(Thank you jh6349 for rewarding 588 Quge www.biquge.info coins, continue to ask for recommendation votes and rewards, do you want three more, look at your support.) This is the first update of the guarantee) - what Han Chong saw at this time were some upper-leaved bamboos, which were sparse at will, scattered and connected, and dense.

The color is mainly ink, and the light green is applied, which not only loses the graceful and handsome bamboo of the courtyard, but also the vigorous wilderness of the green fence under the cliff by the stream.

Han Chong knew at a glance that it was everyone's work.

Suppressing the excitement in his heart, Han Chong continued to pull out the remaining silk pulp, but it seemed that the sticky porcelain plate painting was still a little difficult to break away from the shadow wall.

Although Han Chong had a lot of strength, the entire porcelain panel painting pasted on the shadow wall could not be completely separated.

Han Chong had no choice but to continue to peel off the cocoon willfully, tearing apart the Hundred Birds Qi Feitu that was originally glued together while pumping.

This method does work, when the picture on the shadow wall is torn a little bit, and then the glass on the outer wall is broken, the porcelain plate painting here is no longer so stable.

Han Chong didn't want to keep this shadow wall, the house would inevitably have to be renovated again, and found a way, Han Chong simply scrapped the shadow wall at one time.

After hearing a loud noise, the whole glass fell off, and Han Chong took off the porcelain plate painting in its entirety.

Looking at this porcelain panel painting, it has a horizontal axis of 133 centimeters and a vertical axis of 33 centimeters. It is slightly smaller than the size of ordinary porcelain panel paintings.

There is also a seal on the porcelain plate painting, this seal is written on the bamboo old man Xu Zhongnan, the old man in the bamboo is Xu Zhongnan's number, see this name, about this porcelain plate painting is unknown.

Speaking of others, Han Chong may not know much about it.

But Xu Zhongnan, a native of Jiangcheng, and Han Chong made jokes without knowing it.

Xu Zhongnan is one of the eight friends of Zhushan, and the provenance of this work has been attributed for a while.

Maybe laymen don't know about the eight friends of Zhushan.

But insiders, playing porcelain plate paintings, the name of Zhushan Bayou is like thunder.

At the end of the Qing Dynasty and the beginning of the Republic of China, Wang Qi, who was quite famous at that time, initiated the establishment of the "Full Moon Society", inviting eight like-minded people to write poems with paintings and discuss the art of painting, known as the "Eight Friends of Zhushan".

At that time, the name of Zhushan Bayou was "Full Moon Meeting", which was the master of pastel and porcelain prints that were partially lost to the folk after the Imperial Kiln Factory stopped firing.

The "eight friends" here are: Wang Qi, Wang Dafan, Wang Yeting, Deng Bishan, Bi Botao, He Xuren, Cheng Yiting, and Liu Yucen.

Xu Zhongnan, as the eldest of the eight friends of Zhushan, was an outstanding master of porcelain plate painting in the late Qing Dynasty.

Because of the poverty of his family since he was a child, his father made a living by helping people with the porcelain business, and Xu Zhongnan liked to paint porcelain when he was a child, and he made a living by painting porcelain.

He shot a lot of porcelain plate paintings genuine, especially pine and bamboo came out, now this work is Xu Zhongnan master Jiang Zhu picture, the picture is hazy, there seems to be a dashing rain, and there is a poem on the top.

Because the handwriting is relatively sloppy, Han Chong can't see it really, but after pondering, Han Chong read all the poems: Zeng Ji Xiaoxiang is a short canopy, and the smoke and rain are heavy across the river. The thunder suddenly reported the news of spring, and the spirit root grew a dragon overnight.

The poems are not only brilliantly written, but also particularly imposing.

Han Chong smiled, at this moment, although he didn't know what the final value of this pastel porcelain plate painting was, the fame of Zhushan Bayou was already worth more than 300,000.

You must know that in recent years, the flood of porcelain plate paintings such as blowouts is because many people imitate the porcelain paintings of Zhushan Bayou, but many people only imitate the fur of Zhushan Bayou.

I really got a genuine porcelain plate painting of the eight friends of Zhushan, and naturally the stars held the moon.

Its value must be satisfying.

Han Chong did not continue to stay in the community, and packed the porcelain plate painting in a big bag, Han Chong carried it on his back, and went directly to the framed old grandson.

Lao Sun Tou is a famous framing master in the Jiangcheng Antique Street, although he is a framing master, he can be said to have more porcelain plate paintings on hand than connoisseurs.

Among them, true and false, the learned old grandsons here are better than experts.

As soon as Han Chong came to frame the porcelain plate painting in the province, it was destroyed, and on the other hand, Han Chong also wanted to ask Sun Shengli to see how much Xu Zhongnan's porcelain plate painting was worth.

Sun Shengli's framing shop is at the west end of the antique street, Han Chong inserted it from the middle of the antique street, passed through several alleys, and arrived at Sun Shengli's Wenjingzhai.

The old grandson was framing a landscape painting, and saw Han Chong coming in with a big guy on his back and lifting the glasses on the bridge of his nose.

looked at Han Chong. "Young man, ah, isn't this Han Chong?"

Lao Sun's eyes are not very good, that is also tired of doing this meticulous framing work all year round, knowing Han Chong, and Han Chong has recently become a small celebrity in the antique street. The one he slapped Chen Honghe in the face has become a good story.

"Master Sun, it's me. I have a porcelain plate painting of Xu Zhongnan, the eight friends of Zhushan, and I would like to ask you to frame it for me. ”

Saying that, Han Chong had already unloaded his burden, and when he heard that it was a porcelain plate painting by the Eight Friends of Zhushan, Sun Shengli's eyes lit up, and he got up and looked at the objects in the baggage, and his steps approached unconsciously.

"Well, that's this picture of Jiang Zhu."

Han Chong took out the porcelain plate painting and placed it in front of Sun Shengli, Sun Shengli touched it with his hand, looked at it a few times, and sighed in his mouth.

Placing the porcelain plate painting on the flat table, Sun Shengli carefully examined it.

"Han Chong, where did you pick up this porcelain plate painting?"

"Huh this?" Han Chong scratched his scalp, he had something unspeakable.

Sun Shengli saw it and waved his hand, meaning that he didn't say anything. "Han Chong, this porcelain plate painting of yours is not a picture of Jiang Zhu, its name is Xiaoxiangyu."

"Xiaoxiang rain? Why? ”

Han Chong could see that rain was rendered in this painting, but why was it Xiaoxiang rain?

Sun Shengli shook his head slightly and said with a wry smile. "You don't know this, Xiao Xiangyu is one of Xu Zhongnan's masterpieces, other paintings of the old grandson can't see it, but this one can't be wrong, you don't know, I've seen countless works imitating Xiao Xiangyu in this store. Look at this poem, I once remembered that Xiaoxiang was a short canopy, and the smoke and rain across the river were heavy, which has already reflected the name of the work. ”

Sun Lao didn't say that Han Chong didn't know, and when he talked about it, he didn't know how to do it, and it was really like this. Han Chong ignored this poem.

"Xiao Xiangyu, Xu Zhongnan's masterpiece, that Sun Lao, you see so many imitations, is my painting genuine?"

Although Han Chong knew it in his heart, because he didn't know much about Xu Zhongnan's style, Han Chong also wanted to learn more.

Sun Shengli smiled and turned to Yan Sù. "You kid is better at connoisseurship than I am, but if you ask me, I'll give you my opinion."

"Xu Zhongnan's works are distinguished by bamboo, stone, flowers and birds, and most of the fakes are of these two. The bamboos painted by Xu are mostly water bamboos under the cliff by the stream, the composition is both horizontal and vertical, the phoenix bamboo obliquely comes out from behind the stone, one high and one low, living in groups, independent and fearless, the branches are fine, swaying in the wind, strange and ethereal. ”

"Judging from the brushwork of Xu's bamboo painting, one is that Xu's bamboo leaves have deleted a lot of cumbersome details, the bamboo leaves are mostly upright leaves, the leaf tips are turned by the wind, there is no plate stagnation, refreshing and vivid, and the imitators often get the form of their sparseness, the layout is average, the lack of combined rhythm, and it seems disorganized."

"The second is that Xu's leaves are confident, with the intention of writing first, the condensation is not cramped, and the force is not bitter. The imitator moves to the shape of the pen first, and looks at the stroke of a stroke, so the pen is sluggish, the material is uneven, and the strength in the tendons and veins is lacking. ”

"The third is Xu's painting of bamboo stems and bamboo branches, the ink rhyme of the pen is neat and powerful, vigorous and upright, coherent and coherent, and the imitator has a rhyme, while the imitator's pen is sparse, cramped and unfocused, and the material color is sluggish."

Listening to Master Sun's words, Han Chong really compared the outstanding features of this Xiaoxiangyu.

His brushwork is twists and turns, like a fold with a, the outline is methodical, the spirit is vivid, and there is no shadow of procedural and conceptual at all.

"Master Sun, you are really an expert." Han Chong gave a thumbs up.

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