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Zhong Yishan looked at it carefully for a moment, and then asked the old man, "Sir, your surname is ......?"

The old man still replied half-dead: "Don't be expensive, surnamed Liang, Lao Zhong, how about my Kangxi teapot?" ”

The old man is a little old and sells the old, compared with Zhong Yishan's age, it seems that he is only big and not small, and calling Zhong Yishan "Old Zhong" is an honorific title for Zhong Yishan.)

Zhong Yishan smiled and replied: "Mr. Liang, if you want to talk about your teapot, I say so, in the museum, the collection of Kangxi blue and white pine, bamboo and plum pattern teapot, its idea is ingenious, the cover button, the flow handle is molded into plum branches, bamboo and pine trees, and the pine, bamboo, and plum patterns are painted with blue and white, integrating painting and sculpture, and it is also beautiful and elegant......

"The body of the pot and the pot flow, the handle of the pot is moderate, harmonious and unified, dignified and generous, in the style, because it is an imitation of the Ming work, the end is the 'Chenghua year' four-character imitation ......"

The old man was slightly stunned, and then said, "What do you mean by that?" Could it be that my Kangxi teapot is a fake? ”

Zhang Can and Ye Dongyang finished the transfer and handover procedures, and were about to open an appraisal certificate as well, Ye Dongyang shook his head with a smile, saying that there was no need for that, the goods and value were all in front of them, what was the difference between that paper and that paper.

Zhang Can also smiled, gave up, and when he looked up, he saw that the old man Liang seemed to be dissatisfied with Zhong Yishan's evaluation, and took a closer look at the teapot in front of Zhong Yishan.

Zhong Yishan smiled and didn't answer, but pushed the teapot in front of Zhang Can.

Zhang Canwei groaned, then smiled: "Liang Lao, Kangxi blue and white painting techniques, there are also a lot of reforms and innovations, forming their own unique style, changing the traditional method ......of the Ming Dynasty blue and white outlining the outline of the pattern, and then painting sè, that is, single-line flat painting, but using the technique of laxative dyeing, that is, 'water separation', which is heavy, elegant, and layered."

The so-called "water separation" is to use the tip of the pen to dip the different shades of water, depicted on the tire, the technical requirements are high, less than three or five kinds, at most can be divided into a kind of sè level, when the pen is hooked, dyed, rubbed, rubbed, dotted with various painting techniques at the same time, which is all completed by the painter's hand.

The composition also pays attention to diversity, emphasizing that the picture is lively and interesting, the field of vision is broad, no matter the size of the picture, there is a very perfect situation, it can be said that Kangxi blue and white Chinese painting techniques, through the composition of patterns, cleverly and vividly painted on porcelain.

"On the other hand, the plum blossom pattern on Liang Lao's pot, in addition to being monotonous, also has a tendency to Westernize, which should be the characteristics of the maker who received scientific training in modern art, and the characteristics of Xiàn, Kangxi blue and white painting techniques, influenced by Chinese painting, pay attention to artistic conception and not pay much attention to realism, there is an artistic realm that does not seek to resemble, only conveys charm, which is difficult to describe the ...... of imitations"

Old man Liang glanced at Zhang Can unconvinced, relying on his age being a little older than Zhong Yishan, and said immediately: "You young man, don't you dare to talk nonsense......"

Zhang Can smiled, "Liang Lao, when the imitations are old, most of them have to use hydrofluoric acid to treat the surface of the glaze, or use potassium permanganate to coat the glaze, the imitation is soaked in hydrofluoric acid, and the acid will corrode the utensils all over the body, inside and out, so the gloss of the imitation is mostly the same inside and out." ”

"And the real thing, in years of use, the handle, body, and bottom are more likely to be worn, and if it is a treasure buried in the ground for many years, the external corrosion is slightly greater than the inside......"

When Zhang Can said this, he held up the teapot and pointed out the patterns on the handle, spout and other places to Old Man Liang to take a closer look at them one by one.

It's just that Old Man Liang was dizzy, and he couldn't tell him clearly for a while.

Zhang Can saw that Old Man Liang was about to question again, and then said: "Old Liang, you look at the style, although Kangxi Qinghua's style is diverse, there is also a more obvious feature, generally speaking, the early blue and white generally do not write the emperor's year. ……”

"The payment of the dining hall in the palace or the imperial garden is without double circles, such as the 'Zhonghetang system', 'Kangxi Xinhai Zhonghetang system', 'Kangxi Renzi Zhonghetang system', etc., but it is in the middle period."

Zhong Yishan, Huang Mo, Xu Qianfan, Lan Zhiqi and people who have a lot of experience in blue and white porcelain, all nodded secretly, Zhang Can said, not only said the characteristics of the real product, but also said the methods and differences of fakes, not only very professional and knowledgeable, but also very simple and easy to understand, so that people only listen to it once, and have a deep impression,

"And the late Kangxi blue and white style, there is a best place to identify, for example, the late 'Qing Dynasty's 'Qing Dynasty' word, the lower right 'month' character has a horizontal often vertical writing, and the 'Qing Dynasty Kangxi Year' of the 'Xi' word, but there is 'a skimming of three ministers and two strokes', the lower half of the four points have two kinds of ...... point"

Zhang Can said here, basically he is already suing the old man Liang, which is not only an imitation of Ming, but also a "Kangxi year system of the Qing Dynasty", and there is no obvious difference between Qing characters and Xi characters, to put it bluntly, you are a modern counterfeit and shoddy, fake, such a flawed imitation, it can be said that it is worthless, what do you have to mix?

Old man Liang said unrelentingly: "Even if I am fake, in your eyes and experience, how much should it be worth?" ”

The people in the audience burst into laughter, and someone said: "Everyone has said that you are a flawed fake, even I know it, if you want to talk about the price, I can make a price, six yuan......"

Another person simply said: "If I can bid, I am willing to make a bid, five yuan and five cents......"

"Five pieces ......," many people laughed.

Zhang Can couldn't help laughing, and said: "How can I say that this is also a high imitation, if you say the price, it should be worth about five hundred, but it depends on the willingness of both parties to the transaction." ”

Old man Liang was not embarrassed at all, smiled and said: "Yes, it's really good, the little brother is not only sharp-eyed, but also golden-mouthed, and even knows the price without leaving ten, to be honest, I won't hide it from you, this teapot, I only cost four hundred and eighty yuan, hehe......"

Old man Liang said, laughing non-stop.

The others didn't understand what the two old men meant, but it was clear that Old Man Liang was not just trying to identify a high-quality fake.

It was Zhang Can, who did not move, and looked at Old Man Liang's left hand without blinking.

Sure enough, after the old man Liang finished laughing, his left hand hung down, and a stick-shaped thing slipped out of his sleeve, which was a calligraphy and painting rolled into a cylinder.

Old man Liang had a solemn face at this time, and gently put the calligraphy and painting on the table in front of Zhang Can, and then slowly opened it.

Even if it was Zhang Can, he couldn't help but exclaim, "Attacking from all sides", Zhong Yishan and the others looked a little straight.

To be honest, today I came to Zhang Can to appreciate treasures, that is, such as luminous pearls, and Zhou Han's works, in the final analysis, they are just modern jewelry, handicrafts, which have little to do with antique cultural relics.

It's just that as soon as this calligraphy and painting came out, this embarrassing scene was immediately broken.

It is important to know that these eight sides of the front, not to say anything else, but the Northern Song Dynasty calligraphers, painters, painting and calligraphy theorists, known as Mi Fu unique brushwork.

And the old man Liang, a picture scroll that obviously has Mi Fu's eight-sided front, is actually a picture of the landscape of caryophyllus.

Now the only painting that can see Mi Fu, it is difficult to say that it is a real sense of "rice painting" - "coral pen holder map", paint a coral pen stand, the left book "gold sitting" two words, and then add rice dots and inscriptions, but whether this rice painting is true or false, or ghostwriting, no one yet, there is not enough evidence to say clearly.

Mi Fu's word is called the word "brush", its jīng point is that he does not make a cocoon self-restraint, stick to the ancients little by little, as large as the poem, small to the ruler, the inscription has the characteristics of dripping with joy, strange and longitudinal changes, strong and fresh.

This is evident from the collection in the existing Zài Museum.

The landscape map of the caryophyllum in front of me, the inscription poems on it, the words are strange and superb, casual and booked, the charm is natural, the spirit is more flying, and the sense of form is more interesting. Bold and steady, the knot is wide and sparse, its book style is chic and unrestrained, and it is in line with the law, with the charm of "eight sides of the front",

The techniques used in this landscape painting are also the layers of mountains, blurred clouds and mist, and vigorous green bamboos displayed by thick ink, burnt ink, horizontal dots, and dots of scattered sizes, which are the Jiangnan scenery in "Mijia Cloud Mountain".

According to rumors, Mi Fu's paintings, now there is no heirloom at all, but his son, more works, so that this style of painting can be continued, and praised by the history of painting.

So this caryophyllum landscape, is Mi Fu or his son's work?

Zhong Yishan didn't dare to make a conclusion, Huang Mo, Lan Zhiqi, and Xu Qianfan didn't dare to assert.

Zhang Can can conclude that the paper used in this painting, and Mi Fu's hand-me-down coral paste, is the same kind of paper, this paper is light yellow sè, more bamboo fibers on the paper, is not easy to find in the current high imitation industry.

Besides, Zhang Can can conclude that this paper material has a history of thousands of years, even if it is the paper used for mounting the painting, it is not only the best rice paper, but its history can also be traced back to a hundred years ago.

Look at its inscription and seal, in addition to the words "the first minister Fu genuine, Chen Mi Youren identification Gong Ba", the rest of the private seal only Liao Liao Sanfang, however, because of the age, there are more traces of erosion of water traces are extremely heavy, and they can no longer be recognized.

If it is a high-imitation fake of modern people, Zhang Can can recognize it at a glance, but the paper, penmanship, and the ink on it, Zhang Can can conclude that it is indeed from more than 900 years ago.

But this painting is Mi Fu's own work, or his son's substitute work, which is also a big problem for Zhang Can, because this is a lone book, there is no enough convincing comparison.

Old man Liang smiled at this time and said, "How is it, Boss Zhang, can you see a way?" ”――_m