Su Fu's body trembled, and a slight tremor seemed to spread to his whole body along the touch of Cheng Tianle's fingers, and he said "You ......" and then didn't make a sound. Then one of Cheng Tianle's legs stretched in from the bottom of the quilt, followed by his whole person.

He finally hugged her, and could feel the softness of her body and the elasticity of her curves. Then he undid her pajamas...... And then into her. Su Fu's tense body suddenly became soft and trembling more and more violently, and he kept pushing his hands around his waist tightly, and the world seemed to become a blur......

When the sky was faint, I saw Su Fu's long hair scattered and his face was drunk red, curled up in Cheng Tianle's arms, his eyes were closed, but his long eyelashes were trembling slightly, and then Cheng Tianle turned over again and hugged her under him......

For women, Cheng Tianle can be said to be experienced or inexperienced. He was a virgin when he left his homeland to study in Europe after graduating from high school, but he was not a virgin when he came back, leaving his innocence to the little Yanmar in Germany's red light district, and it was Yu Fei who took him there that time. After returning to China, he studied in Shanghai again, majored in art, had a girlfriend, and lived together in an off-campus rented house for a few months, but later broke up.

The reason for the breakup may be very simple, Cheng Tianle at that time was definitely not outstanding in all aspects, and when considering practical problems, it seems that he will always be the one who is hurt. This experience, which today seems to seem, may be nothing more than a lonely man and woman taking what they need. After coming to Suzhou, Liu Shujun once made him a little tempted, but it was just a very natural sprout. If it was the first time he pursued the girl he liked, it was Xiao Su.

The loss of the past, the missed date, the ripples of love. It's all redeemed in the world of the picture scroll. In fact, from the perspective of a bystander, Cheng Tianle is just proof of one thing: he can do it if he wants to. But is there a need for this? Cheng Tianle didn't think much about it, the world of the picture scroll gave another trajectory that was different from reality, and this feeling was also very good.

If Cheng Tianle's original intention of painting was to practice, then now, he is indulging in the feelings of this painting world. There is a vague sense of satisfaction and accomplishment of a traveler who changes history. But on the other hand, he is also very sober, and he doesn't want to do anything earth-shattering in this painting, which is nothing more than a scene unfolding in the exterior of the original god.

Maybe anyone is in his situation. More or less indulgent, Cheng Tianle is not lost after all, he knows very well that he is still himself in the world of painting scrolls. There is no cultivation and ability beyond reality. If he wants to stay in the world of the scroll for a longer time and open a wider range of scenes, he must have stronger Yuan Shen mana.

In addition to taking turns with the "mouse" to enter the picture scroll every day, Cheng Tianle will also practice in the small pavilion in the back garden to cultivate his spirit, but he hardly goes out again, and rarely gathers the demons again.

Su Fu and Cheng Tianle in the picture form a semi-cohabiting relationship, the two often do things together that men and women in love do, Cheng Tianle likes that feeling, or feeling excitement and excitement. In the world of paintings, Su Fu is still Su Fu, and she is still submitting resumes everywhere and looking for new positions. But it's always high and low.

Of course, Su Fu wants to find a white-collar job with good pay and good social status, even if it is not as good as the original assistant to the general manager, at least it should not be too different. But the reality is always unsatisfactory, and her social circle in Suzhou is inextricably linked to Dong Luo, those various friends who have dealt with in the workplace. She was not introduced to the position she was looking for. As for the aimless delivery of resumes to try their luck, the effect is not very ideal, and even a few times during the interview, she can detect that the other party looks at her wrongly, and of course she doesn't want to do that kind of work.

Xiao Su still retains her reserve and self-esteem, and refuses Cheng Tianle's advice on arranging a good job for her. If Cheng Tianle is asked to find a way, it is nothing more than to go to Yi Bin to arrange it. Cheng Tianle even thought of asking Hua Fat to help. But Su Fu didn't want him to do that, in a sense, she was still sensitive and had a knot in her heart that had not been untied. Otherwise, she would not have taken the initiative to resign from Dong Luo in the first place, she still hoped that she could prove something.

The time in the world of the picture scroll cannot be measured by reality, and how long it has passed is completely regarded as the depth of Tianle's mana in the fixed realm. Cheng Tianle and Su Fu got along for several months, but Su Fu still did not find a satisfactory job, but one day he suddenly received a phone call. A relative introduced her to a very good position in the field, the working conditions and salary were very good, and the prospects for development were also very good, and she needed to go for an interview.

Su Fu was moved, and just at this time she received another phone call, it was her father who was sick and urgently needed money for surgery, and the savings on hand were not enough. Su Fu took the initiative to ask Cheng Tianle for help for the first time, and Cheng Tianle was very generous, not to mention that it was not distressing to spend money in the world of painting scrolls, I heard that there was a shortage of more than 200,000, so I gave Su Fu 300,000 without thinking about it.

Su Fu said to Cheng Tianle that the money would definitely be repaid, but why bother with Cheng Tianle? Su Fu asked rhetorically, then what have I become? So Cheng Tianle had nothing to say. He may not understand, maybe he can understand Su Fu's feelings, even if he reunites in the world of the picture scroll and completes the missed date, Su Fu is still the same Su Fu. Su Fu didn't want Cheng Tianle to look down on herself, the more she relied on Cheng Tianle, the more she didn't want others to look at her like this.

Su Fu also proposed to Cheng Tianle that she wanted to go to other places to take a look, the job opportunity introduced by that friend was really good, anyway, it was not too far from Suzhou, and the position was sent to Suzhou as the director of the branch. Cheng Tianle knows her temper, it is impossible not to let her go, anyway, this is the world in the picture scroll, just see how it happens.

Su Fu left Suzhou, which was equivalent to disappearing from the world in the painting, and Cheng Tianle was a little uncomfortable for a while, and even his mind was a little trance when he entered the country. Only then did he realize that he had been too immersed in the experience of the world in the painting, and had lost the original intention of opening the scroll, so he regained his spirit to examine the experience he encountered in the painting. Is it a dream? If this is a dream, it is entirely possible in the real world, but it is just a different trajectory!

Su Fu is not in Suzhou, and Cheng Tianle does not have any specific purpose for entering the world of painting scrolls for the time being. On this day, he came to the familiar Shantang Street again, walked from Tiger Hill to the direction of Changmen, and looked at the stone beaver statue that only changed his fate. Cheng Tianle suddenly thought that he was practicing painting to take out all the tricks in these stone beaver statues, but if he only acted for this purpose, he would miss the scenery of these Qili Mountain Pond since ancient times. If he didn't comprehend the scenery along the way, he wouldn't be able to come up with the trick!

As he walked across the Shantang Bridge, he suddenly heard the sound of Cong Cong, which came from a canopy boat in the middle of the river. Someone actually played the guqin on the boat, playing a modern song "Gusu Xing". The song is divided into three sections, the first of which describes the beautiful scenery of Suzhou gardens; The second paragraph describes the mood of people when they enjoy the garden; The third section is about the scenery and the people, and the people linger in the scene.

Cheng Tianle suddenly remembered that he had heard this piece played live, it was in a teahouse in Suzhou, and the performer was a graceful woman, that is, the owner of the teahouse was named Zhen Shirui, and he was also the guqin teacher introduced by Zhang Xiaoxiao to Nangong Yue. Cheng Tianle subconsciously looked at the boat, and just as a gust of wind lifted the curtain in front of the canopy, he saw the person playing the piano, and suddenly stood still, and did not move his steps for a long time.

When the wind blew open the corner of the curtain, he caught a glimpse of a piano case in the cabin, and a guqin on the case. This piano is made of paulownia wood, yellow pear goose foot, rhino horn piano, mussel emblem. The vermilion lacquer on the surface of the piano has turned chestnut shell color, and is covered with fine lines of flowing water and ice cracks. The body of the piano is curved and wonderful, and it looks like a fair beauty.

The slender hand that plucked the seven strings, the skin was like mutton fat and jade, and then the person who plucked the strings behind the piano case was a woman in ancient costume who was twenty-eight years old. She wore a long tunic skirt with a pale blue skirt that dragged to the ground, and knelt on a cushion, while the short undergarment on her upper body was only half sleeved, and the cuffs spread out like lotus flowers at the elbows, revealing a pair of small arms like tender lotus roots.

On her shoulders hung a colorful embroidered shawl, a kind of shawl or silk scarf of the ancients, which rose slightly in the wind and fluttered with the sound of the harp. This short skirt with a saro shawl is a Tang Dynasty costume with a high waist, which makes the figure appear elegant and slender, while outlining the beauty of the curves of the woman's breasts. Looking at the neckline between the shawls, the upper end of the curve of the front chest is as soft as a white cloud.

The woman's eyes are bright and bright, her facial features are as exquisite as flying in the mural, the ends of her long eyelashes are slightly curled, and her eyes don't know where to look when she plucks the strings by hand, as if she is looking at the flowing water in this mountain pond, and as if she has passed through the Gusu people in the painting. Her look, her breath, her vibrant rhythm were completely integrated into the plucking of the strings.

And the sound of this cong qin seems to be completely integrated into the seven miles of mountain ponds, the Gusu in the picture scroll between heaven and earth. Words can't describe the feeling of hearing the sound of the piano, at this moment, Cheng Tianle seems to feel that the sound of the piano should be floating in this world since ancient times, and it is the rhythm that this Gusu painting scroll should have.

This piano, this person, this sound, this scene are integrated, although it is just a glimpse, Cheng Tianle suddenly feels that a qiē and a qiē have been far away, only the sound of this piano is floating in the world of the picture scroll, containing the elegance of the mountains and rivers through thousands of years, no need to see, to find, there is this sound between heaven and earth; When I heard the sound of the harp, I seemed to see the one who plucked the strings. (Your support is my biggest motivation.) )