Abe Zhengkuan and they can't go, Jin Muchen can't continue to wait in the carriage, he has been squatting in this carriage for more than 20 hours, during this time he has been in a state of not eating or drinking, and his stomach is already hungry at this time.

Since he had the ability, the speed of metabolism has been faster than ordinary people, and the energy that needs to be replenished is more than that of ordinary people, and the amount of food has always been very large, and now he has not eaten or drunk for more than 20 hours, and he has long been hungry.

After waiting like this, it is estimated that he starved to death before the things arrived.

So while he was now in a state of invisibility and the ability hadn't expired, he quietly slipped out of the back of the truck......

Because the gang of people in the underground garage had been moving for several hours before, the gang were a little lax at this time, and no one noticed that at this time, there was such a transparent figure, quietly feeling out of the back of the truck.

Abe Masahiro and the others were taken upstairs to the lounge to rest by the little white face, and now the group of people downstairs are the SWAT team who followed all the way from Fukuoka City, as well as the security personnel of the security company.

The person in charge of the lead is gone, and these people are also a little lax at this time, although no one has left their posts without permission, but their attitudes are not as serious as before, which is different from before in terms of spirit.

After all, when you were on the highway before, you would inevitably worry that someone would come to carjack, but you have already arrived safely at the National Museum of Western Art, and you have been unloading for several hours, and you have not seen the reckless robber come in to make trouble, so everyone will inevitably relax at this time.

Jin Muchen quietly touched into the warehouse where they placed those artworks, the area of this warehouse is very large, probably thousands of square meters, and it can be seen that this warehouse should be specially designed to store artworks.

Because this underground warehouse is also equipped with air conditioners and special dehumidification systems, and in the air outlets of many air conditioners, dust removal equipment is also specially installed at home, which seems to be prepared in accordance with special constant temperature and humidity conditions.

Jin Muchen has visited many museums, and he knows that almost every standard medium and large museum will be equipped with such a warehouse, which is usually located underground, specifically for those more delicate works of art.

When it is necessary to rotate regularly, these artworks will be taken to the outside for display, and the exhibits on display outside will be replaced and maintained regularly.

In most museums in China, most of the exhibits on display, especially the most precious ones, are fakes or replicas, and almost 100% of the treasures are placed in the basement of the museum, which is an unwritten unspoken rule in China's museum industry.

Of course, some private museums are excluded, and in foreign countries, even if they are precious exhibits, people will not put replicas outside, because it is related to the reputation of other museums, and people dare not be as undisciplined as us......

After a general look in the warehouse, Jin Muchen already understood the situation, and these two warehouses should be specially prepared by the National Museum of Art for this batch of artworks from Fukuoka.

Except for the artworks from Fukuoka, there are no other works of art in these two warehouses, so it seems that this place should have been cleared out a long time ago.

Jin Muchen probably wrote down the important artworks from Fukuoka and their locations, and then left the warehouse.

I went up two flights of stairs out of the warehouse, and finally came upstairs, so that Jin Muchen had the opportunity to see the true face of the National Museum of Western Art.

Thinking that the guys downstairs might continue to carry it, Jin Muchen was not in a hurry to go down, he planned to take a good look at the layout of the National Museum of Western Art upstairs now, but before that, he had to have a good meal.

It was midnight, and there was no one in the museum, and even because of the artwork from Fukuoka, the security guards who were supposed to patrol upstairs also went down to help, so there was no one upstairs at all.

I think that the people of the National Museum of Western Art are very confident in their security measures, because of the incident at the National Museum a few days ago, so at this time, Taito District can be said to be full of security guards, and they don't believe that there will be people to make trouble at this time.

This is convenient for Jin Muchen, there are a lot of rooms in this museum, he just found an empty room and had a big meal.

He took a lot of food from the VIP room of the Fukuoka Museum of Art, and he usually put a lot of food in his purple jade space, and now he can finally eat to his heart's content.

Soon he had enough to eat, and after carefully cleaning the traces to make sure that no hand tails were left, he quietly slipped out of the room and began to browse around the National Gallery.

The National Museum of Western Art in Tokyo, Japan, is said to have been designed by a master who designed and built a Frenchman. Le Corbusier, the Frenchman and his three Japanese students, Kunio Maekawa, Junzo Sakakura, and Takamasa Yoshisaka, spent a total of three years designing and building.

Speaking of the collection in this museum, there is still a very interesting story, the establishment of the National Museum of Western Art in Tokyo is mainly due to a Japanese named Kojiro Matsukata.

This guy was a second-generation official in Japan at the beginning of the last century, and he was also a very talented person, and he was a top student at Yale Law School that year.

Later, after returning to China after completing his studies, this Kojiro Matsukata was arranged by his family to enter the Kawasaki Shipyard at that time, which was the predecessor of the later famous Kawasaki Heavy Industries, and became a CEO.

A law student who has just graduated from college can go straight to becoming the CEO of a large corporation, which is almost impossible without a strong background in the family.

However, this guy's luck was very good, and it didn't take long for him to become the CEO of Kawasaki Shipyard just in time for the outbreak of World War I.

In World War I, the Japanese were still quite discerning and quite good at standing in line, this time they stood in the ranks of the victors, and because of the tight capacity in the European theater, Britain and France ordered many cargo ships from Japan to transfer goods from East Asia to Europe.

This made Kawasaki Shipyard a windfall at that time, and Kojiro Matsukata also made a lot of money, and it is not an exaggeration to describe it as getting rich overnight.

After having money, this Kojiro Matsukata also reflects the difference from other official second generations or rich second generations, he did not spend money to buy sports cars, this type of luxury.

Instead, he traveled to major antique stores and auctions in Europe, and spent money to buy a large number of European art, because he went to college at Yale in the United States, so he liked Western art and antiques very much, especially antique furniture and oil paintings, which is this guy's favorite.

According to statistics, this guy bought more than 10,000 pieces of various Western sculptures, antique furniture, and various types of Western oil paintings in Europe that year.

And the reason why this guy bought so many Western antiques and works of art was not because of a whim, but because although he is an entrepreneur, he has a young heart.

He planned to build an art museum in the center of Tokyo dedicated to Western art, and he had even contacted Frank, a British classmate he met at Yale. Browning, an Englishman who was a well-known architect, was planning to ask Frank to design the museum himself.

It's a pity that the wish is good, but the reality is cruel, his plan for the construction of the art museum has just been put on the table, and it was hit by a worldwide economic crisis.

It was because of an economic crisis caused by Black Friday in the United States, but New York, which was already the center of the world economy at that time, quickly infected the whole world.

Britain, France, Germany, these old capitalist powers, no one has a hard time, let alone Japan, which has been hit quite badly.

As a second-generation official, Kojiro Matsukata, who was directly promoted to executive president, has no experience in dealing with such a large-scale economic crisis.

This made the Kawasaki Shipyard he led struggling in this economic crisis, and even on the verge of bankruptcy for a time, which made other shareholders of Kawasaki Shipyard even more angry with the CEO.

What the hell are you, this bastard, patronizing all over the world, collecting all that Western bullshit, look what kind of bear you've made the company?

So the angry shareholders, annoyed for a moment, sued the Matsukata Kojiro to the court.

Although Kojiro Matsukata is a second-generation official, the other shareholders of the Kawasaki shipyard are not fuel-efficient lamps, such as their largest shareholder, which is the Mitsubishi chaebol, which has been renamed Mitsubishi Trading.

If a second-generation official wants to compete with the Mitsubishi chaebol, it is simply an early death.

Therefore, this lawsuit undoubtedly ended with Kojiro Matsukata's defeat, and the court finally ruled that Kojiro Matsukata should mortgage all his personal assets to Kawasaki Shipyard as compensation.

And it was only at this time that Kojiro Matsukata tragically discovered that the Kawasaki Shipyard, of which he was the CEO, was actually a special unlimited liability company......

This is the difference between an unlimited liability company and a limited liability company!

If it's a limited liability company, then the CEO of the company does not care if your company declares bankruptcy and dies? If the company can't survive, it's a big deal to declare bankruptcy, and the president can still continue to live happily, but the unlimited liability company can't...... (To be continued.) )