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Instead, Han Chong urged Jiaolong to look at this painting, and he didn't feel a little bit of treasure light, but that Ding Jianguo kept saying that this was a painting from the Southern Song Dynasty.

Sun Shengli took over the painting, which has a vertical axis of 117 centimeters and a horizontal axis of 56 centimeters.

He admired it and nodded frequently, even if he had seen such a fine porcelain plate painting as Zhushan Bayou, he didn't like it so much.

Sun Shengli smiled, and Hu Zhonghua laughed even more happily. "What, Old Sun, do you have something to say?"

"Amazing, amazing, the Southern Song Dynasty painter Liu Songnian's Luohan pictures have been received for you, this is a rare painting of the last three generations, I want to take a good look at it, is it okay."

"Look, look. We received this treasure and couldn't put it down for a long time, see that it is not framed, this is not hurry up to come over and you re-mount it. ”

Hu Zhonghua was very bold, and he could see that he was overjoyed to get such a treasure.

Hu Zhonghua and Ding Jianguo were full of joy, and Sun Shengli was excited, which really puzzled Han Chong.

If it is really like what they say, this is the Arhat picture of Master Liu Songnian of the Southern Song Dynasty, then this painting should have Baoguang. But there is no treasure light, and the three of them all said that this is a masterpiece of the Song Dynasty, and what is wrong with this.

"That Xiao Han, I guess you haven't seen the paintings of Master Liu Songnian of the Southern Song Dynasty in your life, come, take this opportunity to take a look?"

Hu Zhonghua just wanted to chill Han Chong, and beckoned, which meant to call Han Chong over.

As a junior, Han Chong was at least polite, he nodded, and slowly approached the painting.

Don't say it, it's really good.

The figures in the painting are depicted with iron lines, and the lines are smooth and powerful.

Even the clothes and face are depicted in great detail, and the pen is calm and steady, and the appearance is both.

The colors of the robes of the Arhats and the little monks in the painting are coordinated and unified in the variety of changes, and the trees and rocks pay attention to realism.

In particular, the brushes used for the trees and stones, outlining and rubbing, and the ink colors alternate, fully expressing the hard texture and volume of the trunks and rocks.

If Han Chong hadn't judged it first by Jiaolong, he would have only seen this painting at the moment, and it could indeed be called a classic.

"What, Xiao Han, do you know Liu Songnian? He was a painter of the Southern Song Dynasty and was praised by later generations as one of the "Four Great Masters of the Southern Song Dynasty". The main work of landscapes, figures, and boundary paintings, under the tutelage of Li Tang, is exquisite in painting style, beautiful and rigorous, elegant in color, and fine in world painting. ”

"The most distinctive thing is that he understands the subtle connection between the characters of the landscape, and his pen is affectionate. You can see his interpretation of landscapes, plants and figures, which are vividly applied in this painting, and the dense dead branches and leaves set off the sparse figures, forming a dense contrast, making the figures more prominent in the painting. ”

Hu Zhonghua said, and Sun Shengli nodded frequently in agreement.

"This work is indeed a successful work of perfect combination of landscape painting and figure painting. Although it is taken from Buddhist themes, it actually has a clear secularization tendency. On the artistic conception table, the painter carefully arranges and renders natural scenery such as mountains, rocks, trees, etc., creating a painting environment with abundant vegetation, refreshing autumn air, and fragrant mountain fruits. Luohan and the little monk were in the scene, looking leisurely and contented, creating a peaceful atmosphere of interdependence between man and nature, and between man and animals. ”

Ding Jianguo added. In addition, in terms of artistic treatment, this "Arhat Picture" draws on the method of painting the Buddha's light on the head of the Buddha in the Buddhist mural, and its expression is very superb. The light of the Buddha of the Arhat's head is like a spotlight, like fog and veil. A group of tree branches is faintly visible in the haze, which makes the contrast between virtual and real in the picture even stronger. ”

The more people talked, the more they liked it, and the more they sought after, the more excited they became, but Han Chong was on the side, but he always kept a distance from them.

No matter how fanciful they said, Han Chong knew clearly in his heart that this painting was not genuine. was silent just now, and Han Chong was also looking for a flaw in this painting.

Jiaolong had already placed Jiaolong on the "Luohan Diagram", and Jiaolong scanned this picture in more detail, but although it was penetrated by Jiaolong's strong light, Han Chong only faintly saw the catty in it, which really made Han Chong smack.

There is no problem with the colors on this Arhat chart, but when the painting is gradually enlarged, Han Chong finds that the colors on it are superimposed, and there are superimposed color dots in the gradient colors.

You must know that it is absolutely impossible for a painting to appear in color dots, and those who are familiar with the principles of printing can know that this is a way of operation that only appears in prints.

This point, in Chinese painting, is often used by some imitators to pass off high-imitation prints as originals. Han Chong heard Brother Li Song talk about it, but he didn't expect that today, Han Chong also saw it here.

Yes, if I'm not mistaken, this is a print, but it's much better than a normal print.

Regardless of the color, or blending and superimposing, it is vivid and vivid, if you rely on the human eye, or even if you rely on a magnifying glass, you can judge and screen out his authenticity.

Of course, this kind of high-quality imitation, the extremely realistic high-imitation is not uncommon to identify, as long as it is appreciated by experts who understand printing, they can appreciate the problem of this painting.

But then again, there are few masters who appreciate calligraphy and painting who are clear about the principles of printing, so this work can be grandiose and grandiose, so that the person who owns it is arrogant and lawless to show off.

Seeing that Hu Zhonghua was still boasting about himself, Han Chong faintly put away his smile.

"Boss Hu, you said that your painting is going to be taken to the Doubao Exchange Conference in Jiangcheng next month?"

"yes. Xiao Han, but you can't go to that place, so if you want to see it, just look here for a while. However, it seems that you can't see it now, so we will quickly ask Master Sun to frame it for us. He's going to meet with you next month, I'm sorry. ”

Hu Zhonghua glanced at Han Chong coldly, turned to Sun Shengli with a smile, and sent the painting to the latter. "Old Sun, then please frame this classic painting of mine in the future."

"Good. That Han Chong, that painting of yours? ”

At this point, Sun Shengli also saw the contradiction between Hu Zhonghua, Ding Jianguo and Han Chong, although Hu Zhonghua requested, but the matter still came first, Sun Shengli also had to consult Han Chong's opinion.

"Master Sun, it's okay, don't worry about my painting, you can frame it for Boss Hu first, I hope that his painting will shine at the Doubao Exchange Conference."

"Xiao Han, borrow your auspicious words, but it's really not necessary, my paintings will definitely become shining stars, there is no doubt about it."

"Old Sun, you just said that Xiao Han still has a painting in you?"

Lao Sun said that he leaked his mouth, Han Chong didn't want Hu Zhonghua to know that he had Zhushan Bayou porcelain plate paintings, so he preemptively explained.

"Ah, Boss Hu, what Mr. Sun said is my personal photo, I want to frame my art photos in my bedroom, I like to see the person I like when I get up in the morning."

Han Chong didn't mean to dislike Hu Zhonghua, but this guy took a seat with the right number, glanced at Han Chong, and ignored the former.

How could Han Chong be willing to talk nonsense with him, smiled at Sun Shengli and waved his hand, turned around and left Wen Jingzhai.

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