyway.

Due to the need to prepare for the painting supervision, the production of the storyboard was stepped up in the future, and when I returned home, I stepped up the painting of the more discordant scenes.

In the end, before the weekend, she only drew the front storyboard, but the future was still very satisfied, and the most important thing was the wet movement, and the future even had a feeling that it could be used as a concept painting. Even though I know it's just a good feeling for myself, I'm excited about the future.

The work was done smoothly, but there were some problems in the academy life, not only was Yuki weird, but even Chiho looked a little weird at her. Could it be that she hasn't been home with her for the past few days, which makes her feel cold? But in the future, I feel that every time I wait for the bus there, I have time to waste, so I might as well hurry up and draw in the classroom where no one is around.

Finally, the weekend has arrived.

Finally, the future came to an end and got up for breakfast, only to find that Nana was not there.

"Where's Nana?"

"Let a friend help take it, and after breakfast, let's go to Miss Amahara's house."

Arikiko brought out breakfast, which was very close to Chinese food, because when she was a child, she never got used to eating some Japanese food, especially sashimi and the like.

Eat a little at will, clean up and the two set off.

The car soon came to a café.

"Coffee again?" Future couldn't help but be stunned and stepped out of the car.

Yukiko entered the café with Mikumi, because it was morning, so it was very deserted, and found Endo Jin in a remote corner, next to him, there was a woman in her twenties, with long soft black hair that looked very elegant, with a mature sister taste, and she was talking while turning her pen.

"You should also understand that illustration is completely different from animation, so although the black silk of the illustration is great, it is not good to show that feeling in animation."

"Please, imagine a way, nothing else can work, but this must be shown hard. There is no way for investors to give you additional investment, but I can personally sponsor some for you. ”

Endo Shinmasa asked in a low voice, and the future couldn't help but feel strange, according to reason, it should be the production team begging the producer to be right, how can there be a producer who is so low-voiced, and before watching it, Endo Shin is not such a person.

"Is it really because it's a beauty?"

Future Cheek said.

Yukiko looked back: "Do you mean that mom is not good-looking enough?" ”

"Sure enough, an old woman over thirty years old is unattractive!"

When the woman over there heard this, she laughed: "A woman who can give birth to two children without losing her body is much more beautiful than me." ”

When Future stepped forward, the man looked at Future and nodded and said, "Hello, I'm Megumi Amahara." Are you the little future? Sure enough, it's a beautiful girl. As she spoke, her eyes involuntarily slipped to Future's legs.

"This is a storyboard I drew." Future handed over the storyboard, and it took a while for Megumi Amarahara to react, hurriedly took the draft, and flipped through it continuously.

"Actually, what I'm best at is retouching and restoring. The ability to storyboard itself is not so strong. ”

Suddenly, her hand stopped.

Then she stretched out her finger and gestured at the drawing.

Mirai noticed that her fingers were very white and looked beautiful.

"It's a beautiful arc." What Megumi Amarahara is looking at is the heroine pouring water, the water pouring down her head, and the feeling of being soaked all over.

"If you color it, you can use it as an illustration, and you can almost use it as a layout."

Future couldn't help but bow his head and said, "You laughed, how is this possible?" ”

Layout is the composition, also known as the design draft. Generally, only the painting supervisor or a very strong original painting is qualified to draw, and it is to evolve the storyboard into a detailed picture. The original drawing is drawn against the Layout, which is to make up for the painting level of the superintendent. Moreover, as an overseer, it is impossible to depict everything in detail and correctly, if you draw a storyboard directly. The original painting may not even be understood.

Originally, this process did not exist.

In the past, the old superintendent was a super master of painting, and he was also a leader in production, so he knew what he was drawing, and others could see it at a glance. When painting, it is also very detailed, and the studio is not large, so the communication is very clear.

But in the current era, there is even such a thing as outsourcing.

If an overseer is in a hurry, and the level of painting is still at the level of a primary school student, it takes a few unknown items to be placed there. The original painting was blind when I went to paint, and I didn't know if it was a person or an object.

So at this time, you need a standard.,Of course, the Layout is not based on all the storyboards.,It's definitely too late to get all of them.,So only one standard will be drawn on the most critical picture.,The original painting has this standard.,When you draw, you have a number in mind.。

And when the overseer saw this, he also had a good idea of the effect and how his storyboard would be. If you don't feel like it's appropriate, you can change it. If you think you can pass it, then send it to the original painting to enter the next link.

In the past, I mostly used hand-drawn, and I focused on using 2D to express the three-dimensional sense of 3D, but I was afraid that something would go wrong in the end. However, in the future, it is believed that with the development of the times, it may be more likely to do more directly in 3D.

In Europe and the United States, blockbusters have become accustomed to using 3D modeling to make a preview first. Because some shots, such as thousands of troops, can't always be shot badly, say shoot again. Therefore, it must be adjusted first. Another example is special effects and synthesis, most of the backgrounds of Hollywood blockbusters are added later, and before they are added, the director must have a rough image, and he can't rely entirely on his brain to think that the effect is good.

This part is a crucial part of the animation, but it is not very needed in the Celestial Empire.

One is an extremely simple animation, repeated for hundreds of episodes, just such a simple scene, it has already appeared in the scene setting and character setting, and various poses have long been standardized. If this happens, the painting will also collapse, so the original painting might as well go home and farm early.

One is that the 3D animation is directly tuned, and even if the process is completed, even if there is this process, it is different from the general practice.

"I actually showed the slimy state of the wet body, but it's still a bit of a problem."

Megumi Amara's fingertips slid to the corners of the heroine's sleeves.

"There's a lack of weight."