If Yang Peiqi knows a little bit about calligraphy and painting, he will know that Explorer No. 8 really didn't lie to him, among these paintings, the most valuable thing is really this Tang Yin's Spring 丨 Palace Long Scroll, why, rare is expensive!

Spring palace painting is a wonderful flower and an important part of ancient Chinese sexual culture, and Tang Yin is a top-level representative in this regard.

Modern people mostly regard the ancient spring palace paintings as yellow, color, obscene, and filthy, but this is not true. Ancient spring palace paintings not only have the function of appreciation, education, medical treatment, but also the function of research, and have great cultural value. Modern doctors want to treat frigidity, and using these paintings to stimulate and arouse patients' sexual desire is one of the main means. Through the study of guòchun丨 palace paintings, you can understand the sexual customs, sexual concepts, sexual knowledge, common costumes and the environment of sexual life of the ancients, and you can also learn some history through guò春丨 palace paintings.

Tang Yin, the word Bohu, the other word is afraid, the number six such as layman, the master of the peach blossom nunnery, the history of the escape from Zen immortals, etc., Wu County (now Suzhou, Jiangsu) people. When he was a teenager, he learned to paint in Zhou Chen, and later befriended Shen Zhou, Wen Zhengming, Zhu Yunming, Xu Zhenqing, etc., to learn literature and art. He was uninhibited, sometimes with the "first wind in the south of the Yangtze River" seal, because of the difficult career, he traveled to the famous mountains and rivers, dedicated to painting, to sell paintings for a living. He is good at people, especially for his paintings of ladies. His painting of spring and palace paintings has a lot to do with his interest in life, and it is also a manifestation of his uninhibited character, which may also be a satire and rebellion against the hypocrisy of officialdom and society at that time, as well as feudal etiquette.

In the era when Tang Bohu lived, sexual confinement was very strict. Where there is oppression, there is resistance, and the deeper the oppression, the heavier the resistance. Sex is human nature, and nature is often invincible. In the era of Tang Bohu, this kind of resistance seems to be more intense, and the fact that Xiang丨 Yan and Chun Gong Tu are flourishing in the world is proof that Tang Bohu is the eldest among the Spring 丨 Palace Picture Painters.

Although "Tang Bohu points autumn fragrance" is fictional, it is a fact that he is obsessed with women and often indulges in gentle townships. The body art in ancient China was underdeveloped, because the ancient Chinese taboo naked, and artists did not use nude models, so ancient China could not produce masters like Michelangelo in Europe.

And some people say that Tang Yin's spring palace paintings, often use the prostitutes and mistresses he loves as nude models, so the paintings are so expressive and vivid. The women depicted by Tang Yin often appear strong and plump, with round faces and delicate faces, reminiscent of the image of Tang Dynasty beauties. One of the characteristics of the women painted by Tang Yin is the "three whites", that is, a little white on the forehead, a little white on the tip of the nose, and a little white on the chin, which is often a standard for later generations to distinguish between real and fake Tang Yin's paintings.

As a non-cooperative in feudal society, Tang Bohu naturally expressed his rebellion more strongly in terms of temperament. Like an adolescent child, the more you don't let me be like that, the more I am. So, he almost hesitated to choose the creation of the spring palace map. His daily life is basically spent in the Qinlou Chu Pavilion Song Hall Bar Bathing Center, he even uses nude prostitutes and women as models, painting the Spring Palace, he indulges in lust on the one hand, and creates on the other, both grasping the revolution and promoting production, grasping the revolution and loving the revolution, promoting artistic production, and revolutionary production. The clever Tang Bohu seemed to foresee that future historians would regard him as a revolutionary who rebelled against feudal etiquette, so he chose the genre of spring palace map, which not only satisfied his own skin pleasure, but also achieved his future political and artistic fame. Tang Jieyuan has a high IQ and deserves to be the first person in the Chinese college entrance examination in 1500.

Of course, Tang Bohu's painting of the Spring Palace may also be related to his own living conditions. In order to make a living, he had to adapt his paintings to the market, create commercially, and paint some A-level works. In the Ming Dynasty, it was said that there was a germination of capitalism in the south of the Yangtze River, so since the surname was capital, what else was Mr. Tang polite? In addition to retaining an artistic heart, it is also necessary to actively devote oneself to the glamour of capitalism.

It's just that although there are many works of Mr. Tang's Spring Palace, because of the blows of the past dynasties, especially the ten-year cultural catastrophe experienced after the establishment of New China, there are few of these paintings left. Except for a small number of survivors from abroad and in Hong Kong and Taiwan, the mainland has basically become extinct.

In fact, Yang Peiqi's work has survived because this treasure was unknown before the establishment of the new state, and has been buried deep underground for decades, allowing it to escape the cultural catastrophe that swept through China.

However, at this time, Yang Peiqi didn't know anything about this, and he didn't plan to study it now, because he couldn't study it, so he just put these three paintings into the storage space, and then left.

Walking out of the alleyway of the cave, Yang Peiqi soon came to a place similar to a hall outside.

However, before Yang Peiqi appeared, he heard Feng Zhiqiang's voice calling him, and it turned out that they were already planning to leave. Fortunately, Yang Peiqi came out in time, otherwise they would have to go around looking for him.

Now that everyone has arrived, they began to embark on a journey out of the cave.

is still the queen of Yang Peiqi, and in front of him are Chen Chuying and Zhu Huanlin.

After resting in the cave just now, the sweat quickly cooled down, and it was very uncomfortable to stick to the body, Yang Peiqi also wanted to go out early, but the body and speed of the two girls were really limited.

Seeing that the front was gradually brightening, Yang Peiqi knew that this was the time to the exit.

The ramp at the exit was even steeper, and hearing that Feng Zhiqiang and the others were enjoying the strong wind blowing on the mountainside at the entrance of the cave, Yang Peiqi couldn't help but urge the two girls to hurry up.

The two women were also busy climbing up, leaving only Yang Peiqi behind them to wait for them to climb up and then complete the mountain climbing and cave activities.

Hearing Xie Hu howling there excitedly, "Born in an immortal cave, infinite scenery is at the dangerous peak", Yang Peiqi raised his head casually, but saw a thrilling scene.

Even years later, Yang Peiqi can still clearly recall that beautiful picture in her mind: four white and tender thighs are moving upwards above her head, two bodies full of youth and vitality under the swaying skirt, and the four round and full buttocks are tightly wrapped by two hateful triangular small neines. One pink and one white, the two laces are fun and small, and a dark shadow is just at the junction of the legs, and a fool can imagine the infinite scenery there.

But in this situation, Yang Peiqi feels that this scene is more exciting than the professional performances of women in the Netherlands who make a living by showing off and showing off coquettishness, and the sunlight projected from the entrance of the cave just freezes this beautiful scenery at this moment, so that Yang Peiqi can see it at a glance and show it clearly.

Thinking of the long scroll of the Spring Palace of Tang Bohu that I just got in that stone room, and the famous sentence of the founding head of the country recited by Xie Hu outside seems to be just to reflect this scene, the infinite scenery is at the dangerous peak, but the other sentence should be changed to two immortal caves!

Yang Peiqi shouted in his heart, he felt that his whole body was almost boiling, although the nosebleed did not gush out, it was estimated that it was almost the same, and the swelling place almost knocked down the hole.

The two girls didn't realize what was going on at all, the cool breeze from the entrance of the cave and the joy of the victory of the successful climb made them all care about enjoying the pleasure of the breeze with Feng Zhiqiang, leaving Yang Peiqi alone in the cave and suppressing the torment.

"Brother Song, Brother Song, what are you doing? Chen Chuying and the girls have all come out, what are you still doing inside? Feng Zhiqiang and the others suddenly found that Yang Peiqi did not come out, and shouted a little strangely.

"It's out, it's out. I'm slow, okay? Yang Peiqi slowly crawled out of the hole, he had to deal with his body, otherwise although the sweatpants were loose, it would be difficult to hide some bad features.