Gao Bing returned home, freshened up, it was not yet eleven o'clock, although he was tired from a busy day, but because he got Su Wen's promise, he was excited in his heart, and he didn't feel sleepy at all.

Nested in bed, the excitement still hasn't passed, and her friend Bai Luofei should still be struggling on the stage at this time, and she can't find anyone to talk to.

After a little silence, Gao Bing picked up his mobile phone and edited a line of text on Weibo: "I am very happy to meet the male god in my heart today, and I got his promise to write a classic drama work for me within three days." I can finally appear in his works like Sister Haku! ”

After editing, I hesitated a little, and added the word "little fresh meat" in front of the word "male god", which passed the text on WeChat/blog.

After that, as if she had done something dishonorable, she was nervous and apprehensive, threw her phone aside, did not dare to look at it, and lay quietly on the bed.

At this time, Su Wen, of course, didn't know that there was such a micro/blog message related to him on the Internet, and it began to ferment slowly, until a storm hit him.

The night was very quiet, but Su Wen didn't feel sleepy, he sat on a chair, there was a small book on the desk, and the pen in his hand kept gesturing.

On the book, there are some texts, and there is a book title number outside the text!

The first thing that catches your eye is the three words "White-Haired Girl"! Those who are familiar with it will probably be surprised to shout out, saying that Su Wen has started to do copying again.

Yes, Su Wen plans to write a suitable script for Gao Bing.

Her image has always been poignant, and although it is positive, there is always a sadness. She asked Su Wen to tailor a script for her, and also asked the character to have vitality, or shock, and the words "White-Haired Girl" immediately appeared in Su Wen's mind.

This play. It is the pinnacle of the portrayal of class characters. The poor Yang Naiwu, the poor Xi'er, the cruel landlord Huang Shiren, and his dog legs, in just one play, the images of these people are vividly portrayed.

One mentioned Yang Naiwu. Everyone thinks of the image of poverty; When it comes to Huang Shiren, no one gritted their teeth, it is said that when this play began to be staged among the people, some people actually beat the actor who played Huang Shiren to death!

This shows how hateful Huang Shiren is, which in turn proves how successful this play is!

Isn't Gao Bing good at interpreting a miserable image, is there anything more miserable than Xi'er, thinking of Gao Bing's white-haired image, Su Wen feels that it can make people cry, where is the need to act. Standing there and making some sad expressions, it is estimated that you can get tears of sympathy from the audience.

However, after careful consideration, I don't think it's very suitable. First of all, this is an opera, which is not long, and is more presented in a song and dance situation. Su Wen has studied this. This world, the Chinese Empire is not popular with opera now. Gao Bing may not be able to act well, and the audience may not like it.

Secondly, "The White-Haired Girl" is a product of attacking class society, and if you can succeed in that world, it doesn't mean that you can still succeed here, because the backgrounds are different.

Su Wen can adapt it. But after changing it, it is estimated that there is no such taste. That also loses the meaning of the work.

Therefore, on the line of "The White-Haired Girl", Su Wen put a big cross with his pen again, denying the appearance of this work.

The line below. It's also a big fork on it, but you can also see the words "Thunderstorm" from it.

Cao Yu's "Thunderstorm", that classicality, needless to say, in terms of stage effect and dramatic tension, as well as the conflict of character fate, Su Wen believes that it is the pinnacle of modern Chinese drama, and almost no drama can be compared with it!

Even Cao Yu himself could not surpass the pinnacle he had created. Here, family ethics, love and affection, grievances and hatreds, all the elements that can appear in Chinese dramas, including film and television, are there!

With these elements, it can be kneaded together to form a shocking tragedy. Such a drama, no amount of praise for it cannot be overstated.

When Su Wen read it back then, the feeling of shocking and shocking his heart couldn't be said at all, he was speechless for a long time, and sighed silently!

Although this play is not as famous as Luo Zhu in the world, but when it appears in the land of Huaxia, Su Wen feels that it can also exude dazzling light, that kind of deep charm, no one can stop it!

However, this play still made him negate.

Because it's still not suitable for Bai Luofei!

The classic of "Thunderstorm" is more reflected in the plot setting, of course, the character portrayed by each person is also extremely profound. However, because everyone is very classic, the requirements for all actors are very high.

If you want to customize the script for Gao Bing alone, "Thunderstorm" is not suitable, the role of Ping's mother and daughter is a little thin, and it is estimated that Gao Bing is not willing to act.

As for Su Yi, although it is easy to shine, whether it is age or image, it is estimated that Gao Bing, who is famous, does not dare to touch such a character.

The others are male characters, and they have nothing to do with Gao Bing.

Therefore, Su Wen can only regret that this play has been postponed for the time being, and plans to find an opportunity to drum it out in the future and shock the world again!

After rejecting two classics in a row, Su Wen searched the memory of his brain again and found that he couldn't find a work suitable for Gao Bing's image in domestic dramas.

There is no way, he can only hack foreign works again!

Shakespeare? It doesn't seem to fit either! The characters in the novel, Pride and Prejudice? Jane? Love? Well, Su Wen retreated. These works are classics, but they are novels, even if he can be adapted into a script, there is no better reference book, and it is estimated that the project is not small to write.

Don't say three days, giving him thirty days may not be able to adapt a satisfactory work!

"What other classic drama is dominated by women?" Su Wen patted his head and thought for a moment, and suddenly remembered the tenacity and vitality that Gao Bing said about tenacity and vitality.

"Female Characters...... Female characters! Tenacity! Vitality! That's it! The pen in Su Wen's hand slammed a few strokes on the paper, and the tip of the pen rested on it, which was very powerful.

Four big words, shining under his pen - A Doll's House!

Soon, Ibsen of Norway will become a victim of Suvin, his classic. It has become a tool for him to deceive the world. However, this is a foreign work, and it still needs to be adapted.

Don't look at "A Doll's House" only has three acts, but it has more than 40,000 words, and the difficulty is to adapt all kinds of places that do not meet the reading tastes of Chinese people. There is an original text for him to compare, and three days is enough for him to cope with it.

Su Wen decided to use this drama, but the character of the original Nala is too vibrant.

Su Wen looked at this work back then. I still went to Ibsen's fame, took it to read, watched the first two scenes, and only felt that it was a cheat, and the dialogue was so long-winded, and there was no dramatic tension at all.

However, at the end of Act III, after Nala made that life-changing decision, there was no turning back. That kind of momentum, that kind of courage, really moved him.

The plot of "A Doll's House" is not complicated, and the idea is somewhat simple:

The heroine, Nala, is ostensibly an unearthly young woman who has always been called "little bird" and "little squirrel", but in fact she is kind and strong, and she will not hesitate to endure humiliation for the sake of her husband and family, and is even ready to sacrifice her reputation. She was credited with saving her husband's life. once borrowed a debt from someone without telling him; At the same time, he wanted to save his dying father from trouble, so he signed a letter under his false name. The legal responsibility forced her to no avail. What made her even more sad. After the truth was revealed, when she most needed her husband to be with her and bear the crisis, she found that the husband she had sacrificed for was actually a hypocritical and despicable philistine. She finally woke up and realized that she was just her father's doll before marriage, and her husband's doll after marriage, and she never had an independent personality. Thereupon. She resolutely abandoned her husband and children and ran away from her cage-like family.

This is the pinnacle of Ibsen's work, known as the classic drama that awakens women all over the world, and the image of Nala is an example of women's liberation/liberation.

The women of the world are in the pursuit of liberation. Then, Nala can become a spiritual faith forever. Although Mr. Lu Xun was not very optimistic about her, he always thought about what would happen to Nala after she left, and said that he would either fall or go back.

Here, Su Wen doesn't care about this kind of bull's horns, because the current Huaxia will not let a woman fall casually. However, China is a traditional conservative empire, and women's freedom has only been successfully developed in the past few decades, and their rights have not yet been fully developed, and there are still countless people fighting for them.

With such a foundation, Su Wen feels that "A Doll's House" also has a foundation for success in China. Humanity can be used everywhere.

"Can Gao Bing play the taste of Nala?" Su Wen was a little skeptical, to be honest, the front of this play was not exciting, if it wasn't for Nala's final reversal to support this play, the whole play would be very easy to collapse.

Ibsen shocked the world with words and made it a classic, but on the stage, if the person who played Nala could not show the explosive power of reversal, it is estimated that the play would also collapse.

Gao Bing is good at playing a miserable image, and Nala was persecuted in the first two scenes, which is indeed a little pitiful; In the end, the decision to leave the family is another kind of courage, but also a kind of tenacity, which is the kind of role setting that Gao Bing requires.

"That's it, write it out first, whether you can act it or not, whether you can act well or not, that's the actor's business, what should I worry about?" Su Wen took a long breath and began his "creation" road in front of the computer's files.

Su Wen didn't stop, and first started to adapt the person's name, and he made a list of characters:

Haimao - the original text is Tovar? Helmao.

Nala, Helmao's wife, the original text is Nala, just a different word, the pronunciation has not changed.

Doctor Ruan Ke - this Su Wen is too lazy to change.

Mrs. Lin Dan - this doesn't have to change.

Kotai – This should be better than the original "Neil? Croxtet: "It's a little bit easier to remember.

Haimao's three children, who are soy sauce anyway, have omitted their names.

Babysitter Anna – There are so many people in this world who call Anna that she can still be called that.

Servant Allen - "Ai" instead of "love", more like a Chinese surname.

Driver - the original text is porter, here to keep pace with the times and become a driver.

It happened to Haimao's family, and as an excellent lawyer, they have a good family. The background is decades, hundreds of years ago.

……

The above is where Suwen made the opening changes. Next, it's time to revamp the content, and obviously it's going to be another sleepless night.

Crackling! Crackling!

The keyboard flies.

A classic that shocked the world, Su Wen brought it to the world, waiting for the world's amazement and praise! (To be continued......)