The author of this painting, Qin Zhizhen, is not well-known, and there are not many records of this painter in Japanese history books.

But just by looking at his name, you can know that this Qin Zhizhen must have been naturalized from the mainland to Japan at that time, although there are not many records about this painter whether in China or Japan.

However, if he was able to leave a picture of 60 paintings describing the entire life of Prince Shotoku, this painter Qin Zhizhen can also be said to have no regrets in his life.

After all, even now, so many great painters have been born in the world, but there has never been one who can leave such a monumental work.

What's more, in the eyes of the Japanese, this painting is a national treasure among national treasures, and it can even be said to be a super national treasure!

However, the more important things are to the Japanese, the happier Jin Muchen will be when he receives them, anyway, in his opinion, as long as it is something that the Japanese love, they will all have to be snatched away.

Even if there is something that can't be taken away, it must be destroyed, anyway, you Japanese devils did the same thing in China back then.

If it weren't for your forcible capture and sabotage, how could our genuine Xuande furnace in China become extinct in Chinese mainland?

Up to now, although there are many incense burners known as Xuande furnaces in the Chinese market, most of those Xuande furnaces are imitations of the Qing Dynasty or the Republic of China, and the real Xuande furnaces made during the Xuande period of the Ming Dynasty have basically become extinct.

As for the reason for extinction, it is because after Japan occupied the capital, it was wantonly scraped in the capital, because it was known that the genuine Xuande furnace of the Ming Dynasty used high-quality wind-ground copper imported from Siam that year, and the collection value was very high.

So they are exhausted by all means. This kind of Xuande furnace was looted from the capital, and the capital was the most concentrated area of the Xuande furnace at that time, so almost some of the only genuine Ming Dynasty Xuande furnaces in China at that time were looted by the Japanese with various shady means.

However, due to the tight front, especially the shortage of arms. In order to support their front-line soldiers and provide them with munitions, the Japanese actually melted all the looted Xuande furnaces and went to take away the shells.

It is precisely because of such a scourge of the Japanese that we Chinese have not had the opportunity to see the true face of the genuine Xuande furnace of the Ming Dynasty.

The treasure left by our ancestors to our children and grandchildren was thus extinct by the Japanese, and in the history of the War of Resistance Against Japanese Aggression for more than ten years, the Chinese national treasure was extinct by the Japanese. And not just the Xuande furnace?

So now Jin Muchen is not merciless when he comes to this Japanese national treasure, the more he is valued by the Japanese, the more he wants to do it, and the more he does it, the better.

Even in his opinion, if the whole of Japan is extinct, only he has the best in his hands, anyway, his attitude towards these Japanese national treasures. It is to never be soft and take all the light. Snatching it all and burning it all is his attitude.

If there is anything that cannot be taken away, then even if it is destroyed, it will not be left for the Japanese, anyway, they were in China back then, didn't they do the same.

I did it myself. It's just to return the grandson of the other in the way of others.

After receiving this set of "The Biography of Prince Shotoku", Jin Muchen continued to move backwards, and after walking a few steps away, he came across the famous "Tianshou Guoman Chaluo Embroidered Tent".

This embroidered tent is the favorite concubine of Prince Shotoku. After the death of Prince Shotoku, the orange lady embroidered it in honor of him.

It is said that this embroidered tent has faded quite seriously because of its age, and the whole embroidered tent is really not of any artistic level at all, but it can only be said that it is because of this Prince Shotoku and his favorite concubine that this embroidered tent will be rated as a national treasure.

Jin Muchen stood in front of this embroidered tent and looked at it carefully, many parts of the patterns embroidered on the embroidered tent were already a little blurry and distorted.

However, it can probably be seen that it is the Prince Shotoku sitting on the left-hand side, with several waiting boys around him, and on the right-hand side is a Buddha.

Presumably, it is also because Prince Shotoku believes in Buddhism and vigorously promotes Buddhism in Japan, so he, the concubine, will feel that after the death of Prince Shotoku, he must have entered heaven.

And after going to heaven, he must have become a Buddha on the ground, and lived a good life where the Buddhas discussed the Buddhist scriptures every day.

That's why she embroidered such an imaginary picture, to be honest, this embroidery work, whether it is from the embroidery effort, and the materials, if it is taken to China, let alone the royal family.

Even some ordinary people who are good at embroidery may not be able to see such things, and even many people may despise the craftsmanship of the embroiderer.

But after all, this embroidery was born in Japan, and it was born in the era of more than 1,000 years ago, when embroidery was just introduced in Japan.

According to the Chinese view, it was not easy for the monkeys who had just climbed out of the thatched hut, sat in the real house, and began to use chopsticks and porcelain to embroider such an embroidery.

So from a forgiving point of view, this embroidery work is already quite good.

And with the addition of the aura of a celebrity like Prince Shotoku, it's not uncommon for such a level of embroidery to become a national treasure of Japan.

Although Jin Muchen didn't like this embroidery a little, he still took this embroidery into his pocket, and in the future, he planned to go to Europe to open an auction and then sell this embroidery work.

Anyway, he doesn't like such things, but those Europeans definitely like it, an embroidered tent made by the favorite concubine of the legendary Japanese prince, this thing is definitely worth collecting.

Maybe the Japanese will grab it when the time comes, after all, this is their national treasure, and it has been auctioned off in Europe, and it seems that it will not be like that if you don't get it back.

At that time, the biggest harvest will definitely be yourself.

So Jin Muchen still pinched his nose and took this thing into his pocket.

After continuing to walk forward, after walking a few steps, Jin Muchen suddenly stopped in front of a bronze figure.

Because the shape of this bronze figure looks very strange, to be honest, up to now, Jin Muchen has collected countless bronzes, and it is not without works cast into bronze statues.

But something as strange as the bronze statue in front of him was really the first time he had seen it.

Most of the bronze figures he used to 'collect' were small in size, usually the size of a palm, and most of them were cast in various shapes that sang and danced.

For example, the portrait of Lady Maya that he had 'collected' before, and many of them were also images of soldiers or other boys.

And the bronze statue in front of him can be said to be completely different from the ones he 'collected' before.

This bronze portrait is about 1.75 meters tall, naked @ naked, and has no hair on his head, looking at the posture of an adult man.

The man stands with his legs upright and his arms down, but the back of his left hand is forward, and his thumb and middle finger are joined in a ring.

And the right hand is the palm of the hand open forward, such a strange shape, Jin Muchen feels very confused when he looks at it.

What does this mean exactly?

What are the Japanese doing with this bronze statue here? Could it be that such a red @ striped bronze figure can also be rated as a national treasure of Japan?

Could it be that these Japanese people have a problem with their brains? But looking at the things in the Horyuji Treasure Hall before, it doesn't seem to be enough!

There are a lot of good things!

Then this bronze statue can exist side by side with other treasures in this treasure hall, which shows that this bronze figure must be different from him.

Because the light was very dim, Jin Muchen could only take a few steps forward, and after these few steps, he really saw some doorways.

It turned out that the body of this bronze man clearly marked some acupuncture points and good meridians.

This is also thanks to his super eyesight, you must know that there is no light on in this treasure hall at this time, it is pitch black, because he is afraid of being seen by passers-by, Jin Muchen did not turn on the flashlight.

It's all because of his super eyesight, so although he can see a lot of things clearly, there are some precious features that he has to get closer to see clearly.

For example, the meridians and acupuncture points on this bronze man, when he walked into Jin Muchen, he saw that the bronze man was marked with fourteen meridians with black paint.

And with white dots, no less than hundreds of dense acupuncture points are marked.

When he saw these meridians and acupuncture points, Jin Muchen's heart probably had a spectrum, this should be the legendary acupuncture bronze man!

Thinking of this, Jin Muchen was depressed in his heart, this is also the treasure of our Chinese!

But now it has become the collection of the Japanese Emperor, and now it is openly displayed to you in this Horyuji Temple Treasure Hall, which is really ......

When I think about it, this heart is indescribably sour!

There are only three such acupuncture bronze figures in the world, one in the Forbidden City Museum in China, and the other two, one in Russia and one in Japan.

And the one we collect in China, in terms of quality is not as good as the Japanese one, our Chinese medicine scholars want to learn acupuncture, to study the meridians, acupuncture points or something, specially, they actually have to come to Japan, or go to Russia, in order to be able to see the acupuncture bronze made by our ancestors.

And then when you come back, you can remake a replica by yourself according to the proportions, what the hell is this?

And there are not only a few of these acupuncture bronze figures we made back then, although there are not many, but there are so many sets in total.

But now we only have a few small ones in our hands, which are only semi-finished products...... (To be continued.) )