Tomorrow is 515, the anniversary of the starting point, and the day with the most benefits. In addition to the gift bag and school bag, this time's "515 Red Envelope Flip" must be seen, how can there be a reason not to grab the red envelope, set the alarm clock high~

The Kuroda family panicked and transferred the golden seal of the slave king to the Tokyo National Museum, and in their opinion, it was a smart decision.

Although their Kuroda family has declined, but now it is a rotten ship and there are three catties of nails, so many years of accumulation, even if the cash passed down is not much, but there are a lot of family heirlooms.

Especially the gold seal of the slave king, but no one knows about the Japanese antiques.

Although the Heavenly Emperor doesn't like this thing very much, there are others who like it, so the people of the Hetian family must know it very well.

If they come to the door and ask for something, even if they tell them that the thing is in Tokyo, will the people of the Hetian family dare to come to the Tokyo National Museum to steal something?

And there is another advantage of storing it at the Tokyo National Museum, that is, no one dares to take it privately.

You must know that in addition to guarding against the gang of robbers from the Hetian family, they also have to guard against other people who are ready to take advantage of the fire to rob.

Their family's accumulation over the years has been passed down, but there are a lot of antiques that have been passed down, and if this is put in other museums, maybe those guys will take this opportunity to ask their family to cut meat.

However, if it is stored in the Tokyo National Museum, it will be different, after all, this museum, in fact, is still the property of the Heavenly Emperor.

And the Heavenly Emperor's attitude towards the golden seal has always been very ambiguous, although that thing should be their family according to legal theory, but their family is not willing to take this thing back, disgusting themselves all day long.

Now he is a good emperor of Japan, and Japan is no longer the Japan of the past. What's more, China is no longer the Tian@Chaoshang Kingdom of the year, so for no reason, what is the Emperor of the Tian@Chaoshang Kingdom more than 2,000 years ago, and the insulting King Jinyin who was divided into feudal seals?

Where to put it every day, looking at it to find awkwardness?

Even if the Heavenly Emperor is out of taste, he can't do such a thing. Therefore, they felt that it was the safest and wisest choice to transfer this gold seal to the Tokyo National Museum.

In this way, there is no fear that the people of the Hetian family will come to the door to ask for it, and there is no need to be afraid that the Heavenly Emperor will secretly swallow this golden seal.

After all, among the many treasures inherited by their family, this golden seal is the most precious.

Although their family is now in decline, they also know very well that if their family wants to make a comeback one day, they just need to take out this gold seal and sell it. It will definitely be able to exchange hundreds of millions of dollars for money.

Especially those good-faced Chinese, will definitely flock to this thing, now there are so many rich people in China, I believe that many people, will be willing to open their wallets for this gold seal, when the time comes, you can casually exchange back one or two hundred million dollars, it is not impossible.

Therefore, the importance of this gold seal is highlighted, and it is placed in the Tokyo National Museum. They are the most at ease.

It's just that they couldn't imagine that this was the safest place in the whole of Japan in their opinion. Today, he will actually attract such a thief as Jin Muchen.

So the gold seal of their family is destined to be lost.

And Jin Muchen put this gold seal into his bag with a stomach full of surprise, not to mention how beautiful it was.

Made, this time the Tokyo National Museum really didn't come in vain, and for no reason actually received such a treasure, the original gold seal. He'd heard about it a long time ago.

However, he also knew that this gold seal was in the collection of the Fukuoka Museum, and he was still thinking that it would take several more days to search for it in Japan in the future before he could get this gold seal.

After all, after the experience of the theft of the Tokyo National Museum. Other museums in Japan are sure to be more vigilant and put up more advanced alarm systems.

When the time comes, when you come to Japan to loot, even if you have a unique skill, it will not be as easy as this time.

But who would have thought that this time it was actually effortless, but I didn't expect the people of the Kuroda family to be so cooperative, and he obediently sent this gold seal into his arms.

Of course, I have to laugh at this gift.

After putting away the golden seal, Jin Muchen continued to move forward and soon came to the calligraphy and painting area.

The Tokyo National Museum has a large collection of these valuable paintings and calligraphy, but most of these paintings and calligraphy, which have been designated as National Treasures, are ancient Chinese paintings, and most of these paintings are in the East Asian Pavilion.

However, in the Horyuji Treasure Museum, there are many paintings that are different from those Chinese paintings, and these paintings were created by Japanese painters.

Because they are exhibited in the Horyuji Treasure Museum, of course these paintings come from the collection of the Japanese Imperial Family, and the paintings collected by the Imperial Family are, of course, paintings by top Japanese artists.

For example, the snow-boat-style splashed ink landscape painting that Jin Muchen sees now flashes with a strong pale cyan light.

Just by looking at the colors that flash on this painting, you can know that this painting is definitely not from the hands of mortals.

Although Jin Muchen's time was very tight, he still stood in front of this painting and carefully appreciated the works of this so-called top Japanese national treasure painter.

After all, he had collected a lot of paintings by top ancient Chinese painters, especially landscape paintings, so he wanted to see how this top Japanese painter was different from Chinese painters.

Sure enough, this painting is still very interesting, if you look closely, it is similar to China's splashed ink landscape painting, but if you look closely, you can taste the different artistic conceptions in the landscape painting of the two countries.

Chinese ink-splashed landscape painting pays attention to an artistic conception, and the main thing it wants to express is a kind of spirit of tranquility and enlightenment, and more of the literati's feelings of affection for the landscape.

Such feelings can also be seen in this Japanese snow boat-style painting, but it is not the kind of tranquility and far-reaching in Chinese landscape painting, but more of a kind of wit that is penetrating the brush.

From this point, it can be seen that these Japanese landscape painters do not really want to stay away from the world and express their affection for the landscape, but more as if they express their helplessness in the landscape.

It is no wonder that the Japanese will call the landscape paintings painted by these painters in their own country as ink broken landscape paintings, just looking at the posture of the pen is very different from the understatement in Chinese landscape paintings.

But these Japanese seem to have pushed too hard!

Jin Muchen secretly thought in his heart, but in the end, he still showed no mercy to his subordinates and took this Japanese national treasure into his pocket.

This snow boat-style fog boat picture is one of the few hand-me-down masterpieces of the snow boat style, and the whole of Japan, the snow boat-style paintings that can survive now can be counted on your fingers.

Although this painting is not a painting by Yang such as the famous Snow Boat in the Snow Boat Style, as long as the name of the Snow Boat Style is signed, it will be amazing!

What's more, this snow boat-style painting is known as the originator of Yamato-e!

Just hearing the name of Yamato-e, many people may understand that this must be a term coined by those Japanese people in order to engage in democratic self-esteem and pride.

That's right.

You must know that the real civilization and enlightenment of Japan should actually start from around the seventh century AD, contact with the Sui and Tang cultures, especially in the Tang Dynasty, a large number of Tang envoys were sent to the Tang Dynasty, and after learning a lot of cultural knowledge from the Tang Dynasty, Japan began to transform into modern civilization.

In the process, the Japanese learned a lot from China, not only the political system, but also the living habits, religious beliefs, and even the writing and art, which were also the main points of Japanese learning from China during this time.

From that time on, Chinese painting began to spread to Japan.

In the hundreds of years after that, the Japanese actually followed the calligraphy and painting skills they learned from the Tang Dynasty, and passed on their culture.

Especially in terms of painting, before the advent of the Snow Boat Style, they were almost always painting according to the methods they learned from the Tang Dynasty.

Although he also created a lot of works with Japanese style, in fact, they were all changed soup without changing medicine, except for the content of the picture into the Japanese and the scenery of Japan, there was no breakthrough in the essence of painting, that is, the spirit that I wanted to embody.

Therefore, later Japanese artists, regardless of the works of that era, were called Tang Fengzuo.

It means a work that completely imitates the style and technique of Tang Dynasty painting.

And in such a situation, knowing the emergence of the snow boat style, it can be regarded as a major breakthrough.

This snow boat style is not actually a separate name, but if you look closely, it should be regarded as a genre of Japanese painting.

And to be more precise, this should be the name of a temple at that time, at that time this temple was called Xuezhou Temple, and the reason why it is so called is because the successive presiding officers of this temple are called Xuezhou.

Moreover, the successive generations of hosts of this temple are all masters of painting, and what they are best at is this kind of Tang style paintings, and their paintings have a different artistic conception from the previous Tang style works.

Mainly because of these hosts, most of them were samurai or ronin when they were young, and in the end, either for political reasons, or because of avoiding vendettas and other reasons, they escaped into the empty door and attached themselves to painting.

Therefore, most of their works have some exuberant and angzang flavor, which is different from the quiet and far-reaching meaning that was mainly conveyed in the previous Tang works, and as such works became more and more in line with the Japanese aesthetics, such paintings began to become more and more popular.

And the name of the snow boat style became more and more famous, and finally it had an impact on the Japanese painting world for more than 200 years!

PS.5.15 "Starting Point" is raining red envelopes! Starting at 12 noon, grab a round every hour, and a large wave of 515 red envelopes depends on luck. You all go and grab it, and the starting coins you grabbed continue to subscribe to my chapters! (To be continued.) )