The problems of Teruaki Murashita in the future seem to point to Teruaki Murakita's style, but in fact, what the future is talking about is always input and output.

For a lot of viewers, especially who like the original and then animate the original, the audience always wants the best supervision to do it. But for producers, they don't think about whether the supervision is strong or not, but how much input is needed to do so, and how much output can be increased.

The choice of Murashita Teruaki requires a lot of investment, but the foreseeable harvest is far from enough.

After thinking about it like this, in fact, the possibility of Teruaki Murakita is almost zero. Even if Murashita Teruaki is more powerful than the future, it is useless.

What's more, in the future, she will use her actions to prove that she is not weaker than Murashita Teruaki.

simply appeared in the mirror, but was played with new tricks by the future.

Because it's so easy to understand, it's even more surprising.

Appearance refers to the actor or character going out of the camera. And into the mirror, it is the character who enters.

Generally speaking, entering the camera marks the appearance of the character, and appearing on the camera means exiting.

However, this is not the case in this set of shots.

First of all, the shot that falls parallel to the falling coffee cup and at a uniform speed indicates the speed at which the coffee falls, and the appearance of the hand indicates that the hand cannot keep up with this speed.

Then the hand is in the mirror again, and at a faster speed, it gives the impression of doing your best.

If it is grasped, the shot is over, and if it is not grasped, then when it is close to grasping, the camera stops sliding and no longer focuses on the coffee, but moves to the position of the hand, allowing the coffee cup to appear. It's done with the shot that I tried my best but still didn't grasp.

When I think of this usage in the future, it is actually taken from running.

A very common element in Japanese anime is running, especially in OPs.

And this is actually a way of filming a running chase scene, which was pioneered by a supervisor with a genius performance in the use of the camera. At the moment, the future does not know how he will be in this world.

This kind of running shooting, for example, the heroine runs from the right side of the camera to the left, and she is asked to exit the camera first, indicating that her strength has been exhausted and she has no strength.

Then let her run violently into the camera.

It means that the heroine is doing her best and accelerating again when she has no strength, giving people the feeling that she is no longer running with strength but with spirit.

In the future, this technique has changed and applied it to other places, not to mention that no one is using this method yet, which is naturally very amazing.

At this time, Murashita Teruaki snatched the coffee can from Endo Jin's hand and kept experimenting in his hand, which made Endo Jin very speechless.

"This time, it seems that there is no possibility of us working together. But there will be opportunities for cooperation in the future.,I've heard that there's a very ghostly work going to be animated recently.,I'm sure you'll have a good chance then.。 ”

Endo said to Teruaki Murakita.

Good overseers are hard to find, good overseers are even harder to find, and it's even harder to find good superintendents. After all, the reputation of the film is not good, and the ghost animal is easy to have a bad impact on the author. So Endo Shin naturally won't let go of this opportunity to have a good relationship with Teruaki Murakita, even if he can't use it this time, maybe there will be opportunities to cooperate in the future.

As for the problem of shaking the mirror, it's not too big a problem, it's not suitable for this work, and it may not be for other works. And when we consider issues such as budgets, this oversight is not out of the question.

"Do you want me to take you home?" Susumu Endo asked.

"The car will be there soon." The future is a rejection.

Sure enough, the train that will be waiting for the future is already coming.

Seeing that the future was about to leave, Murashita Teruaki said to the future: "Although I don't need it, you must remember that at the end you must portray the heroine's godless eyes, and remember to ask the painting supervisor to pay attention to this." ”

"No, it won't." This kind of proposal will naturally be rejected in the future.

"A woman's eyes are the most beautiful, especially when she is forced, her eyes are like stagnant water, and her heart has no waves. It's the most beautiful sight in the world! ”

"Mr. Policeman, this is the person, he was born in the ** underage female country."

Mirai said, took his paper and pen, and boarded the train.

Looking at the sketch, she involuntarily picked up her storyboard and compared it with Murakita Teruaki's.

"Sure enough, the painting is too bad." Although supervision doesn't really require much drawing ability, it is enough to make people understand what is going on. But it can still be seen from it that he still looks a little immature.

Considering the speed of Murakita's painting at that time, I am afraid that there is still a gap between myself and the level of professional supervision in the future.

"And that's just that. It's not just a mile.,In the future, you must do a watch.,TV animation.,It's not just late-night but also prime.。 There are also theatrical versions, animated films. There can be no fear, no fear. I'm sure I can, I've seen so many animations, I have an impression of those storyboards, and I've been taught by my grandfather, so I'm sure I'll be okay. ”

The future is constantly taking a deep breath, and at the same time cheering himself up in his heart.

The train started and moved on.

Carrying the future, entering a new world.

After more than ten minutes, the tram arrived at the station, and the future walked out of the door and stepped off the tram, she was a little dazed and was about to find a place to wash her face.

Suddenly, a pair of hands came from behind and suddenly hugged the future.

"Is this the Wolf of the Tram?"

Future didn't have time to think about whether the guy who attacked after getting off the tram was the wolf of the tram or not, and she was about to break free when she heard a familiar voice.

"Future. Congratulations. ”

"Mom, do you need to scare me like that? Isn't it good to go home? ”

"Not good."

Yukiko held the future, but said softly.

"When you come home, will you still have that kind of expression?"

Future couldn't see her own expression, but she knew it was certainly not a very relaxed expression. It seems that Teruaki Murakita has no chance of becoming the overseer of the Shameless Moon. But it also brings pressure for the future. She began to doubt her ability to serve as an overseer.

However, she will not say that she has no confidence, let alone find Yukiko to say that she wants to give up.

In some singing competitions, the host will always ask the contestants if they have confidence. It's as if you don't have confidence and you don't qualify for the game.

But in the future, whether you have confidence or not has nothing to do with whether you do something or not.

When you really want to do something, you don't need faith.

Mochizuki wants to be an overseer, and he wants to be the best overseer in the world.

It's not a dream, it's an obligation.

Therefore, no matter how much pressure there is, she can't give up.

And this pressure, she didn't want her family to bear for her.

Japanese men, even if they have a lot of pressure from work, can't show it when they return home.

Although she looks like a girl, her future heart is different from that of ordinary girls.

In the future, I am going to go home after washing my face and tidying up my spirits, however, Yukiko completely sees through this.

When Endo Susumu called her to congratulate her, Yukiko had already guessed that even if she won in the future, she might not be happy. Murakita's challenge is sure to put a lot of pressure on the future.

Although he won against Teruaki Murashita, the future is just said, and it is not drawn, which reflects the gap.

Yukiko knows that in the future, she will definitely not show pressure when competing in competitions, but after the victory, I am afraid that the pressure in my heart will be very great. I didn't let Endo send him home, because I was afraid that such emotions would be shown.

So, Yukiko, who guessed all this, came to the station, and she came to pick up her daughter and go home.