When Huang Gonggong walked in, everyone's thoughts were different.

Originally, no one doubted the authenticity of the painting, but let Sun Haoyue kneel down like that, plus Liu Fu knelt like that, and even sharp-eyed people still found Liu Jingye's slightly frowning brows, Liu Jingping's sweaty forehead and Liu Jingming's clenched fist, which made some people think carefully again, and took advantage of this painting to make Liu Fu fall.

So Taiwei Ruan said to Emperor Wen: "If the painting presented by Liu Fu is fake, it is a bully!"

Taiwei Ruan deliberately said this when Huang Gonggong walked in with the painting, just to give Liu Mansion the name of bullying. If this painting is not presented to Emperor Wen, then the Seven Princes have been deceived, at most, it is Sun Haoyue's sin of contempt for the royal family when he said the words of Mrs. Hu.

Although it has always been the largest clan family, only the emperor is the biggest in the royal family, or the Zongren Mansion still acts according to the emperor's eyes.

And if this Liu Mansion comes again and doesn't know the authenticity of the painting, and the Seven Princes are related to Liu Mansion by marriage, the Seven Princes will naturally not blame Liu Mansion much, and Emperor Wen can only deal with the innocence of those who don't know.

If you want to say that this Taiwei Ruan's official position is not low, why can't he get along with Liu Fu for no reason?

To put it mildly, first, Liu Jingye's promotion speed made some people blush, but also made some people feel threatened.

Originally, generally suspicious people like to use the original old people, but Emperor Wen, as the emperor, is not at ease with those old people and likes to use some newcomers. Especially the Lord Shangshu of the former Ministry of Officials and this Taiwei Ruan are still in the same door. The most unfortunate thing is that Liu Anzhen was doing things for the queen in the palace, but she offended Ruan Taiwei's young daughter Concubine Min, and these few times made the Taiwei Mansion and the Liu Mansion silently tie the knot.

When Emperor Wen saw Huang Gonggong coming in, he didn't pay attention to Taiwei Ruan's words.

Sun Haoyue frowned. If he remembered correctly, this Taiwei Ruan has always been a person who no one can offend, and judging from the memories of the previous life, he has not seen any grudges between Taiwei Ruan and the Liu Mansion worthy of Taiwei Ruan's fall to the Liu Mansion at this time.

Liu Fu was even more frightened by Taiwei Ruan's words.

It's just that they didn't know that the reaction of the people of the Liu Mansion just now was that if the three brothers of the Liu family hadn't known that the Liu Mansion still had Master Wenxing's "Autumn Goose and Autumn Water Bird" after the old lady came back yesterday, because they only knew, and Master Wenxing's painting was not recognized by everyone, so the three brothers of the Liu Mansion could not be completely sure that the painting was real.

At this time, the painting in Huang Gonggong's hand had already reached the hand of Emperor Wen.

Although it is not possible to look directly at the king, at this time, the eyes of many ministers are staring intently at the painting in Emperor Wen's hand.

Emperor Wen just opened it and looked at the corner, and then hurriedly said to Huang Gonggong, "Let people bring the case table."

After speaking, a little eunuch went to carry the desk with a smoke.

So the good court meeting became a calligraphy and painting appraisal conference.

The desk was raised, but Emperor Wen didn't give orders, and the little eunuch lowered his head and didn't put the desk down for a while.

"Put the desk in the middle, and let the ministers have a long look."

When the little eunuch put down the desk, Gonggong Huang also took down the painting and put it on the desk. A little eunuch next to him helped Gonggong Huang spread out the painting.

At this time, Emperor Wen walked down from the dragon chair on the Jinluan Palace.

Emperor Wen first glanced at it, and then gently stroked the painting with his hand.

Captain Nguyen was in front because of his higher official position. Naturally, it was much closer to the desk than the others, so Taiwei Ruan was extremely uneasy at this time.

Although Taiwei Ruan relied on a slight relationship between his father and ancestors to get his current status, if it weren't for Taiwei Ruan's struggle, he would have passed the imperial examination. Nor would it be where it is today.

Therefore, as a reader, I naturally know Master Wenxing. Of course, it is precisely because he knows the rarity of Master Wenxing's paintings and the techniques that are difficult to surpass. That's why he thinks it's less likely that the painting is real.

However, when Taiwei Ruan saw the painting, he knew that this painting was not something that ordinary painters could paint. Although he didn't have the opportunity to see the real handiwork of Master Wenxing, he saw a copy of Master Wenxing, but that one was "Flowers Bloom on the Spring Scene". That imitation is said to have painted five points of Master Wenxing, and this and that painting were all fried to a square foot and were worth 1,000 taels of silver, and a painting was also 5,000 or 6,000 taels of silver.

The artistic conception of this painting that Taiwei Ruan sees now is far above the imitation "Flowers Bloom on the Spring Scene".

Emperor Wen didn't care about others and said, "It's cork paper."

When the people with sharp ears heard Emperor Wen's words, they immediately looked at the painting scroll. You must know that most of the paintings of the Southern Dynasty where this Wenxing master was located were made of cork paper. The painting axis is also a red axis commonly used in the Southern Dynasties.

One point to mention here is that Wenxing is a Hongchuang, and it is called Tianyi Mountain People. However, according to Wenxing's friend Luo Shan Daoren's "Ming Yuanzhi" in "Ming Yuanzhi", it is mentioned that Wenxing's other name is Xuanlan Jushi. Luoshan Daoren is a person who has broken his sleeve with Wenxing, no matter what, the relationship between Luoshan Daoren and Wenxing is particularly good, which has been recognized by everyone. Therefore, the records of the Luoshan Daoists are still more credible.

Emperor Wen looked at it and already had an approximate number in his heart. It's just because of Sun Haoyue's words and Ruan Taiwei's words before, although Emperor Wen was very excited in his heart, he didn't show anything on his face.

Instead, Emperor Wen glanced at the ministers expressionlessly, and then continued to turn his gaze to the painting, and said while looking at the painting: "I don't know what Aiqing thinks?"

As soon as these words came out, no one dared to say more.

Who doesn't know that today's Emperor Wen is an outstanding person. I think that when Emperor Wen was still the crown prince, he secretly participated in the imperial examination under another name, and in the end, if it wasn't for the palace examination, a round was finally exposed, according to the articles made by Emperor Wen before, the champion of that year was none other than Emperor Wen.

The most important thing is that Emperor Wen has studied the paintings of Master Wenxing quite a lot, which is already a semi-open secret.

So who dares to open his mouth in front of Emperor Wen.

"I think that you Aiqing will never say that you don't learn and can't do anything like the Seven Princes, right? Come on, don't be inhibited. Let's take a look and talk about it. ”

Since Emperor Wen said so, if everyone doesn't speak again, they are indirectly admitting that they don't learn and don't know how to do it. The Seven Princes don't learn and don't know how to do it, but they have a good baby and a good father. If the minister next to him is really like this, where is he still worthy of being in the court. With Emperor Wen's performance just now and the drunken insect before, everyone was apprehensive.

Everyone is also afraid that Emperor Wen will say again, since he doesn't learn and has no skills, go home and learn more.

So everyone began to talk nonsense.

It's just that in the end, it's mixed up in the officialdom, and everyone can't skate when they talk about it, so that few people really say whether the painting is real or fake.

In the end, Emperor Wen said to Liu Jingye: "Liu Aiqing, this painting is also your Liu Mansion, and your Liu Mansion is also a generation of scholars, why don't you tell me whether this painting is real or fake?"

The ministers were relieved to see Emperor Wen finally ask Liu Fuju directly, and then many officials looked like they were watching a good show.

But Sun Haoyue knew that this painting was absolutely real. Not to mention the memories of his previous life, let's just say that Emperor Wen's current performance is giving Liu Fu a chance to be rewarded.

Because the painting was offered by Liu Fu, Ruan Taiwei's words obviously blocked the road of Liu Fu. For the Liu Mansion. That painting can only be real.

So Liu Jingye listened to Emperor Wen's words and said, "Rong Chen and Chen's brothers will take a closer look at it carefully."

Emperor Wen smiled and said, "Master Wenxing's painting." Naturally, you have to be more serious. ”

Those ministers who watched the play saw Emperor Wen's attitude at this time, and they didn't know what Emperor Wen was thinking.

Sun Haoyue looked at those who wanted to see the jokes and said in his heart: What an idiot.

Although Liu Jingye was under pressure to get Emperor Wen to agree to the three of Liu Fu to look at the paintings, the pressure was actually greater. Anyway, Emperor Wen agreed to his request, so no matter what, Liu Jingye had to say this, even if it was fake, he had to say it as true.

When the three brothers Liu Jingye came to take a closer look, they knew that today was probably a good thing for the Liu Mansion.

Originally, no one in the Liu Fu brothers had ever seen Master Wenxing's "Autumn Goose and Autumn Water Bird". But what I don't know for sure is whether the painting is real or fake. Now that they have seen it up close, they are a little more sure in their hearts. At first, no matter why, the old lady decided to take out the painting. The old lady will not use a fake to dedicate it, and secondly, if it is fake, it can only be that the old lady thought it was real, but Liu Jingye looked at this painting carefully, if it is not true, it can definitely be fake.

So Liu Jingye said: "Weichen is not very interested in the paintings of Master Wenxing. Just a little dabbling. However, the minister took a closer look and found that this paper was indeed the Southern Dynasty where Master Wenxing was located, and most of the paintings were made of cork paper. The painting scroll is also a red axis commonly used in the Southern Dynasties, and it looks like it is also of some age. ”

There are two main bases for appreciating paintings. The first is the main basis, which is mainly divided into personal basis and era basis. The personal basis is mainly divided into penmanship, ink and color, and structural chapter.

This is what is commonly referred to as the style of each artist.

Of course, there is a primary basis, and there is an auxiliary basis.

The auxiliary basis is divided into style, seal, material, and mounting. (There are other classifications under the style, seal, and material, and these classifications are also the basis for some details of the judgment, because this book is not an archaeological appreciation category, and the others will not be discussed in detail for the time being.) ）

Now as soon as Liu Jingming opened his mouth, he set this painting as the painting of the Wenxing dynasty, and the Southern Dynasty has a history of more than 300 years from now, so it is said that the painting is an ancient painting no matter what.

Liu Jingye knew that Liu Jingming was quite a researcher of calligraphy and painting, so Liu Jingye handed over all his plans to Liu Jingming.

Who knew that Liu Jingping was also a master of the various ranks.

In Yichen's view, this painting is thick and light, the lines are smooth, and the most important thing is the water, the lines are clean and cold, making people feel like the autumn wind. And the style is indeed a double model, thinking that Tianyi Mountain people and Xuanlan monks. In addition to the "Friends with Friends" in Luoshan Daoren's "Ming Yuan Zhi", the other number of Wenxing is Xuanlan Jushi, and Mr. Liu Gongming's "Tianyi Mountain Words" also said that Master Wenxing will have double styles on all paintings that are completed seriously and think they are good. ”

Liu Jingming was surprised and immediately added: "The eldest brother and the second brother are both right, and Weichen doesn't have much to add here." Wechen will mention here the main characteristics and achievements of Master Wenxing's paintings. ”

Emperor Wen nodded.

Liu Jingming said: "The reason why Master Wenxing's paintings are so famous and difficult to surpass is because of the artistic value of his paintings. The highest state of painting is not vivid, but to paint the bone marrow, which can make people feel deeply immediately after seeing the painting. ……”

After hearing this, Emperor Wen said happily: "It is worthy of being a generation of scholars, all of them are good."

As soon as Emperor Wen's words came out, everyone couldn't help but think that the eldest princess of Yushan had said that all the daughters of the Liu Mansion were good, so some jealous ministers all slandered: They are worthy of being brothers and sisters!

But these are no longer their concerns at this time.

Because after listening to Emperor Wen's words, Taiwei Ruan directly disregarded etiquette and decently used the sleeves of his court clothes to constantly wipe the beads of sweat on the top of his head.

Next, Emperor Wen said: "I will also show off today, and then we will say a few words after the champion."

"Everyone knows that the paintings left by Master Wenxing now are only "Flowers Blooming on the Spring Scene", "Autumn Geese and Autumn Water Birds", and "Winter Snow Mei Ruiyan". And because the master of painting and calligraphy Chao Suiyuan said that Master Wenxing is the best at painting animals and poultry, especially good at painting birds, so the three existing paintings of Master Wenxing have the highest value is "Autumn Geese and Autumn Water Birds". ”

After Emperor Wen finished speaking, he said: "I am fortunate to be fortunate to see the true works of Master Wenxing."

As soon as everyone heard Emperor Wen finish speaking, they immediately knelt on the ground and shouted: "Long live my emperor, long live, long live!"

At this time, Emperor Wen listened to the ministers shouting long live, and he was as excited for a while as he was when he learned that "Autumn Geese and Autumn Water Birds" appeared.

After a while, Emperor Wen came to his senses and said to everyone: "Ladies and gentlemen, be even!"

Liu Jingping was indeed a little uncomfortable in his heart at this time.

Originally, Emperor Wen's announcement meant that the crisis of the Liu Mansion had indeed passed. But Liu Jingping knew that he still had a little bit when he was talking. This was originally intended to be said by Emperor Wen himself. He knew that Emperor Wen loved Master Wenxing's paintings, and he also studied them quite a bit.

And Liu Jingping, like Emperor Wen, is very fond of Master Wenxing's paintings, and often looks through classics to find relevant information. Because of this, he understands that if he really loves and studies Master Wenxing's paintings very much, then he naturally understands that the birds painted by Master Wenxing are not only excellent, but also that the birds painted by Master Wenxing always show only one eye on the painting. This point was written by Master Wenxing himself in "Xuanlan Zhi". (To be continued......)