The next day, early in the morning, Yukiko and Nana began to pack their bags.

Chaoyan also tried to help, but became evasive as soon as he saw the future. Maybe it's because I'm a high school student, and I'm ashamed to cry in front of a junior high school student.

Sending Kiko and Nana to the station, and returning home again in the future, I feel that the silence in the house is scary.

She couldn't help but have the feeling that there was only one person before, but thinking that there should be one more person, she went to Chao Yan's room, only to find that Chao Yan was sitting there reading a book, and she was completely fascinated.

If you talk about the image, the future feels that she is holding a book, or Xue Nai is holding a book, she must be more like a literary girl than her. Because Future and Xue Nai's hair are straight, especially Future Mine's own hair, although it is not as special as Xue Nai's, it is very soft.

As for Chaoyan's cousin, her hair is much shorter.

Obviously, such an image should be very similar to the shape of a young girl, and it is also convincing to say that it is a person who loves sports.

But such people are really obsessed with books.

Mirai looked at it and returned to his room.

In the future, I have to think about my own work, and now the company has begun to take vacations. But the future is not ready to give yourself a holiday. She knew she was inexperienced, so she had to prepare for everything before she officially started.

This time the production is a big production, and the whole is twenty-four episodes.

It's not divided into two seasons. The 24-episode anime was divided into two seasons because the production team was short of manpower, so they needed to spare time.

However, although studio.deen has declined a lot, it is still a strong and established company, and there is no rush in terms of manpower. Even if twenty-four episodes are produced together, there is not much of a problem.

Because it is twenty-four episodes, the arrangement of the plot is also more difficult than twelve.

What's more, with manpower this time, the future is not ready to be like the void of fate.

Because of a large amount of outsourcing, I know that some episodes can't be strongly demanded in the future, because it's difficult for you to control the outsourced people. And their strength is not guaranteed. Even if you ask for it, you may not be able to do it.

So at that time, Miku Miku and Hosoda Gogo both chose to give up part of the episodes, that is, to outsource the daily parts of the plot that were not exciting enough, the contradictions were not exciting enough, and the production difficulty was relatively small.

More precisely. It was the future that could meet the strength of the time, and the plot was adjusted from the beginning.

The core of the edge of the sky is the beginning and end of the plot, starting from the turning point of the combination of brother and sister, the plot and production really spent effort.

There is no way to choose.

But fate is different, and the edge of the sky is not a game like fate that has a large number of fans. A certain part of the animation is almost not going to feel too much.

Fate once there is an episode that does not do well. It is easy to attract a large number of fan accusations.

What's more, I gave up before because of the lack of manpower, but this time I already have the conditions, and of course I hope to be able to make more excellent works in the future.

"It's twenty-four episodes in total, so I should divide it into stages. It is not appropriate to use pure plot development as a separation. It should be analyzed in essence. ”

In the future, line segments began to be drawn on the drawing.

"First of all, the first episode, the beginning of all the stories, you should think about how to attract people, and it is better to restore the characteristics of the original Fate. If you think about it this way, sure enough, at the end, it should be the protagonist Emiya Shirou who found out about the battle between the heroic spirits in the school.,And then killed and resurrected.。 And in the end, it should be the appearance of Saber, the king of ours. Then insert ED in the middle of Saber's questioning. This should be the most appropriate. ”

Then there's the second episode, this one, Rin takes Shirou to church, where he receives guidance from Father Mapo, and in fact, the essence of this episode is to introduce the Holy Grail War, which is a restoration of the original party and an introduction to the newcomer. This episode is a boring introduction to the setting. For newcomers, this is the setting of the second secondary school, and for the original party, these settings are already familiar. So in their eyes, this episode is irrelevant. But. You must not really not introduce it because of the audience's feelings, then even the whole story will become fragmented. The biggest difficulty in this episode is how to make the setting of boring or secondary two interesting. ”

This episode is not as exciting as the first episode in terms of plot excitement. The first episode has a handful of exciting battles, and the main character is just one of them. As a story, this development is just right, reasonably showing a corner of the worldview, showing the cruel and exciting side of the Holy Grail War, and also showing the powerlessness of the protagonist. At the end, there happened to be the appearance of Saber, which can be said to be a very classic plot. There are ups and downs.

But the second episode needs to have a lot of setting introduction, and it is not possible to introduce it without introduction.

That's the conversation.

The content of the dialogue is the basic part of the animation.

One of the easiest ways to do this is to look at each other and then switch shots without crossing the axis. Whoever speaks, shoots whomever he wants. Like a stage, the five shots rotate between zero degrees, 45 degrees, 90 degrees, 135 degrees, and 180 degrees.

This is the most basic pattern.

There are several ways to raise the bar for this model.

The first is a change of position, which brings the whole story to life by changing the position of the speaker. The method of changing the position is also different. One is to change the position of the person in the dialogue through several plots, and the easiest place to use is romance. For example, the position of the two people was far away before, but the position of the two people was close, which naturally represents the intimacy of the relationship between the two, and vice versa, it represents the estrangement of the relationship between the two. If there is a contrast between the two modes used at the same time, it naturally represents the final change in the love triangle, away from one person and with the other. Naturally, this kind of change cannot be done with a single dialogue, and it requires multiple plots, even from the beginning to the end. And the other change of position is that it happens in a plot, that is, there is movement in the dialogue, so as to make the boring dialogue interesting.

This practice is used in the UFO Club's fate.zero, which is the famous "two-person turn".

The introduction setting is very boring, so in the mecha animation, there will be a protagonist in class, and the teacher will introduce the country or technology setting. It's just to make the introduction of the setting more natural and interesting.

In fate.zero, in order to introduce the setting, let the characters perform a trajectory movement such as "two people turning", which makes the picture seem much more interesting. And it also looks like there is a sense of ritual.

So should we be the first to adopt this approach in the future? The answer is no.

First of all, this lens is not too clever, and the reason why the effect is good is that one is a relatively novel approach, and the other is the picture.

This picture, in which the camera rotates and moves when the character rotates, first needs the assistance of 3D technology, and if you draw it by hand, you need a super master. And now studio.deen doesn't have such a character, even if there is, he will never be used in a setting introduction lens in the future, that would be too big and too useful.

Secondly, the reason why this picture is good is that in the whole room scene that is rotated, the color, light and shadow, and various effects are well done, giving people a nuanced theatrical enjoyment.

In short, it costs money.

The UFO Club is rich and capricious, but it is reluctant to spend so much money in the future. She wants to put her limited financial expenses where they are more needed. So this approach naturally does not work.

So, she had to look for something else. (To be continued.) )