However, when this museum was built, although the area was not large, because the construction age was relatively recent, a lot of advanced construction technology was adopted.

Considering that Kyushu is an earthquake-prone area, many advanced earthquake-proof technologies were used in the construction of this museum.

For example, when laying the foundation, a lot of rubber cushioning layers are used, to put it bluntly, when laying the foundation, dig a few meters more wide around the foundation, and then add a lot of rubber cushioning materials to the ditch a few meters wide.

In this way, when an earthquake occurs, even if the seismic waves are stronger, the entire building is shaken by the seismic waves, and the foundation of the building will move back and forth with the impact of the seismic waves, and the rubber layer around the moving foundation will have a cushioning effect.

In this way, the earthquake does not cause much damage to the superstructure, so that the seismic waves do not cause much damage to the building.

Jin Muchen has learned so much about the Kyushu National Museum from the Internet, but in terms of collections, there is not much information disclosed on the Internet, just to introduce that the main collections in this museum are some collections of the Kuroda family.

This made Jin Muchen very disappointed, but just when he was disappointed, the speed of the truck he was riding in suddenly slowed down, and it quickly stabilized somewhere.

Then he heard the sound of the driver and porter in the front compartment getting out of the car, and after that, there was a noisy exchange outside, and it seemed that the car should have arrived at the Kyushu National Museum, and then the sound of Abe Masahiro and the people from the Kyushu National Museum interacting.

Although his ears were superb, he couldn't hear what they were saying because of the wall of the carriage.

Soon the car of his truck was opened from the outside, and then he saw the situation outside, which was different from that of the art museum, when the art museum was transported, these trucks drove directly to the back of an exhibition hall in the backyard of the art museum, and the security measures were relatively low.

On the Kyushu National Museum, it is very different from there, and the level of security protection can be said to be quite high, and it can even be described as heavily guarded.

Looking out of the truck's car, their current location should be the underground parking lot of the Kyushu National Museum, but directly opposite the truck's car are two large iron doors that are very hidden.

The color of these two iron doors is directly painted in iron blue, which looks very similar to the color of the surrounding cement wall, if it were not for the two Arabic numerals 5 and 6 written in white paint on the iron door, it would be really difficult for ordinary people to find these two large iron doors in such dim light.

At this time, around the iron gate, there were guys in black suits, all of whom were tall and strong, and it was difficult to associate them with the identity of the museum staff when looking at their fierce temperament.

They looked more like bodyguards sent by the security company, or members of Society B, not like museum staff at all.

Soon the two doors were opened, and then Jin Muchen saw the artwork in the door that had already been packed, and then he saw the trucks and handlers who all went into the warehouse at the door to carry the goods.

He quietly touched the car, and at this time he was invisible, so he was not worried that someone would find him, so that he could rest assured and boldly check the movement outside.

In the warehouse behind the two doors, there were many packaged artworks, all of which were similar to what he had seen in the museum before, and they had been packed into wooden boxes.

However, there are still many that have not been packed, and there are still many staff members who are surrounding some artworks in the back, and are nervously doing the work of packing boxes.

However, their movements are much more skilled than those in the museum, and it seems that they have only recently received the order to transfer these artworks, but they are far more professional than the people in the museum.

In the warehouse, there are not only museum staff and black-clad bodyguards, but also a lot of loaded guns, a SWAT-dressed policeman, standing in the warehouse with a gun.

When he saw these guys, Jin Muchen was also startled, but when he thought about it, he was relieved.

The Tokyo National Museum had just been stolen, and the Kyushu National Museum's collection had to be relocated due to the earthquake.

Even if the managers of the Kyushu National Museum are stupid, I'm afraid they have to guard against it, and those guys who committed crimes in the Tokyo National Museum will come out with a pistol.

According to their understanding, the gang of people who committed crimes in the Tokyo National Museum were quite vicious, and as soon as they broke into the museum, they controlled the security guards in the museum, and then destroyed the security facilities and monitoring equipment in the museum.

Later, when they left, they didn't even think about the safety of those security personnel, and not only planted many bombs in the museum, but also put a lot of incendiary bombs.

After the investigation after the accident, more than 10 of the security guards at the Tokyo National Museum died in the fire after the explosion, some of them were burned alive, and some of them were killed by the smoke.

The few who survived are not in a normal state of mind now, as if their brains have been burned, and it seems that it is quite difficult for the police to ask for information from them, and they have not been able to learn any useful information until now.

Because of this, the Kyushu National Museum also attaches great importance to the transfer of the treasure, not only invited a local security company to do the security, but also notified the local police, and sent some people as the security guards for the transfer of the treasure.

At this time, the head of the police officer who was in charge of escorting the treasure was chatting happily with Abe Masakuan on the left hand side of the door, and looking at their appearance, they should be old acquaintances.

Jin Muchen probably walked around the scene, learned about the number of treasures to be transported this time, and then returned to the truck.

The truck he was in was not full at the museum before, so in order to save space for transportation, the Kyushu National Museum also put some less important treasures on this car.

Next to the two trucks that came by the museum, there were seven or eight large trucks with a larger size and a stronger loading capacity, which were supposed to be the trucks used by the Kyushu National Museum.

At this time, those workers were like worker bees carrying the goods, up and down, in and out, looking so busy and lively.

After looking at it for a while, Jin Muchen felt that the time was almost up, so he didn't stay outside for a long time, but returned to the truck he took before, after all, the "Sunflowers" of Van Gogh that he valued the most was in this car, and he didn't want to follow the wrong car, so that he missed this famous painting.

The Kyushu National Museum had very neat hands and feet, and it probably took more than two hours to fill all those trucks.

And before leaving, the person in charge here was repeatedly communicating with Abe Masahiro, apparently wanting to ask him to take care of these treasures.

Come to think of it, the treasures in these trucks should be the essence of the Kyushu National Museum, and if the person in charge here doesn't pay attention to it, it's impossible.

If it weren't for the earthquake and the possibility that the museum would be used as a refugee settlement in the future, they would have been reluctant to ship these treasures to Tokyo anyway.

As the top person in charge of the Tokyo Metropolitan Police Department in the Kyushu region, Abe Masakan is shouldering a heavy responsibility at this time to transport these treasures to Tokyo safely.

This should have been an easy task in Japan, where the security situation has always been good, but considering that a larger earthquake could break out at any time in the Kyushu area, and there was a group of thieves outside who had just ransacked the Tokyo National Museum, Abe was also carrying a heavy burden on his shoulders.

What's more, he is still a guilty person in the eyes of the senior management of the Tokyo Metropolitan Police Department, and his task this time is even more inmissible, only by doing his job perfectly, then he will return to the Metropolitan Police Department in the future, and it will be possible to save his job, otherwise, he will be expelled from the police force, or he is likely to become a backstabber, and then commit suicide.

So at this time, the expression on Abe Masakuan's face was also unusually dignified.

"Abe-kun, please send these treasures safely to the National Museum of Western Art in Tokyo."

The person in charge of the Kyushu National Museum, before leaving, gave Abe Masahiro a big bow, and then said to him in an extremely respectful and obedient tone, Abe Masahiro also nodded solemnly.

"You can rest assured of this, I will definitely send these national treasures to the National Museum of Western Art in Tokyo on time, these things are one of the few precious cultural relics left in Japan, I know the priority, you can rest assured."

The two of them were still there to greet politely, and Jin Muchen, who had been hiding at the door behind the truck, was pounding in his heart at this time, and he was ecstatic, your mother's, what kind of **** luck did you go this time?

So many treasures, they actually have to be sent to the National Museum of Western Art in Tokyo, these Japanese devils, it's really too righteous, isn't this just luring the wolf into the house? (To be continued.) )