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"There is no doubt about the genuine product, but it is not the Cizhou kiln you said, but the Yaozhou kiln."

Han Chong had already judged it in his heart.

This small printed bowl was produced by the Yaozhou kiln of the Song Dynasty, and the Yaozhou kiln of the Song Dynasty was also the largest kiln system among the "six kiln systems", and it was the representative of the northern celadon. ”

"Yaozhou kiln? I've only heard of the five famous kilns, why are they still the six famous kilns? ”

"No, I'm not talking about the six famous kilns, but the six kiln systems, and the six kiln systems and the five famous kilns are not the same concept. You should know that the Northern Song Dynasty was a period of comprehensive development of China's porcelain industry, and it reached the peak in the history of porcelain development in terms of scale, technology and product level. ”

At that time, there were many kilns all over the country, and the five famous kilns, Jun, Ding, Ge, Ru, and Guan were in this period, and after fierce competition, elimination, and development, they gradually formed a "kiln system" centered on some famous kilns.

"At that time, Dingyao, Junyao, Cizhou, Yaozhou, Longquan and Jingdezhen were the most famous, so they were collectively called the six major kiln systems of the Song Dynasty by later generations."

"Ah, so that's what you say?" Wu Zhaoxu doesn't know this, he can be regarded as increasing his knowledge.

"It's not like that, the Cizhou kiln you just mentioned is also one of the six major kiln systems, and its kiln site is in Hebei. Known as Jingde in the south, Peng Chengzhi in the north said, but the varieties of Cizhou kiln, especially famous for white ground and black flowers, are more famous for white glaze. In contrast, Yaozhou kiln is located in Shaanxi Xi copper chuan, it is the representative of the northern celadon, the late Song Dynasty is dominated by celadon, its tire is thin and firm, the glaze is smooth and even, the color is green and quiet, and there are a large number of carved flowers and prints in the decoration, the structure is rigorous and plump, and the lines are free and smooth. ”

"Although this black glaze is not a representative of Yaozhou kiln, in the Tang Dynasty, Yaozhou kiln has begun to fire black glaze, including black color, three colors, and all of them are fired during this period."

"At the end of the Northern Song Dynasty, it was the heyday of the period, and in addition to bowls, plates, and bottles, there were also pots, pots, incense burners, incense burners, pots, bowls, bowls, etc.

The Yaozhou porcelain tire is thin and firm, the glaze is smooth and even, the color is green, translucent, and very elegant. Including the pattern on the current printed bowl is like a blooming chrysanthemum, and there is no lack of fitness in the rough style, especially vivid and natural. It shows that he is the work of Yaozhou kiln. ”

"Brother Chong, you really know a lot, I just judged based on the knowledge in the carving, a rough judgment, but compared with you, I found that my knowledge is so weak."

Wu Zhaoxu cast an envious gaze, and after Han Chong finished speaking, he had to continue to focus on the oil-dripping glazed bucket bowl.

"Xiao Wu, take a look at this one again."

Wu Zhaoxu shook his head, he really didn't want to be wrong, and looking at Tu Yuwei on the side, he wanted to ask for help, but he didn't dare to say it, not because of Tu Yuwei's cold arrogance.

Han Chong wanted Tu Yuwei to participate, especially, he ran the Treasure Zhai with her, and Han Chong also wanted to see if Tu Yuwei's appreciation skills had increased.

"Tu Yuwei, in other words, let's take this treasure down together, and you also need to know what kind of treasure the porcelain here is."

Tu Yuwei said honestly, she didn't have much interest, but Han Chong spoke, and she didn't refuse.

After appreciating the porcelain, Tu Yuwei took the oil-drop glazed bucket bowl from Xiao Wu's hand, saying that this oil-drop glazed bucket bowl is also an important variety of black glazed bowls.

Tu Yuwei still knows a little bit.

Looking at it, looking carefully with her eyes, including feeling it with her hands, Tu Yuwei smiled.

"This is an oil-drop glazed bucket bowl, which was created and burned in the Song Dynasty to build a kiln, speaking of which, the Ding kiln of Hebei, the Hebi kiln of Henan, and the Linfen kiln of Shanxi also produce black glazed porcelain, but the quality of the reputation is not as good as that of the kiln."

"The black glazed bowl of the kiln is still a relatively famous work. The black glazed porcelain of the construction kiln is a famous folk kiln in the south of the Song Dynasty in China. The old site is in Jinfu Jian. ”

According to the Qing Dynasty Sa Jiayu's "Building Kiln Examination" cloud, "Fujian's porcelain was famous in the Song Dynasty, and the utensils made were combined with the Jun kiln, the Ge kiln, and the Longquan kiln, which was called the building kiln."

"You must know that the five famous kilns of the Song Dynasty are Ge kiln, Jun kiln, Ding kiln, Ru kiln, and official kiln. The kiln is on par with the Jun kiln and the brother kiln, and his reputation can be imagined. ”

Tu Yuwei knows a lot of sincerity, Han Chong can talk endlessly about Yaozhou kiln, and Tu Yuwei, a girl, is like a treasure for building a kiln, and Xiao Wu admires the five bodies to the ground.

But Tu Yuwei didn't finish speaking, and continued, "The kiln is different from the Yaozhou kiln to fire celadon, it is famous for burning black glazed porcelain. The main products are mainly lamps, bowls, plates, plates, and plates, and also burn boxes, pots, pots, lamps, furnaces, bowls, plum bottles, dark vessels, etc., the most small bowls, and the soles of the feet have the inscription of "for the emperor" and "into the lamp", which should be the tribute fired for the court of the Song Dynasty. ”

Han Chong forgot about it, and was reminded by Tu Yuwei that he remembered that it seemed that there was really such a saying, if there is an inscription on the bottom of the foot, it is likely to be a tribute from the court.

And Han Chong only remembered the feeling of touching, but he didn't look at whether there were words on the soles of his feet, but thinking about it, Han Chong felt that there was no, if there were, the proprietress would sell it so lightly.

"Then Tu Yuwei, let's take a look at whether there are words on the soles of these feet, right?"

Wu Zhaoxu called Tu Yuwei's name, but the latter gave him a cold look, it seemed that it was his qualifications, how could he call him by his name.

This glare, sure enough, Xiao Wu said, "Senior sister, senior sister." ”

"Look at the soles of the feet is to see, but to take one step at a time, you must know that one of the characteristics of the black glaze is the high iron content of the carcass, which has always been known as the "iron tire", and the iron crystals are in the shape of oil beads is the oil drop glaze, and the Song people also have partridge spots. The carcass of this piece is heavy, black-gray, rough and hard, and the color of the exposed tire is dull and dull. ”

"Look again, this oil drop glaze bucket bowl is small and shallow, the tire repair is sloppy and powerful, the knife is natural, the enamel is rigid, the glaze is black, the utensils are glazed inside and outside, the outer glaze is close to the bottom of the foot, and the sole of the foot is unglazed and exposed. So, first of all, I judge, this is a genuine product. The authenticity of the oil-droplet glazed bucket bowl. ”

Wu Zhaoxu clapped his hands, he felt that this senior sister was not inferior to Han Chong at all, and the next second, Xiao Wu also looked at Han Chong, although Tu Yuwei finished speaking, but right, he also wanted Han Chong to confirm.

"Brother Chong, is what my Sister Tu said right?"

Han Chong said heartily, "This one is indeed an oil-drop glazed bucket bowl from a kiln built in the Song Dynasty, what your senior sister said is right." The Song Dynasty was the development period of the kiln, and it was famous for burning black glaze. It has a variety of shapes, there are different forms such as large and small mouths, open mouths, etc., among which the famous varieties such as "rabbit hair", "oil drops" and "Yao Change" and "partridge spots" are talked about by future generations. ”

"The kiln products use high iron content of raw materials to make tires, so the tire color is dark black and hard, and there is a common name of 'iron tires', but your sister is relying on her experience to appreciate, for newcomers like you, to identify the products of the kiln, pay attention to two points."

Xiao Wu listened carefully.

Han Chong said, "First, to see if the bottom of the foot has the words 'Jinzhan' and 'Offering to the Emperor'. If there is, it means that it is used by the royal court, and the value will be very high; The second is the kiln glaze, which turns blue around the irregular oil droplets, which is also particularly precious. Just now under your senior sister's reminder, I remembered to forget to look at the bottom of this oil-drop glazed bucket bowl, and coincidentally, the second judgment basis, our oil-drop glazed bucket bowl I found that the kiln turned blue. ”

"Where is the kiln turning blue?"

Xiao Wu didn't see Lan at all, so he asked.

Tu Yuwei was also greatly challenged, the oil-drop glazed bucket bowl was in her hand, why didn't she see the blue.

Han Chong smiled and pointed at the next second, "No, look at the position of this vertical stream, the color is slightly blue, this is the kiln has changed." The history of kiln change can be traced back to the Western Zhou Dynasty, when the original porcelain blue glaze ware fired in Zhejiang area has appeared on the milky spots, this phenomenon in the Song Dynasty before the firing of the green glaze or black glaze, especially in the tendon or turning of the glaze part of the artifact can often be seen. The kiln change is that it produces a different color from the previous design during firing, and makes the porcelain more beautiful. In this way, the value of porcelain will rise. ”

The position that Han Chong was referring to, that kind of blue was indeed zài, it might be a problem of angle, Tu Yuwei and Wu Zhaoxu didn't see it just now.

But when you turn the bowl and adjust the angle, it's really there.

Look carefully at the glazed bowl with oil droplets in this kiln, the blue part is indeed very beautiful, and a beam of sunlight happens to shine down, shining, beautiful and heartbreaking.

"The kiln becomes an oil drip glazed bucket bowl, then this one is really a treasure, let's take a look, is there a tribute or something on this foot?"

Wu Zhaoxu still remembered this stubble, and in the oil-droplet glazed bucket bowl in Tu Yuwei's hand, she also began to slowly look at the bottom of the foot.

Han Chong took a step forward and opened his pupils, and when his gaze reached first, he could already see this foot clearly, but this foot disappointed him.

There is no word of tribute, it is completely light. It's supposed to be just a folk circulation, but that's fine.

Tu Yuwei shook her head after reading it, "No." ”

Xiao Wu was also disappointed, "It's a pity, it's not a tribute from the palace, if it is, it will really be terrible." By the way, this one is not, but what about that small printed bowl? ”

"Didn't we look at that small printed bowl, Sister Tu, did you say that the small printed bowl could be a tribute, specially for the emperor?"

Xiao Wu's sentence hooked the curiosity of Tu Yuwei and Han Chong, yes, the first printed bowl just now, the two of them also didn't look at the bottom.

It is also a famous kiln in the Song Dynasty, and it is possible that it is a royal tribute. Who knows, who can say for sure, that small printed bowl from Yaozhou kiln. R1152