264, God enters, and the new body revisits the old style
. Cheng Tianle was stunned, and felt that what the "mouse" said was a problem, so he unfolded the picture scroll and did not enter it, but looked at the painting in the inner scene of the Yuan Shen as before. But as soon as the painting unfolded, the interior naturally became the exterior, and he went in again! For him, this painting has changed mysteriously, and when the imperial weapon is self-generated, it directly unfolds a world that encompasses his primordial spirit.
Cheng Tianle was taken aback, and withdrew from the fixed realm and said: "This is not good, with the Yuan Shen Concentration Realm to view the Fa Imperial Weapon, now it will naturally enter the world in the painting." ”
"Mouse" also tried it, and found that this was indeed the case, and said wonderingly: "In this way, this painting is unchangeable?" ”
Cheng Tianle: "The painting is immutable, but when we enter the painting, the world we see is evolving. ”
"Mouse": "Melander once borrowed this painting and looked at it for three days, and we didn't find any changes after we got it back, and we can still use the method of viewing the painting to change the painting, how can this be explained?" Did he not enter the painting at the time, or that after entering the painting, he could no longer change the ink on the painting? ”
Cheng Tianle frowned and said, "I haven't thought it through!" Since we can enter the world in the painting, and this is also a way to cultivate the Yuan Shen Yuan Qi, let's try to figure out the mysteries of the world in the painting, and maybe there will be an answer by then. ”
Since it's something you can't figure out, it's useless to fantasize, so let's go into the painting to find the answer, at least first understand what kind of world it is? Since the exterior and interior are integrated into the fixed environment, and entering the painting is also a practice, Cheng Tianle did not go out in the following period, but traveled into the world of the painting every day.
It's also interesting to say. To cultivate to this realm, what is needed is to travel, whether it is the exterior scene, the inner breath or the valley, all pay attention to the perception of the world outside the body. Cheng Tianle lacks the conditions for this aspect, but enters another world in the painting.
He is a person with real eyes and real questions, such as when he first entered the world in painting. I once went to a shopping mall to swipe my card and buy a set of clothes. Then he exited the fixed state, put away the painting and went straight to the bank, and checked that the balance had not changed at all. There is indeed another world in the painting. Whatever he does in that world has no effect on the real world.
Cheng Tianle couldn't help but sigh that this painting seemed to contain the confirmation of the realm of cultivation at all levels. The techniques he practiced can also be reflected in the wonderful use of this painting. The world in the painting and the real world originally coincided, but from the moment Cheng Tianle entered the painting, they became two parallel lines that did not interfere with each other, and it seemed that it was just a dream.
Reality has an impact on the world in the painting, and the painting environment has an impact on the real world, and the only one who has an impact is Cheng Tianle himself! In a sense, he is equivalent to a person who walks into the painting from outside the painting, and also a person who walks out of the painting.
Whoever encounters such a thing will inevitably have an idea of what has happened in the real world. Will it happen in this picture scroll world? This has been confirmed when I watched the painting before, but now there is an additional variable, that is, what Cheng Tianle himself did in the painting.
Cheng Tianle enters the painting scroll every day, and still lives in an apartment next to Shuige Road, where there are two worlds inside and outside the painting. Therefore, there is no reference for time advancement, and a qiē only depends on the depth of his mana in the fixed realm. The first thing he confirmed in the scroll was that he could open up a new scene.
Cheng Tianle used to look at paintings, and he could reach many places in Suzhou, but there were many more places that he had never been to, either in the painting scroll or in real life. Even if a person lives in a city for a lifetime, it is impossible to walk through every street and alley, let alone enter every room in every building. Even if it's the next-door neighbor, Cheng Tianle has never been to it in the world of paintings. Knocking on the door and visiting is equivalent to opening a scene, which requires the consumption of spirit.
After all, this is the world in the painting, and the range of scenes he can open is also limited, depending on how powerful the mana of the Yuan Shen is. For example, Cheng Tianle walked to an alley that he had never been to before, and there was chaos as far as he could see, and he needed to walk over to open the scene, which also reminded him that this was not the real world, or that he was showing him the mystery of this picture.
After understanding this, Cheng Tianle no longer wandered around, if the limited Yuan Shen mana was used to open the meaningless scenes in the picture scroll, after reaching the limit of his power, other more important scenes would not be opened. The time in the painting scroll quickly passed the fifteenth day of the first lunar month, and Cheng Tianle received a phone call, which was from Wu Jiaming.
Wu Jiaming told Cheng Tianle that he really found a weasel demon in the construction site of Ningbo Anda Company, but accidentally let the weasel demon's amazing power contaminate the Yuan Shen, and he is currently hiding in the hotel to recuperate.
Cheng Tianle was a little shocked when he received this call, it seems that the world in this picture scroll is still moving forward according to the original law, and he himself is the only variable. This did happen in reality, the place where he answered the phone was in his hometown, but in the world of the picture scroll, because of his intervention, the place where he answered the phone became Suzhou.
Cheng Tianle is faced with a choice, in this picture scroll world, whether to subdue the golden thread rat Sheng Long? If he doesn't go, it means that the world will never be the same again, and the people and things around him will change a lot. Cheng Tianle thought about it for a long time, but decided to go.
This is not surprising, it is completely in line with Cheng Tianle's character, if he doesn't go, he will feel entangled, the world in the painting is also the world, the feeling is no different from the reality, why not do the things that can help the golden thread mouse? However, after making this decision, he was faced with another problem, the scene in the world of this painting scroll was not something he could open if he wanted to, but the project site of the shore company was in Ningbo, could he go to the painting?
Can you always give it a try, Cheng Tianle also wants to take this opportunity to confirm something.
In the world of the picture scroll, he called Yi Bin and asked this Yi boss to send a special car to Ningbo, Yi Bin was overjoyed, and of course hurried to do so. When Cheng Tianle left Suzhou by car, he looked out the window in a hazy and couldn't see anything clearly, and then he finally realized the difference between being in the scroll and painting outside the scroll.
In the world of paintings, he is not a spectator but a participant, who can touch and change all kinds of things, such as leaving Suzhou by car. It wasn't difficult, all he needed to open was the space inside the car, but he couldn't see the world walking outside the window. Cheng Tianle then used his mana to look out the window, and the fields on both sides of the road immediately appeared clearly, and then he felt the rapid passage of mana, and then his heart was shocked and he withdrew from the fixed realm, still sitting in the real world holding the scroll.
He sat in the car and left Suzhou, trying to see the scene outside the car clearly, which was equivalent to opening the world that had not yet appeared in the painting scroll at a rapid speed, and at this moment his spirit was exhausted and he could not continue to use the weapon. Knowing this, when Tianle regained his spirit, he re-entered the world in the picture scroll, still sitting in the speeding car, he closed his eyes and stopped looking at anything.
He walked the road in the picture scroll in a strange way, opening the scene only the car he was sitting in, and only after arriving in Ningbo did he open his eyes and open a new scene. Li Li, the boss of the company, came to greet him, and in the afternoon of the same day, Professor Song Zhaonan also rushed to Ningbo and had dinner with Cheng Tianle at the reception dinner held by the company.
In the real world, Cheng Tianle and Song Zhaonan met at the airport and arrived on the same plane, and in the picture scroll, they are still in Ningbo Chapter 280 or there are subtle differences, one of the most interesting tidbits is that Wu Jiaming, Huang Shang and other demon cultivators were surprised when they saw Cheng Tianle and asked: "Cheng Zong?" How does your hair grow so fast! It's just been a Spring Festival, and you're braiding your hair? …… Well, this hairstyle is so chic! ”
Cheng Tianle explained with a smile: "I have been practicing a secret kung fu recently, and my vitality is vigorous, so my hair grows quickly. ”
In the same way, he returned to Suzhou with his eyes closed in the car, and then the guy from the Meiland faction arrived as promised, and completed all the procedures for lending the house to Cheng Tianle, and Cheng Tianle lived in the mansion again in the world of the picture scroll. The strange thing is that there has never been a "mouse" in this world, and Cheng Tianle can't figure out what makes the "mouse" disappear?
may be because when Cheng Tianle entered the world of the picture scroll, he did not bring the "mouse" with him, so he changed a certain existence of this world; It may also be that the "mouse" also entered the world of the picture scroll in his own way, so he cannot be seen in the world of Cheng Tianle's picture scroll; Or because of more peculiar reasons, such as the "mouse" once accidentally entered the world of the picture scroll, but was accepted by the stone beaver statue on Shantang Street, and was photographed by Cheng Tianle in time, so it disappeared from the world of the picture scroll.
Cheng Tianle can't be sure what the specific reason is, but in short, his participation led to some subtle changes in the world in the painting, and the disappearance of the "mouse" is one of them. (Site. Your support is my biggest motivation. ).