Chapter 220: The Main Hall
Chapter 220 Main Hall
I looked at the red satin that appeared in front of me, it was very obvious that this was the same red satin as the weapon that Ji Ziyang usually used, the red satin glowed in my eyes, and I felt warm in my heart, I guessed that Ji Ziyang's current situation must be very dangerous, but he also came out to use such a trick to save me, I felt that my eyes were hot, I couldn't lose my temper in front of them anymore and could only pray silently in my heart, Ji Ziyang, you must be fine, wait for me. But I am very ashamed in my heart, he spent so much effort to save me, but I don't even know where he is now, how can I not be ashamed.
Everyone watched the red satin spread under their feet, and their hearts were full of speculation, and they did not dare to step into it without permission. Dazhe on the side tugged at the corner of my clothes, "What is the situation with Yin Yin?" What the hell is this? ”
I looked at Dazhe and said to him very seriously, "This is not a ghost method, even if it is a ghost method, this ghost is the most important ghost in my heart." Then without looking back, I walked on the red silk paved road of thistle Yang, and strode forward.
I don t care about looking at Yun Ximing's pale and ugly face, I am now full of anxiety, Ji Ziyang does this, which means that he is not far from me but they have not shown up, and his current situation is not optimistic, I am exhausted and want to find him as soon as possible.
The red satin spread all the way under my feet and went forward, and I couldn't see the end, nor could I see what it was like in front of me, but I was full of trust in Ji Ziyang in my heart. He will never harm me, such a voice has always been in my heart. I ran all the way forward. I don't know what kind of magic is needed to control this red satin, but I always feel that every step is like stepping on thistle, my heart is like a knife, I just look forward to hurrying to the end of this silk.
I finally saw a small bright spot ahead, and the bright spot slowly expanded in front of me, and finally I came to the end. Everyone followed behind me, and they all left the endless darkness. We came to an open space, and Uncle Lu quickly turned a few cold lights in several directions. The surroundings suddenly lit up. At this moment, what appeared in front of us was a large hall with brilliant gold coins, I was standing in front of the main entrance of the main hall, it seems that Wu Teng and I analyzed it well, just now it was the ghost glaze that sealed the door of the main hall we entered. We're just on the way. We finally found the entrance to the side mausoleum of the princess's tomb. Finally came in. I said silently in my heart, looking up at the hall in front of me.
This is worthy of the royal residence, even if it is the design of the mausoleum. It's also like an ordinary house, which is exactly the same as the princess tomb we saw in Jingxi, and the relationship between the two tombs is really a mirror mound, except that the orientation is exactly the same. The royal mansion has its own fixed design layout, if it is really according to the pattern of the princess tomb in western Beijing, the mausoleum in front of you should be a standard courtyard with three entrances and three exits. The place where I am standing in front of me is the main hall, and it is said that it is the main hall, but because it is built underground, there is an extra roof on it, and if it is placed outside, it is a decent front yard.
Three in and three out is an unconventional layout of the ancient house, that is to say, the whole house has three courtyards, and each courtyard is divided into the main house, the wing room, the lower room and even the rain corridor. The main house is generally used as a living room to treat people, and there are bedrooms on both sides that generally sleep with the master, that is, the main house, or the descendants of the main house, if the children of the concubine can be placed in the main house, it is the supreme favor. A wing room is generally a guest room used to receive guests, and it is also used as storage. The lower room is generally for the maid to live in, and there is no specific number. The house of three Jin and three out means that there is a courtyard from the gate, and there are one or two gates inside, and the second gate is still a courtyard, and there is a gate through the courtyard, and then it is a courtyard. Each courtyard has a small door for entry and exit, which is the origin of the three entrances and three exits. I looked at the layout of the courtyard in front of me, and it seemed that it would take a lot of work to really understand the situation here.
"Yin Yin, where is this a tomb, it is clearly a mansion." Dazhe asked in a whisper behind him.
"Princess Heshuo and Princess Gulun are both noble and prestigious princesses in the royal family, and their mausoleums will certainly not be the same as ordinary princesses, besides, their mausoleums are built so strangely, there must be something different. The style of this mausoleum built into a mansion may also be true, and it has a deep meaning. I explained.
"So what do we do now?" Uncle Lu asked.
"This place is vast and there are many houses set up, so we can either divide our troops into two ways or act in unison, and strive to find out the current situation in the shortest possible time." I say.
"I still don't recommend that we separate, after all, many of our comrades are inexperienced." Uncle Lu looked at Sister Wang Na and Min Lan.
"Then according to the second set of plans, let's act in unison, but after entering the mausoleum, don't move, be more careful, the ghost glaze hasn't been found yet, don't fall into his trap again." I instructed.
"But Yinyin, there are so many doors here, which one are we going to go to first?" Dazhe asked.
In fact, I also want to know that the structure of this place is complicated now, and I am also anxious about which side I should go to first, and which door Jiziyang will be in. I walked to the center of the main hall, and now I have the main room in front of me, and in addition to the main entrance, there are corner doors on the left and right. The wing room and the lower room are behind the main room, how to explore, I have to carefully explore.
"Yin Yin, it's not that I haven't seen the world, but this is too beautiful, this doesn't look like a grave at all, it's clearly a tourist attraction." Dazhe sighed.
Dazhe is right, I just looked at the layout of the building, but ignored the building itself, the building here is beautiful, really like an exquisite royal garden.
Before reading the "Strayed into the Peach Spring" written by the prince of the Yuan Dynasty, he said: "The glittering shell Que Zhu Palace, Qi Zhen Zhen Biwa Zhu Yong, the wide and slender Luo Wei embroidered into a tree, and Yu Weiwei painted the beams and carved buildings."
Later, I read Cao Xueqin's "Dream of Red Mansions" in the Qing Dynasty, and wrote in the third chapter: "The five upper rooms on the front are all carved beams and painted buildings, and the wings of the verandahs on both sides of the mountains are hung with various parrots and thrushes."
At that time, I didn't know what the concept of carved beams and paintings was, it was nothing more than carved beams and columns with flowers, what could be beautiful, carved beams and paintings, nothing more than the four words on the book in my hand. Later, I traveled to some scenic spots, from Suzhou Gardens to the Temple of Heaven in the Forbidden City, everywhere is carved beams and paintings, but there are so many tourists that always disturb my interest in visiting, and I naturally can't understand what the so-called carved beams and paintings are. But now in this strange ancient tomb, I actually realized it.
The main house on the front is full of gold lacquer glazed tiles, although magnificent, mostly golden, but it does not make people feel vulgar, but gives birth to a kind of luxury. Every door, every pillar, is carefully carved, and the beams of the main house are carved with a hundred flowers. This is not simply engraved a few strokes can be called a hundred flowers, but really put the Ming Dynasty Zhou Zhimian "Hundred Flowers" on the beam, the original picture depicts orchids, plum blossoms, Xinyi flowers, peach blossoms, pear blossoms, magnolias, hydrangeas, chrysanthemums, lotuses, narcissus, peonies, Ganoderma lucidum, Yueji and other nearly 70 kinds of folded flowers. There is no similarity in the mood, color and charm of each flower, and the layout of the various flowers is sparse and bright, as if it has just been picked from a branch. Even if it is the same kind of flower, the author also uses different expressions to make it compete with each other and have its own charm. And in the hands of skilled craftsmen, such beautiful scenery was carved on the beam, which shows that this princess Heshuo also has a lot of status in the royal family.
Look at the doors, hinges, and padlocks, all of which are carefully carved, which shows the care of the royal craftsmen.
"Yinyin, which door shall we enter now?" Yun Ximing asked, and I shook my head.
"There's no clue, you're telling me to take a good look." As I spoke, I stepped forward and took a step closer to those carved beams and paintings, so that on the one hand, I could see more clearly, and on the other hand, it was also to find clues, if our predecessors of the Kui family had been here, we would definitely leave some clues. I quietly used the Yin-Yang Technique, and everything in front of me was clear, and sure enough, I could see a trace of the way. Sure enough, the old-timers of our Kui family have been here, and they have left clues, but this clue seems to be equal to not giving, the main entrance of the main house, the corner doors on both sides, a total of three doors, each of which has a mark left by the ghost script, and the mark is exactly the same, what does this mean? Could it be that the predecessors of our family want to tell the descendants that these three doors are useful? Do you want to go in again?
"Ximing, look at these locks and see if you can see any doorways?" I asked, and Yun Ximing walked up behind me, put on gloves and really started to check those door locks. "I saw the ghost text, and every door was marked, and there was no other way, so we could only go in and have a look." I whispered.
"There's no other way, besides, we came here for the purpose of scientific research, so let's just treat it as a scientific expedition and look at every room." Yun Ximing said.
"For the sake of today, it has to be like this, you look at these door locks, see if they can be opened, and in the process of our scientific expedition, it is better not to damage objects." I say.
"I'm looking, but this lock is a little strange, I've never seen it before, and my grandfather also has a collection of ancient padlocks, but I haven't seen anything like this, no, it's not that I haven't seen it, it's just that I haven't seen such a lock here." Yun Ximing said.
"Can't this lock be used to lock the door?" I asked.
"It's not that it can't, but it's more for decoration, it's a long-life lock." Yun Ximing said. (To be continued......)