After getting close to Fu Hao, this big class flower was a little poor, and he said: "I thought about going to art college when I was in high school, but my dad didn't agree. At that time, I had read "The Self-cultivation of Actors", and I also knew what it meant to be experiential. ”

"It's easy to understand, but it's hard to get to that level when you actually perform it!" Fu Hao has traveled to the fringes of the entertainment industry and has written novels on this theme, so he knows very well the classification and difficulty of acting.

At present, in the mainstream performing arts, performance methods are divided into three schools: expressionism, experience, and methodology.

Expressionism is easy to understand, that is, through some external expressions, to highlight the personality of the character. Including the use of props, specific expressions, tag-style movements, etc., to show the character's personality, it is a special out-of-the-box performance method.

As a simple example, the roaring performance method of Roaring Emperor Ma Jingtao is a typical expressionism. or the sketch actors on stage, who use exaggerated body language to amuse everyone, are typical expressionist performances.

The experiential school and the method school are deeper, and these two schools are also in the same line.

To put it simply, experiential is to require the actor to completely become the character he plays on the stage, to think about the problem with the thinking of the character in the play, and to completely forget the existence of the self. Of course, there are also problems of isolation and supervision of the first self and the second self, which is too difficult to talk about.

Methodism, on the other hand, focuses on the actor's real thinking on stage, and the emotion explodes by triggering his own experience, rather than trying to align his thoughts with the character. The method school is not to make yourself a character in the play, but to let yourself trigger the same feelings as the characters in the play.

Experientialism and methodism sound somewhat alike. But it's actually easier to tell.

For example, when Wu Xiubo was filming the scene of "Zhao's Orphan" and breaking the child, he tried his best to let himself enter the role of Cheng Ying. Feeling that he is Cheng Ying, all the struggles in front of him, the children in his hands, are real existences, the moment he picked up the child and fell, he felt that he was falling is his own child, and sadness comes from it. Perfectly interpreted! This is the quintessential experientialism.

In another movie "Before Dawn", Wu Xiubo had a scene to film him lying in the car in a sad mood. The mood was extremely sad and angry, and he kept banging on the steering wheel with all his strength to vent his grief and anger.

According to his own later description, when he was filming this scene, he was invoking his own emotional experience. Think of your own repression and dissatisfaction in real life. Bring back the emotions that erupt from his true heart to the characters, so as to express the sadness and anger of the characters in the play.

He does not directly let himself enter the characters to figure out the mood of the characters, but brings them back to the characters by invoking his own inner emotional expression, not limited to the mechanical interpretation of the characters, and can naturally lead to a series of highly creative performances from his own emotions, which is a typical methodological school.

To give a simpler example, such as acting in a lovelorn scene, you have to cry.

Experiential acting. is to make himself a lovelorn person in the play, and sadness comes from it. And then cry out.

The method of acting is to let yourself think about other things, such as thinking that your relatives at home are gone, which is very uncomfortable, so as to trigger sad feelings, and finally cry out and act out of lovelorn scenes.

The expressionist acting method is to act like the Roaring Emperor, crying and screaming wildly to express the sadness in his heart.

After understanding these three performance methods, it is not difficult to see that the most difficult performance realm to master is the experiential school.

Although the acting skills of the method school are also very powerful, and they have mastered the camera in seconds, the really most powerful performance is the experience school that is completely involved in the play.

As far as Fu Hao knows, in the current Chinese film industry, actors who can really make the experience school to the extreme, regardless of men and women, can count how many people there are on one hand.

In the past, Fu Hao had only seen this kind of super experiential acting skills in movies, such as Tony Leung in "Infernal Affairs".

And last night, Lin Yuting's god-like performance made Fu Hao see for the first time in reality what it was like to be completely in the play, which shocked him so much!

Now that I heard that Lin Yuting was actually acting according to the experiential method, Fu Hao felt that the future of this Taipanhua was even more limitless!

Lin Yuting heard Fu Hao say that it is easy to understand the experiential school, but it is difficult to achieve the experiential school, but she didn't understand it very much.

Sucking on the sobbing jade nose, Lin Yuting muttered, "Why is this difficult? It's easy to become another person when you think about it. ”

Fu Hao's mouth was so wide that he couldn't close it, and after being stunned for two seconds, seeing that Lin Yuting was not joking, he exclaimed: "How can this be easy!" It's super hard, isn't it! ”

"What's the difficulty?"

Lin Yuting didn't understand what was so difficult about this thing at all.

Fu Hao was about to be made to cry by Lin Yuting, an idiot genius, and asked, "Can you make yourself someone else casually?" ”

"Yes."

Lin Yuting responded without hesitation, because she had tried many times, and she felt that this was easy to do, let alone becoming a human, she could easily even change a dog into a cat. In her eyes, this thing is like a toy in the hands of a child, she can play with it as much as she wants, and it is very convenient.

Seeing Fu Hao's stunned face, Lin Yuting wiped her sad tears and said aggrievedly: "If you don't believe it, I'll make you a sister?" ”

"Don't don't, don't change first, you're too tired now, don't toss. It's not that I don't believe you, I'm so shocked! You're a natural actor! I think it's time to plan your future. I have a hunch that in the future, you will be the pillar of this entertainment company that I, Yu Dabiao, and your sister are engaged in together! ”

"What are you talking about, Uncle Hao, let me be a pillar? You're not kidding, are you? Do you want to go out of business? ”

After all, she has never learned formal acting, and Lin Yuting doesn't know that her acting skills are amazing to the extreme, she feels that she is an amateur who likes to act blindly, how can she be the pillar of Fu Hao's platform? Isn't that a joke!

Fu Hao's eyelids tightened when he saw Lin Yuting talking, obviously, this Taipanhua was too sleepless, he didn't talk about this matter first, and then caressed Lin Yuting's jade back, comforted her well, and asked her to stop worrying and being sad, and go back to rest first.

He himself needs to rest a little more.

He could feel that his own body was still lacking, and that he had to sleep hard to recover.

Lin Yuting saw that Fu Hao didn't seem to have much to do, and she was too tired, so she didn't bother Fu Hao's rest here, she went back to the Sun Garden to take a bath and sleep.

Thinking of Lin Yuting's bright future, Fu Hao also made up for a big sleep in the hospital.

While he was dreaming, he was woken up by Ah Dan, who came to visit the hospital. (To be continued......)