Section 56 Comic Book Book

Lev? Tolstoy wrote in the book "Kreice Sonata" that love is a special love for a man or a woman that goes beyond all other people.

From this point of view, Ye Zhiran's love object is undoubtedly Zhang Nianyue. Because his love for Nian Yue surpasses that of everyone else, including Huang Yuwen and Ma Yanli.

However, from another point of view, for Zhang Nianyue, Huang Yuwen, and Ma Yanli, in their minds, Ye Zhiran is their only love object.

Therefore, when Ye Zhiran was glad that a small turmoil between him and Nian Yue gradually disappeared into invisibility, Huang Yuwen was soft-hearted.

After Zhang Nianyue and Ye Zhiran left Huang Yuwen's house one after the other, Huang Yuwen's mother began to interrogate her daughter about the relationship between him, her, and her.

Huang Yuwen pretended to be indifferent and replied to her mother: All three of them are alumni of J University.

The mother asked suspiciously: "Ye Zhiran seems to have an extraordinary relationship with your beautiful female alumnus?" ”

Huang Yuwen replied to her mother a little impatiently: "Mom, what does Ye Zhiran have to do with her, what does it matter to me?" ”

The daughter's indifferent words can't deceive her mother's eyes, she knows that her baby daughter has this Ye Zhiran in her heart, and she is the only boy in her heart.

The mother walked down the stairs and held her daughter's hand, and said softly: "Good girl, did you know that Ye Zhiran and this girl are good?" ”

was called "good girl" by her mother, Huang Yuwen almost burst into tears. She hurriedly covered up and said, "Mom, don't be upset." It's none of your business. ”

The mother was upset: "Why is it okay? If Ye Zhiran really has something to do with this girl, I won't clean him up? ”

Huang Yuwen is most afraid of her parents' interference with Ye Zhiran. She suddenly said anxiously, "Mom." If you and Dad interfere with Brother Feng, I will run away from home and cut off relations with you. ”

The more anxious she became, the more she confirmed Ye Zhiran's status in her mind.

The mother loved her daughter on the side, and said softly: "Yuwen, with your background, appearance, and talent, why should you wronged yourself and bend down?" The famous families who proposed to your father are all lined up for you to choose. ”

Huang Yuwen stomped her feet and said dissatisfiedly: "Mom, don't get other stinky men involved with me." ”

"Also, don't mention our matter to Dad, otherwise, I will be anxious with you."

This was the first time that her daughter, who had always been well-behaved, had spoken to her in this language, and she smiled and said, "Okay, got it, my eldest lady." Then you have to be honest with your mother, do you like Ye Zhiran very much? ”

Huang Yuwen blushed, didn't answer her mother's question, turned her head and went upstairs.

At night, Huang Yuwen sat in the studio, unable to calm down, took out a paintbrush and painted landscapes casually, only feeling that mountains are not like mountains and water is not like water. It's not interesting at all.

The daughter here is pregnant, and the mother is also pregnant. She wanted to talk to her husband Huang Minhai about her daughter several times, but she was worried that something would happen to her, and after thinking about it for a long time, she still felt that she would find out the situation clearly.

The next day, her mother Lin Ruzhen began to have one more thing on her mind. After Huang Yuwen went to the Provincial Art Association to participate in the calligraphy and painting art exchange activities, she opened Huang Yuwen's studio and carefully flipped through the notebook in the drawer commonly used by her daughter, and found nothing abnormal. When she sorted out the album on the table, she found a beautiful album that she had never seen before. It seems that Huang Yuwen has recently spent some careful thought to make it by hand.

The album is very thick, about fifty or sixty pages.

Lin Ruzhen opened the album curiously, and saw that the inside pages of the album were bound on pencil paper, and about a dozen pages had been drawn. She started on the first page.

The painting on the first page has the title: "J University Campus" and the date indicated is September 2. In the picture, two women and one man are traveling together, and they meet a young man on the way. Lin Ruzhen recognized the two characters in the first painting, one was his own daughter. In the painting, the daughter stops and stands next to a pair of lovers with an intimate appearance. The other is Ye Zhiran, who met suddenly. The actions of the four people in the painting again: the daughter is standing on one side reservedly, while the pair of lovers and Ye Zhiran are talking affectionately. The other woman in the painting tilted her head slightly, pointing at Huang Yuwen with her right hand as if she was introducing Ye Zhiran.

This painting should depict the first acquaintance of the daughter and Ye Zhiran. This discovery immediately aroused Lin Ruzhen's interest. She sat down at the drawing table and went down earnestly page by page.

The title of the second page is "Talking Freely" and the date is also September 2. There are also four figures in the painting, in the same living room. A slim girl stood on the side of the living room. The girl has a short dress, long skirt, long hair, and flowing hair, and a pair of eyes staring at the young man sitting on the single sofa in the living room. It was Huang Yuwen. On the three-person sofa in the center of the living room, a middle-aged couple sits, listening carefully to the young man's speech with their faces turned sideways. But it is the Zhu painter and his wife.

Lin Ruzhen laughed silently: My daughter is writing her diary in the form of a painting.

She looked at the young man, but saw that he was in high spirits, holding a jade pendant in his hand, as if telling a wonderful story, so that the other three in the drawing room were all focused on him. There are only a few brushstrokes on this young man's face, but through Huang Yuwen's wonderful brushstrokes, his expression is vividly depicted. This young man is Ye Zhiran.

Both paintings are dated September 2 and clearly depict the acquaintance of their daughters Huang Yuwen and Ye Zhiran.

Lin Ruzhen turned to the third page, and there was also a title above the pencil drawing, which was "Chance Encounter on the Lakeside", dated September 9th.

There are three figures in the picture, a middle-aged man (known to be Painter Zhu) waving his hand to say goodbye to two young people, a man and a woman. Two young people (Huang Yuwen and Ye Zhiran), the female fairy is graceful, and the male is graceful. Under Huang Yuwen's skillful brush, the breeze blowing from the lake blows through the woman's long hair and dress, and the wrinkles of the wind-blown dress are clearly visible, while the man is taking the painting tools from the woman's hand with a spring breeze on his face. From the demeanor of the man and the woman, both of them are reserved and intimate, looking at each other, exchanging inner joy with each other.

The fourth one, still on September 9, is titled "The True Colors of Men".

It's a thrilling picture. In the painting, Huang Yuwen's right hand is covered with her wide-open mouth, and her eyes are looking at Ye Zhiran in horror. And Ye Zhiran was striding away, grabbing the halter of a tandem bicycle with both hands, and his body had lost its center of gravity. There were two young women in the car with their mouths wide open and seemed to be screaming in horror. The bike was so close to the lake that it seemed like it was about to crash into the lake. But the head of the car was tightly grasped by Ye Zhiran, so that the body tilted, which was consistent with the direction that Ye Zhiran rushed over.

The painting records the scene of Ye Zhiran bravely saving the girl, and Huang Yuwen apparently witnessed the process. painting, Lin Ruzhen knew that her daughter had a very deep memory of this scene. This can be seen from some of the details in the picture.

In the picture, when Ye Zhiran flew over, his two hands grabbed the bicycle halter one after the other, and his shirt was slightly deformed by the intense action. His otherwise handsome face showed a nervous expression, and his mouth was half-open, as if shouting. In the painting, both the man and the car lost their center of gravity during the collision and were about to fall to the ground.

Lin Ruzhen knew before that Ye Zhiran was the hero who killed the "Two Lis". Through this painting, she learned that Ye Zhiran had such a brave move in front of her daughter.

Turning another page, the fifth painting was already on September 5th, and was titled "During the Exhibition". It records the first encounter between Ye Zhiran and Huang Minhai during the exhibition. In the picture, there is only Ye Zhiran's back, and Huang Yuwen is walking next to him and sending him out. And Huang Minhai and Zhu painted their backs in conversation.

Lin Ruzhen put down the album and thought about it, it seems that around mid-September, her husband did not tell her that he had met Ye Zhiran during the art exhibition. However, why didn't he tell himself about the important situation of his daughter? Really!

The sixth painting, dated September 25, is titled "Changjia Station". Huang Yuwen stood under the stopped train, with a big bag at her feet, and Ye Zhiran, who was walking quickly with a smile. And Ye Zhiran has not yet arrived, and the smile and eyes seem to have reached Huang Yuwen's heart. This painting has a bit of a romantic meaning, with the stationary train station, the stopped train, Lin Ruzhen seems to have been to the same scene in many movie shots. It's just that the hero and heroine have been replaced by people she is familiar with.

If the previous paintings are all about the acquaintance process of Huang Yuwen and Ye Zhiran. From this painting, the artistic conception of the painting has changed significantly, revealing a hint of hazy love.

The seventh painting is the scene of Huang Yuwen being bitten by a poisonous snake in the maple forest. A small snake was swimming at her feet, the woman cried out in terror, and the man dropped his bag and ran over.

The eighth painting is a bit ambiguous. An old monk with long eyebrows stood aside, and a small novice was secretly turning back Huang Yuwen's bare white calves. Huang Yuwen again, the pants on her feet had been rolled up high, and Ye Zhiran was bending her head to suck her wound with her mouth. In the picture, when Ye Zhiran's mouth touched Huang Yuwen's leg, Huang Yuwen's nervous expression was shy, but her eyes were clear and bright.

This is an interesting painting: it not only records the rescue process, but also skillfully draws four people with four expressions. The detachment of the old monk, the lust of the little monk, the shyness of the woman, and the selflessness of the man. The name of the painting is "Vampire Healing".

When Lin Ruzhen came to this painting from the first time, she had already realized her daughter's mental journey. The German writer Goethe once said: What man is not good at love? Which woman is not good at conceiving spring? Youth has always been synonymous with love. Is Huang Yuwen alone?

These eight paintings are strung together to form a complete story of first love. clearly depicts the process of daughter and Ye Zhiran from acquaintance to acquaintance to love. From having a good impression when they first met, to gradually deepening their good feelings, and then to the process of quantitative change to qualitative change in Donglin Temple.

Lin Ruzhen sighed and turned another page.

When she opened the page of the painting, she glanced at it, and she let out an "ah" in surprise, and the person stood up.

……