317 bronzes.

Among the 317 bronzes found by Chen Rui in the ruins, there are 89 bronze weapons, including swords, arrows, ge, yue, spears and other bronze weapons.

There are 76 production tools, including sharpening, knives, chisels, files, axes, adzes, 61, shovels and so on.

There are 152 pieces of living utensils, including a mustache for cooking food, a pot for steaming food, a bowl, a plate, a bowl for water, and so on.

There is no bronze as the most important component of the bronze here, the ding, nor the bronze as an important utensil for sacrifice and burial, nor does it use bronze to distinguish the nobility of identity, rank, and status.

Bronze is only a weapon, a tool of production, a tool of life.

Chen Rui put these things into the space of Pregnant Haizhu.

At this time, Chen Rui can basically define the indigenous tribes that once lived here.

The Golden Culture, or Giant Culture, is aptly named.

According to Chen Rui's meticulous 'archaeology' of this indigenous tribe in the past five or six days, a large number of gold, bronze and pottery objects have been discovered, and a lot of information about this indigenous tribe has been obtained.

This indigenous tribe has not yet formed the concept of the state, private ownership has just been formed, the tribe occupies most of the means of production and production resources, there is no obvious concept of class, for example, the king or chieftain, the nobility, the craftsman, the commoner, the slave class, etc.

There is no writing, all the artifacts found in the ruins, no writing has been found, therefore, this indigenous tribe cannot reach the realm of civilization. It can only be regarded as a culture. Defined as the remains of indigenous peoples' activities.

The reason why it is called gold culture. It is because this indigenous tribe has a large amount of gold and has a large number of gold objects made of gold, although, it seems, these gold objects are very crudely made and of very low gold purity.

However, the most profound image of this indigenous tribe to more than 500 million viewers around the world is gold, and it has a huge amount of gold. An ancient city of only about 3 square kilometers, with a population of about 10,000 people, but it has hundreds of tons or even more of gold, and a giant statue was cast with more than 40 tons of gold, so it is called gold culture.

Giant culture, giants are the gods worshiped by this indigenous tribe, and most of the rare cultures left by this indigenous tribe are related to giants, therefore, Chen Rui also called this indigenous tribe giant culture——

Chen Rui found a cave near the ruins.

Some petroglyphs have been left on the cave walls.

The smooth and flat rock wall is covered with petroglyphs, which are very abstract. Use lines and colors to depict a thing or a thing.

The colors of the petroglyphs are very vivid. Rich and diverse, there are white, black, red, blue, green, yellow and other colors, all of which are made of natural pigment particles + animal fat.

For example, natural lime + animal fat = white pigment, charcoal + animal fat = black pigment, iron-rich soil + animal fat = red pigment, etc.

Many petroglyphs have gone through the vicissitudes of time, and the natural pigment particles have faded over the years, but from the remaining lines on the petroglyphs, some animals can be vaguely distinguished, and primitive life, hunting, gathering and other items closely related to the primitive people's life, hunting, gathering, sacrificial activities, and very important things happen.

Chen Rui started with the first petroglyph on the far left.

A few simple lines, this is a fish, horizontal and vertical crossed lines, this is a fishing net, a person holding a fishing net is fishing, this petroglyph depicts a thing.

The second petroglyph depicts the aborigines hunting, with several people holding a very abstract weapon hunting a very abstract deer

Beginning with the seventeenth petroglyph, the petroglyphs that followed depicted a large number of petroglyphs about giants.

The seventeenth petroglyph, a triangular flying machine appears in the sky.

In the eighteenth petroglyph, a triangular flying machine landed on the ground, and a dozen giants walked down from the flying machine, and the indigenous people fell to their knees.

In the nineteenth petroglyph, the leader of the giants orders one of the giants to stay, and the other giants re-board the triangular flying machine, which takes off into the air and disappears into the sky.

In the twentieth petroglyph, the giant became the great deity of the indigenous people

The thirty-seventh petroglyph, the giant has become very old, looking up at the sky, looking at the sky with expectant eyes, the triangular flying machine disappearing, and sighing,

In the forty-second petroglyph, the giant was furious

Forty-seven petroglyphs, giants from anger to despair.

In the forty-eighth petroglyph, the giant issued an oracle, built a giant sarcophagus, and engraved on the lid of the coffin with a six-pointed star pattern and a map of the Milky Way, a map of the Orion galaxy.

In the forty-ninth petroglyph, the giant became more and more agitated and angry.

The fiftieth petroglyph, the first sarcophagus was undug and the giant executed all the indigenous people who participated in the excavation of the sarcophagus.

The fifty-first petroglyph and the second giant sarcophagus were successfully excavated.

In the fifty-second petroglyph, the aborigines dug holes in the cliff wall to serve as a dwelling place for giant gods.

The fifty-third petroglyph shows a giant dying in old age.

Fifty-fourth petroglyph with giants placed in a giant sarcophagus.

The fifty-fifth petroglyph, the giant sarcophagus was transported to the bottom of the cliff by water.

In the fifty-sixth petroglyph, the aborigines cut down a large amount of wood and made a complex mechanical device to successfully transport the giant sarcophagus to the cliff wall more than 300 meters above the water and place it in the hole.

The fifty-seventh petroglyph is no longer there.

After reading these petroglyphs, some veins about giants appeared in Chen Rui's mind.

In order to make it clearer, Chen Rui temporarily named the giant in the sarcophagus Giant Armor.

Long ago, giants came to the center of the earth in triangular flying machines and were regarded as gods by indigenous tribes.

The indigenous people are intelligent beings that were first discovered by giants in the galaxy.

The giants needed to know first-hand about this intelligent being.

So, the leader of the giants ordered one of his subordinates, the giant armor, to stay here, and live with the natives for a while, collect information, and agree that after a while, he would come back to pick up the giant armor.

However, when the appointed time came, the leader of the giants did not return.

The Giant Armor sighed to the sky every day, always expecting the Giant Leader to come back and take him back.

But the endless waiting, waiting for endless disappointment.

The giant was furious, from anger to despair.

The giant felt that he was very old and dying, so he ordered the natives to dig a huge sarcophagus as his burial place. (To be continued.) )

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