Su Wen was on a night flight, which was relatively quiet, which allowed him to think more carefully.

He could finally sort out the recent problems quietly.

After coming to Kyoto for two months, the school affairs were basically arranged, and the study problems of the double major and the relationship with the leaders were handled very well.

In the eyes of the teacher, he is a literary genius, and the two big names of Lai Haizhi and Haidao also love him very much, and they can't wait to treat him as the successor of poetry.

In the eyes of his classmates, he is the first talent of his peers, and the students in the whole school are not as big as him, and no one can stand out. Therefore, Tang Yan of the Drama Club tried her best to attract him to join the Drama Club, even if she gave up the position of president - Speaking of this, Su Wen finally realized that he didn't seem to be a dutiful president.

After the big victory of "Thunderstorm", no one in the drama club objected to Tang Yan's suggestion, and Su Wen became the president of the drama club and was unanimously approved, without any doubts. However, after the performance of "Thunderstorm", he had too many things to deal with, and he didn't have time to go to the playwright club to deal with things.

Until now, he has not even met the cadres and members of the drama club, let alone the activities of the drama club to meet other members.

This is a very incompetent thing, but fortunately, Su Wen is just for the name of the president of the drama club, he has no interest in the power of a club, he just has a name, and the internal affairs are still entrusted to Tang Yan.

Therefore, in addition to giving up the position of president and becoming the nominal vice president, Tang Yan is still the de facto controller of the club, and her words can still be used as the president's order in the drama club.

It's really Su Wen who is too busy to manage at all.

Imagine that after "Thunderstorm" was completely popular, he was busy discussing the movie version with Qin Hong and Feng Tian, and at the same time, he began to deal with He Rong's "Kyoto Life Daily" request.

Especially the latter. Since the life newspaper pushed fairy tales to publish Su Wen's five fairy tales at once, it was out of control, Su Wen didn't dare to break every day in order to make a name for fairy tales, and he had to often drum up fairy tales, which was even worse than the Internet author. There's no time for anything else.

Look at it now, although you can get out of Kyoto temporarily, you can't be completely idle, and you will go to Shanghai to cast for the movie "Thunderstorm", and it is estimated that you will still have to be busy for three or five days.

After sorting out the things that had passed, Su Wen sighed and began to think about the direction of future development.

Now that we have decided to go down the road of literature, it is necessary to keep writing. It's just that the direction of this pen cultivation can't go wrong.

First of all, the drama script still has to be written, after all, the name of the drama master is not easy to come by, and it cannot be easily discarded.

In addition, it seems that some poems need to be written, and the title of the prince of love poems has just been obtained, and it needs to be stabilized, besides. Recently, he has not written a single poem, and Haizhi is already very dissatisfied. I called him and advised him not to waste his poetic talent.

In order not to disappoint everyone, Kai has to "create" a few classic poems in the future, and he must maintain his status as a great poet.

There is also the creation of fairy tales, which make money quickly and have a great reputation. However, it has less help for the status of literature, and it is possible to put a relatively long time on creation and spend more attention on other genres.

He already has a draft, and in terms of fairy tales, he is reluctant to "write" short stories. Now there are more than 20 articles serialized in Life Daily, and they are classics, Andersen and Brothers Grimm have copied him about the same, and the rest are not good stories, and some are even said to be dross.

In order to avoid self-destruction, those selected and left short stories can never be shown, except for Hans Christian Andersen and the Brothers Grimm, other people's short fairy tales occasionally have classics, but they are more difficult to find.

Su Wen didn't plan to take out all the dry goods in his stomach at once, lest he would have to use it in the future but couldn't find a suitable one to deal with, which was a big joke for a person wearing a fairy tale master's hat on his head!

If the short story is not good, he plans to use the long story to go into battle.

In Su Wen's mind, there are not many long fairy tales that can be said to be classics, and they can be counted in a single slap, and not all long stories can be taken out at once.

His real intention was to fulfill the promise he had made to the little princess of the empire to create a fairy tale with her name as the main character - what could be more sensational and awesome than writing a long story in the name of the little princess of the empire?

From this point of view, Su Wen's plan is still inseparable from the suspicion of brushing up prestige!

As for which long fairy tale to write, Su Wen has already made a decision, and he will "create" and publish it when he returns from Shanghai.

There is no need to write long fairy tales, Su Wen has considered it, as long as there are one or two classic works, he can establish his status as a great master in the fairy tale world.

As mentioned before, fairy tales are only interesting things used to spice up the literary path, and cannot be used as the main creative theme, and if you want to brush up on higher literary prestige, you need to find ways to find ways elsewhere.

Su Wen suddenly had an inspiration, which came from the ancient novels he wrote for Hou Bowang.

There are so many classic novels in his mind!

Feng Menglong and others' three words and two shots, as well as Pu Songling's "Strange Tales from Liaozhai", and even Ji Xiaolan's "Notes on Reading Wei Caotang" and so on!

It's all a theme!

Of course, it can't be like the form of Hou Bowang's creation - although the humanities literacy of this era is high, the market for ancient literature is not very large.

If he really made a large number of famous articles like "Du Shi Niang's Angry Sinking Treasure Chest" in the form of ancient texts, it is estimated that readers will cry for their fathers and mothers.

Besides, if you have a small audience, you should never expect to have a large number of readers.

Su Wen now wants a wider readership, and he can't self-destruct the Great Wall, so he doesn't plan to drum up the ancient version of "Strange Tales from Liao Zhai".

However, you don't need ancient Chinese, you can use vernacular!

Think about it, how exciting it is to translate the famous story of "Strange Tales from Liaozhai" into the vernacular, and present these exciting and memorable stories to the people of this era!

Or it can be said that even if Su Wen does not copy other classics in full, just this "translation" work is enough to make him a famous novelist!

Classic stories never lack readers. With readers, you can have a great reputation as a writer, and this is exactly what Su Wen needs.

"It's a huge project!" Su Wen was excited when he thought of this, this project was so huge that he couldn't even imagine it, perhaps, in the next few years, he would have to devote himself to the work of translating ancient Chinese.

Because translation is a kind of creation in itself, he may be able to use this project to get rid of the trap of completely copying the classics and embark on a path of his own.

"I have the obligation to dedicate the classics of another world, so that readers in this world can appreciate the charm of literature!"

Su Wen thought so, such a planner, unconsciously, when Shanghai arrived, he would meet with Qin Hong to experience the bits and pieces of another circle!

Or maybe there's a lot of surprise waiting for him. (To be continued.) )