The plot is like a scroll, slowly unfolding, the story is narrated, the characters appear at the right time, and wonderful pictures emerge one after another. Pen | fun | pavilion www. ｂｉｑｕｇｅ。 ｉｎｆｏ

Xu Fengnian held Xu Longxiang upside down as a paintbrush, the picture sense is very conflicting, at first glance it seems that the elder brother does not treat the younger brother as a person, but as everyone knows, the real Xu Longxiang is a normal person, and it is only these close relatives.

Xu Xiao, Xu Zhihu, Xu Weixiong.

Ginger puree, sweet potato, blue bird.

The white fox face walked into the city with two knives, and the era of the second dimension has just come, and there is such a beauty like the second dimension, like a touch of mellow fragrance, which merges into the film.

All kinds of costumes that meet the characteristics of the characters, shapes that can highlight the advantages of the actors, each of the roles that come out, the characteristics are so distinct, although the aesthetic standards of the East and the West are not the same, but it is undeniable that in this film, there is no ranking on the rouge list, and the beauty of a female character is not completely highlighted by the facial features, and the Oriental audience is good to say that these actors are very beautiful. What is presented to Western audiences is a temperament that merges between the character and the actor.

Xu Zhihu's style, Xu Weixiong's coldness, the white fox's glamorous confidence, sweet potato's lazy-sexy-sensitive, bluebird's beautiful arrogance, ginger mud's softness on the outside and rigidity on the inside......

There is also clothing and accessories hairstyles, oriental charm is appreciated by the world, which integrates almost all the advantages of women-style in ancient China, and presents a role in line with the aesthetic views of contemporary people, which will make you have a dazzling attraction, in Western movies, at most, it is the seaside, in addition to presenting a picture of women - various styles, it seems that there is only a bed left.

How much manpower does it take to prepare for a role's modeling, how much material and financial resources does it take to maintain the filming of this role, and how much does Yang Yichen have to invest in a commercial blockbuster that will be made into a series of movies?

saw the details, saw the sincerity, saw the magnificent scenes, saw the capital of the big production, and at the same time, as the plot unfolded, with the debut of one character after another, with the intersection between these characters and Xu Fengnian, not only Chinese audiences, but also Western audiences understood the story and the role of Xu Fengnian.

There is nothing profound, very shallow, and there is no deliberate display of oriental culture, that is, to tell a good story and present a good character, in terms of translation and post-production, Yang Yichen has found 30 masters to carefully translate subtitles.

Ten professional film translators, five professor-level Chinese and English teachers, and five students each of the ten scholars who study each other's cultures, ensure that the translations can accurately convey the meaning and be understood by Western audiences.

Every detail that can be perfected, Yang Yichen is never afraid of trouble, and he specially got twenty people during the filming process, just to find the shortcomings of the details over and over again, a successful masterpiece may have the advantage of subject matter and topic, but if you don't have these advantages, you still want to become a masterpiece, then you must ensure that the scope you can control does not appear half a point difference.

What is presented in the character of Xu Fengnian is acceptable to both the East and the West, Dongfang is a gentleman who works hard after waking up; The West is a high-quality man who is drunk and dreams of death, and when the family and most people want him to be a superhero, he has the potential to become a superhero.

Yang Yichen played well, at first, everyone thought that the role of Xu Fengnian may be the most characteristic of many roles, because he is the protagonist, and there is a lot of space for him to squander, until everyone likes him, but as a result, I watched the contact with the white fox face, watched the story in the tide pavilion, looked at the old yellow on the back box, saw the mountain hawthorn, saw Yu Youwei, met a bull rider, met a group of big country players, bullied a small clay figure, and learned the knife hard......

Pile by pile, piece by piece, person by person, all of them are a foot in the sky and a foot on the ground, all kinds of people, things in all directions of heaven and earth, but these are all centered on Xu Fengnian, in the face of the performance of everyone and everything, presented in various forms in the novel, falling into film and television dramas, if you follow the presentation technique of the novel, it will make the audience feel that the character of Xu Fengnian is deranged and out of tune, it is completely a complex of contradictions, walking into this courtyard is frivolous, walking out of this courtyard and walking into the pavilion is solemn, Walking to Wudang is a great task for the people of the sky, with the speed of the movie's plot, you will only see a Xu Fengnian who jumps up and down and keeps changing his face.

Yang Yichen used a flat and stable way to let everyone slowly see the various shining points of Xu Fengnian's character in the details, and used the contact of everyone to enrich the role of Xu Fengnian, but on the whole, what everyone sees is a Xu Fengnian, not Xu Fengnian who changes his face, a little more Xu Fengnian who changes his face, and a little less makes the dull face of the whole character change in order to promote the plot.

In the middle, there is only one line, and only by standing on this line impartially and without any mistake can Xu Fengnian become the focus of many distinctive characters in the incident, rather than a plot promoter on the side, so that everyone can add a lot of color connotation to the character of Xu Fengnian with the events of the plot and the characters on the side.

Filmmakers, professional film critics, and senior movie audiences, watched it for twenty minutes, and they all saw the brilliance of Xu Fengnian's role, it was really because of Yang Yichen's unparalleled acting skills, this role is not difficult to play, it is too difficult to play well, ordinary actors go up, that is, it is a pure commercial blockbuster that relies on big scenes, fine special effects, wonderful stories, and various supporting roles with distinctive characteristics that people can remember at a glance. is a male lead who can add a thicker feeling to the film, so that everyone can see the movie, not a movie that is simply interpreted superficially.

It is very difficult for a movie to carry a novel with 200 chapters, but among them, Qingcheng Mountain, Guanyin in white, and even Wang Chudong's scenes can be deleted to have no impact on the main plot.

Someone suggested that Yang Yichen divide the scene of the young phoenix out of Beiliang into upper and lower parts, but he refused, preferring to stretch the duration to two hours and fifteen minutes, cut out some scenes that he thought were wonderful but not top enough, or forced this Xu Fengnian's first time into a movie, which does not affect the integrity of the main line, he wants to make a good start for this series of movies, and let all audiences around the world see it, what is a blockbuster is a blockbuster, and a story is a story, Doesn't it mean that commercial blockbusters rely on special effects to pile up, the main story is simple, and the characters appear cleanly? Then I'll let everyone take a look at a lot of stories in my main line and branches, can you really see it? Is it, or not a blockbuster?

However, there was the battle of Xiangfan, the battle of Xu Xiao entering Beijing, the battle of Jiangdong Xuanyuan, the return to Emperor Wu City, and the farewell of Li Chungang to the rivers and lakes......

The battle is magnificent, each one is more exciting than the other, and the Chinese audience grew up watching martial arts novels and watching martial arts TV series, but today they saw a different temple and different rivers and lakes, saw a great spring and autumn, and saw a world where talents came out of the country.

Western audiences can not understand the culture of the East, nor can they understand what martial arts are and what rivers and lakes are, what they can understand is the story, power and strategy, wits and courage, these things are both East and West, and they don't need to be specifically understood, if someone wants to intercept and kill, then do it, and I will fight back when I am done; I want to lay out, and I must have the south to echo my north to become a stable regime; Warriors should challenge the strong, and fierce men should face murderous opponents.

Xu Fengnian's character has a cowboy spirit, which is very important to Western audiences. I learned the knife late, my skills are weak, but I fight to raise the war, all the way to grow, no matter what kind of opponent I encounter, I have the courage to fight with him, the spirit of the bright sword in China, the cowboy spirit of the West.

The plot of the big part is stable, there are no cultural differences, there is no shortage of all kinds of cool points in the small places, revenge for everyone, drag the humiliators, and no matter what your identity is, it is fun to see everyone, and when the bull rider finally comes down the mountain, the excitement of the protagonist is partly divided, but the excitement of this division is precisely the capital that makes this film more bullish, just like the Confucian saint of Jiangdong Xuanyuan invited the ancestor to die, and the excitement is no less than Xu Fengnian's story.

Xu Fengnian's heart is cold, and love is not reflected in this first part, Hong Xixiang and Xu Zhihu, who ride a bull, staged a scene of love that is not weaker than those tragic mythological stories of the East and the West to audiences all over the world.

"Poor Dao doesn't know your rules, as for your royal law, no matter how big it is, it can't be as big as the sword behind Poor Dao."

On this day, Wudang Hong Xixiang and Xu Zhihu went out of the city and entered the city, and no one could stop them.

On this day, the world knows that the woman who loves to wear red clothes is called Xu Zhihu.

"If I told you to wait for me for three hundred years, would you be willing to wait?"

"You have waited for me for seven hundred years, and I have waited for you for three hundred years, of course you can."

"Five hundred years ago, Lu Dongxuan, a poor man, was scattered, fifty years ago, Qi Xuanjiao of Longhu Mountain, and now Wudang Hong washes the elephant, and has cultivated seven hundred years of merit."

"Poor Dao vows, willing to cultivate for the Tao of heaven and earth for another three hundred years."

"I just want heaven and earth to open a line, so that Xu Zhihu can soar."

"Ask Xu Zhihu to ride a crane and soar."

There was a red-clothed crane riding into the gate of heaven.

There was a soldier who threw a sword at himself.

A thousand years of practice, just asking for goodbye.

Before the big finale of this first part, the story of Hong Xixiang and Xu Zhihu was used as a small finale, making up for the fact that there were enough female characters but not how to enrich the emotional drama, and the love of these two people earned enough tears from all over the world, there were not many scenes, and there were very few rival scenes and emotional scenes about the two, but it was a little ink in the advancement of the plot, so that this couple, with a fairy-like love, with a poignant but never tragic result, heaven and earth are separated, but everyone believes that this is just a separation of three hundred years, three hundred years later, even if heaven and earth are blocked, it is absolutely impossible to prevent Hong Xixiang from finding Xu Zhihu.

Su Youpeng and Qiu Shuzhen sat behind Yang Yichen, as actors, they were extremely touched when they were filming, and when they really saw the finished film today, many women on the scene had already shed tears for this small ending plot.

The two of them wiped the corners of their eyes several times, and Qiu Shuzhen sighed in her heart, she didn't expect that after so many years of retirement, she really had a role that could be called a classic. (To be continued.) )