In addition to these five levels of believers, what really makes Yue Song think that it is the fanatical believers who are still fanatical, in the past month, hurricane rescues have been released one after another in South Asian countries, including Taiwan, the number of his fanatical believers has also increased a lot, and now it is approaching the 1,500 mark.

In terms of cultivation, Yue Song's transcendent entry into the Holy Realm is also being improved, and the third great realm, the Jiedan Entering Dao Realm, is now the fifth layer of cultivation, and it is still ascending at an extremely fast speed.

It can be said that as long as there are millions of believers as backup, Yue Song's cultivation has truly achieved a thousand miles, which is much faster than the old guy who passed on the jade slip to him.

Yue Song estimated in his heart that in less than two months, his cultivation would be promoted to the Great Perfection state of the tenth layer of the Jie Dan Dao Realm.

However, no matter how fast the cultivation is improved, it can't match the growth of the number of fanatical believers, and if you want to break the bottleneck and step into the next great realm, it is impossible to do without 10,000 fanatical believers.

It's just that when he thinks of tens of thousands of fanatical believers, even Yue Song feels a little headache.

This is not such a simple thing as a drama that can increase thousands of fanatical believers, if it is really such a simple math problem, Yue Song only needs to keep making movies, three or five dramas a year, at most there will be tens of thousands of fanatical believers in two years.

It's a pity that reality is never as beautiful as imagined, and Yue Song knows it.

Hurricane rescue is his first pot of gold, and the number of believers will grow faster after that, but the number of fanatics among them will not change too significantly, and maybe a movie may not bring him hundreds of fanatics.

This is a process from quantitative change to qualitative change, and it is the sublimation of Yue Song's own charm and attractiveness, all he can do now is to work steadily, as for what will happen in the future, he can't care so much for the time being.

The next day, Masami Nagasawa was sent away by Yue Song.

Before leaving, she was reluctant to hold Yue Song tightly and didn't let go, making Han Caiying on the side roll her eyes violently, but she considered that as a "winner", she didn't seem to be so stingy, so she didn't care much.

Yue Song promised Masami Nagasawa that as soon as the drama ended, he would discuss the filming of Rogue Kenshin with Toho Co., Ltd. by February next year at the latest.

Next is the boot of the teleporter.

At half past two in the afternoon, Yue Song and Han Caiying came to the crew and brought the little maid with them.

Anyway, she is idle and bored if she stays at home, so it is better to come out and breathe.

Han Caiying just didn't see it, anyway, she was the one Yue Song "valued" the most.

Except for the little fat man Tang Xiaosong, the rest of the crew are all from South Korea, which is also what Tang Xiaosong is puzzled about.

Today's scene does not need the villain Jin Song to appear, but Zhang Zilin, who is 1.82 meters, was called over by Yue Song, the reason is to let her familiarize herself with the script as soon as possible and deepen the tacit understanding with the leading actor.

I have to say that Zhang Zilin's appearance and figure really shocked Han Caiying, and the sense of crisis in her heart also prompted her to stick to Yue Song more tightly.

Because Zhang Zilin is a model, she has no acting skills at all, and even her position in front of the camera is a mess, Yue Song has to admit that sometimes experience is still very important.

Fortunately, there wasn't much of her role in the early stage, and she still had enough time to get familiar with her role.

Before the official start of filming, according to the requirements of the Koreans in the crew, Yue Song called them together alone, on the one hand, to show their magical powers and turn them into thoughtful "puppets" one by one, and on the other hand, to tell them about the play.

There were nearly thirty people, even if Yue Song's cultivation had improved and he had reached the fifth level of the Jiedan Dao Realm, he had performed more than thirty Mind Stirring Techniques at one time, which made him feel unbearable.

At the crew station, more than 30 Koreans sat together, like elementary school students, listening to Yue Song's narration motionlessly.

(The following bullshit doesn't make sense.,It's being modified.,Re-upload at 12:30,Please understand)

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"Superpowers are generally the bottom line of testing the direction of morality, if you want to understand the good and evil of a person, give him extreme power, so that he will tear off the mask of hypocrisy and reveal his true dirty face...... If you can use the 'teleportation technique' to cross time and space at will, and send yourself to an imaginary place in the blink of an eye, is that a manifestation of extreme power? ”

"Due to an irregular, even abnormal genetic, a young man named Jiang Wei suddenly discovered that he had a superpower that could transport himself anywhere in an instant, and the first thing he thought of after discovering his ability was to rob a bank......

"Jiang Wei had an unhappy, even tragic childhood, so you can understand that when he gained the ability, what he wanted to do most was to change his previous miserable life, at least he was still an imperfect person, with a lot of plastic space, and he needed to master the ability at will, while facing the responsibilities and obligations of adults."

"Slowly, Jiang Wei discovered that the magical power he possessed had existed in this world for thousands of years, and it was not the only one!"

"Since people who have just mastered the teleportation technique will have a short period of confusion and excitement like Jiang Wei, and do some irrational things such as robbing a bank, another mysterious organization, the rangers, came into being, ruthless as long as they meet the teleporter, they will mercilessly cut the decision, and the war between them has also lasted for thousands of years, and Jiang Wei is no exception, he soon became the next target of the rangers."

……

Under Yue Song's narration, a kind of Korean quickly understood the ins and outs of the plot.

The Teleporter tells a terrifying and imaginative saga in which Yue Song originally wanted to tell the story of a hero who was created by accident and against his own will. He just wanted to know what would happen if he kept using his superpowers to help people in need.

Later, after Yue Song's continuous improvement of the plot during this time, which greatly enriched the script of the teleporter, he knew that the audience wanted to see more mysterious stories, and the real origin behind the epic adventures of a young man - why did he want to return to real life so much, instead of living a dreamy, powerful, god-like, mythical rìzi?

For Yue Song, he has a mastery of cinematic skills for films where the story is decided by the corner, especially the unpredictable, nerve-wracking action thriller.

In this way, the potential of the teleporter cannot be ignored, and in Yue Song's hands, it is equivalent to an opportunity to combine that very modern, new form of expression into a more ancient way of storytelling.

Yue Song told Koreans: "Most of the stories we see about superheroes actually started in fiction almost 100 years ago, but the content of the teleporter is full of rare novelty and modernization. Eventually, it will be my biggest and most creative challenge at the moment. ”

A young man who has encountered many difficulties. His seemingly inexplicable ability to "teleport" led him to embark on a dreamy new life, far from the pain of the past......

At this time, another mysterious figure appeared at the right time, she is another "teleporter" whose background is a mystery, and she has mastered the art of time travel since she was a child......

Yue Song hopes that this person can create a larger category for the film. In the process of writing the script, he did not continue the conventional way of describing superheroes, but delved into each character, intending to show the audience how they use the superpower that almost perfectly symbolizes "escape", and of course, the very real ** that this ability brings.

The whole story revolves around an unstable young man, and then creates a breathless horror atmosphere, because what this young man learns will be a series of cause and effect relationships that come with complete **.

Yue Song said: The reason why I created this story is because the person in the story who gained super power, and the first thing he did with them was to go out and rob a bank...... I like this very honest attitude. There's something in the story that I've never seen before, and as a director who likes to drive content with a corner, I love it. And it also gives me a lot of room for imagination, and I can even say crazy and presumptuous thorough research, I have already made four action movies in a row, and I don't want to repeat them again.

The crew was basically attracted by the script described by Yue Song, especially impressed by the fact that it focused on the turmoil brought about by a young man with super power, and assistant director Han Houxun said, "Telekinesis gives the protagonist a chance, that is, he can escape his unhappy family life, but this ability also puts him into a different world, where he can only learn how to be an adult on his own, And have enough courage to solve various problems in life. The protagonist has to learn how to slowly improve his abilities, face the darkness within himself, and then move on with his life, such a story setting, everyone can connect it with themselves, although the special situation of being a teleporter, everything that the protagonist encounters is universal and popular. ”

The filmmakers first started by studying the believers who believed in "teleportation", and from the theoretical point of view of arcane science and marginal physics, this scenario is highly likely, and we have discussed it with many physicists, so we understand how teleportation is manifested in the scientific field, and enrich the whole story with these real theories. But we also think about it from the occult point of view, so the film itself is also based on a cultural imagination that has been formed over thousands of years. Sufis and Hinduism have had a mystical legend about the practical theory of 'teleportation' almost centuries ago, and I think it's almost like you can 'transport' yourself to the top of a mountain that no one can climb up to at once, or do some of the most mundane and ordinary things, providing an opportunity to be full of ** and to unleash your imagination at will, and this kind of wish-filled story element is often truly infectious.

However, the "teleportation technique" with a completely open heaven xìng also provides an equal opportunity for those who make **, and many people use the "teleportation technique" not because it is cool or fun to do so, such as running to Australia to surf in the blink of an eye after having breakfast at the top of the giant peak...... There are some people here who have very good intentions, such as getting a nuclear weapon and throwing it into the White House. When you think about it, you will find that the 'teleportation' brings you many surprises, but it is also similar to a curse, if such a power falls into the wrong hands, or is used by some people who can ** indulge the 'teleporter', they can spread their ** everywhere and do anything.

The existence of the "Teleporters" also led to the creation of the "Rangers", which is a very mysterious group of jīng Ying, who spent thousands of years just to prevent the "teleporters" from using their abilities on the best side. For a short time before the "teleporters" had a mature mind, they were the target of the ruthless "rangers" who would do anything to get rid of them

In order to build a solid foundation for this complex internal structure comparable to that of an epic story, the film's production team has been following two basic rules of teleportation: first, you can teleport yourself anywhere you just see; Second, you can also transmit yourself to a place you have never seen before, as long as you have a strong visual memory of that place.

As for the other refinement of the rules of "teleportation", the "teleportation scar" is an instantaneous anomaly, which is some ** in the time and space left behind by the "teleporter" - this allows other "teleporters" to find traces of his operation. And then there is the "Time Rope", which is the electronic weapon that the "Ranger" uses to strand, track and put an end to the wandering "teleporters", which is what the "teleporters" fear the most. As for the other refinement of the rules of "teleportation", the "teleportation scar" is an instantaneous anomaly, which is some ** in the time and space left behind by the "teleporter" - this allows other "teleporters" to find traces of his operation. And then there is the "Time Rope", which is the electronic weapon that the "Ranger" uses to strand, track and put an end to the wandering "teleporters", which is what the "teleporters" fear the most. (To be continued.) )