The car came to Taito District, Tokyo City, at the gate of Ueno Park, Jin Muchen found an underground parking lot, parked the car, and then took Jesse and Belinda out of the car.

If you're here to visit, you can't miss Japan's famous Ueno Park, one of Tokyo's most famous landmarks and one of Japan's favorite parks, as it has the most cherry blossom trees in Tokyo.

Every year in March and April, when the cherry blossoms are in full bloom, many cherry blossom lovers come from all over the country to see the cherry blossoms in this park.

At this time of year, it is not only a popular spot for Japanese people, but also many tourists from all over the world who come here to enjoy the beautiful cherry blossoms.

This is the end of March and the beginning of April, and the cherry blossoms are in full bloom, so it's also the most crowded time in Ueno Park.

All kinds of Japanese people come from all over Japan in costume and costume to this park to enjoy the cherry blossoms at their best.

And there are also a lot of foreigners here at this time, so Jin Muchen and his party walking here are not particularly dazzling, and the whole park is filled with the fragrance of cherry blossoms, which makes Jin Muchen, who has been nervous recently, also get a very good relaxation.

And Belinda, as a representative of sensual women, is even more happy at this time, after all, women like beautiful flowers, so many beautiful cherry blossoms, and they can also have a beloved, she feels very satisfied by her side, although there is a Jesse next to her, but this period of thinking has completely let her let go of this knot.

Jesse doesn't care anyway. So what do you care about? Enjoy yourself while you're young. As for the rest of the ethics, those are better to forget about for now.

Belinda's cheering laughter also infected Jesse, although she has always appeared in front of Jin Muchen as a female man, but after all, she is still a woman in her bones.

Seeing such a beautiful thing and such a harmonious atmosphere, even her mood at this time also improved.

A group of people talked and laughed through this park, and before they knew it. They walked through the park, and at the northernmost end of the park was the Tokyo National Museum, where they were on their way.

One of the world's most famous museums, the Tokyo National Museum, was originally the Museum of Education, Culture, Sports, and Culture of the Yushima Shrine in Tokyo, but in 1889 it was renamed the Imperial Household Museum, and in 1900 it was renamed the Tokyo Imperial Household Museum.

In 1947, the museum was renamed the National Museum under the management of the Ministry of Education, Culture, Sports, and Culture, and in 1952, it was renamed the Tokyo National Museum, which is under the Ministry of Education, Culture, Sports, and Culture.

The change in the name of this museum already says a lot about the country. Different changes in those historical stages.

The Tokyo National Museum consists of a two-story building in the style of a Japanese nation, with the Toyokan on the left, the Omokeikan on the right, and the Horyuji Treasure Museum next to the main gate, with a total of 43 exhibition halls.

Stand in front of this museum. Jin Muchen didn't feel the shock he felt when he stood in front of the Museum of Fine Arts in Boston or the British Museum for the first time.

On the contrary, it is more of an unspeakable discomfort in my heart, because even if this museum is beautifully repaired, the collections inside, even if they are exquisite, but as a Chinese, when standing in front of this museum, there will always be that mixed feeling in my heart.

On the one hand, the collections in this museum are indeed records of thousands of years of history and customs, and are precious historical relics left by the ancestors of human beings.

But at the thought that these historical relics were left by this Japanese ancestor who had brought countless hardships to the Chinese, Jin Muchen felt a wave of nausea in his heart.

What's more, there are so many Chinese cultural relics in this exhibition hall, and it is almost obvious that most of these precious Chinese cultural relics were plundered from China by these Japanese through disgraceful means.

In those days, the Japanese cultural relics 'hunters' stole and smuggled Chinese national treasures into Japan through dishonorable means.

Let's just say that those Chinese cultural relics that were captured by them during the Japanese invasion of China, in fact, after the founding of New China, the Chinese government has not given up and wants to get these cultural relics back.

But as a result, it can only be hehe.

In modern China, there was an archaeologist surnamed Meng who wrote a book "The Destruction of Chinese Cultural Relics by the Japanese Invasion of China", which contains statistics during the Japanese invasion of China.

Japanese soldiers, private merchants, and social associations forcibly plundered, stole, and smuggled Chinese cultural relics into Japan from China, and countless Chinese cultural relics were innumerable, because before the Japanese surrendered at the end of the war, they completely destroyed their own statistics, so until now, it is impossible to accurately estimate how many treasures the Japanese took from China at that time.

However, he gave a rough estimate that there were no less than 3 million treasures captured by the Japanese in China that year.

And if they can't take it away, then not to mention how fucked up these bastards are, most of them were directly destroyed by them, and things can't be moved to Japan, then they will be destroyed, and you Chinese will not get it.

You must know that those are the treasures left by our Chinese ancestors! What the Japanese did was much worse than the Anglo-French forces that invaded China back then.

At the end of the war, when the Chinese government asked Japan for these cultural relics, the Japanese government was all kinds of prevarication and kickball, and in the end, it was really unable to resist the pressure of the Americans, so it reluctantly returned the 158,000 cultural relics of the Chinese government, and of these, only more than 2,000 can be regarded as precious.

And that's just the treasure of the artifact.

At that time, there was no way to calculate the cultural relics, but some people also made another statistic that during the Japanese invasion of China, Japan took away more than 3 million precious ancient documents and books of various types from China.

After the founding of the People's Republic of China, the new Chinese government never gave up asking for these ancient documents from the Japanese.

But until now, the Japanese have only returned 160,000 books, which shows the fucking up of the Japanese.

These are only statistics on antiquities, and even more so on war reparations.

You must know that during Japan's war of aggression against China, China suffered more than 30 million military and civilian casualties alone, and Japan did not pay any compensation after the war.

After Japan's rapid post-war economic recovery, Japan made a decision on war reparations for its own nationals, and the compensation for their own nationals amounted to more than $400 billion, and many of these people were even descendants of Japanese war criminals.

The Japanese reparations for the overseas countries and regions they invaded during World War II were only $6.5 billion.

As for China's war reparations, the Chinese government later explained that it was the Chinese government that had generously waived them.

To be honest, the person who made this decision, in Jin Muchen's eyes, is simply a special XXX, and the blood of our Chinese was shed in vain?

Even if the Japanese like to repay their debts, even if you don't come back, shouldn't you just be exempted with such a fluttering sentence?

If you still retain the right of recourse, then how can Japan harden up in front of you now?

So about this, Jin Muchen is very unhappy, but even if he is unhappy, there is no way, after all, this has become an established fact.

Those were all mistakes made by the ancestors, and Jin Muchen couldn't control it, but now that he has come to Japan, then he has the right to vent his anger for the Chinese who were killed by the Japanese in that era.

Haven't you Japanese always regarded the Tokyo National Museum as your pride?

You just wait, if Lao Tzu doesn't turn you upside down here, Lao Tzu won't be surnamed Jin, Jin Muchen snorted secretly in his heart, and then with a cold face, he followed Jesse and Belinda into this museum.

For Jesse and Belinda, this museum is a great collection of historical relics, after all, there is no such tragic past between their people and the Japanese.

During World War II, the United States and Australia both suffered losses from the Japanese, but later the Americans avenged all their revenge with the two atomic bombs.

As for the Australians, of course, they also followed behind their American cousin and let out a bad breath.

As the descendants of the victors of that war, Jesse and Belinda did not have much ill feeling towards the Japanese.

Especially after World War II, the Japanese frantically knelt and licked the Americans, and white people from all walks of life, and also created themselves into an image of a humble gentleman in the international community.

Therefore, many white people in European and American countries still have a pretty good impression of the Japanese.

Therefore, Jesse and Belinda came to this national museum in Japan with a pure appreciation and playful attitude, while Jin Muchen is different.

He came with the purpose of revenge, so he walked very carefully along the way.

From the moment he entered the museum, part of his attention was on the museum's collections, and on the other hand, he was paying attention to the terrain and where there was surveillance.

The Tokyo National Museum is basically made up of four halls: the main building facing the main gate, then the Toyokan on the left, the Omokeikan on the right, and the Horyuji Treasure Museum next to the main gate.

These four museums have an exhibition area of more than 14,000 square meters, more than 4,000 exhibits on display, and more than 100,000 collections.

Only when the exhibition hall rotates the exhibits, it will be taken out from below for rotation. (To be continued.) )