As soon as the beads turned, on the left half, there were lofty mountains, long roads and majestic passes, and a middle-aged scribe was looking to the east under the city gate, waiting for it. The beads rotated slightly, and against the backdrop of the water waves, the expression, long beard, and clothing lines of the middle-aged scribe were clearly visible and lifelike.

On the right side of the bead, there seemed to be purple light, and when I looked closely, I saw that the purple light flashed, and a green cow appeared with its head held high. On the back of the green cow, there sat an old man with fairy wind bones, his eyebrows and demeanor were comfortable, full of quiet and inaction.

Han Chong approached this cup, he hadn't really seen it before, but at the moment, he had a little more understanding of the scene of this orb appearing in a different painting.

What's more, Han Chong didn't know why, Jiaolong was about to move again, Han Chong didn't restrain it, and let Jiaolong jump out of his left eye.

And in the next second, the dragon was lying on the periphery of the cup, and the next second it got into the water cup, clearly presenting the image in the cup.

said that Han Chong couldn't explain the different phase of the orb in the water just now, but as the dragon came out, swam in the water cup, and swam out of a strange route, Han Chong discovered the secret.

This red sandalwood gloomy wood is right, and there are two reasons for the different paintings, one is that this red sandalwood gloomy wood itself has a natural texture.

This texture is somewhat similar to the picture of Lao Tzu's letter to Guguan, of course, it is impossible to completely match, which is another reason, it is processed by miniature carving.

Han Chongtong's appreciation of Jiaolong can be seen that there are some traces of carving on this gloomy wood of red sandalwood, but it is from the master's handwriting, so it is impossible to detect it with the naked eye.

And the reason why this picture appears when it encounters water is because it is in the water, and the sunlight shines through it. The gloomy wood of red sandalwood has a refractive effect in the water, and the refracted effect is only possible in the picture.

And the strangeness of the dragon's swimming is the refracted light.

It's not this refraction. The texture of the gloomy wood of rosewood itself cannot be revealed, so to speak. This is a very wonderful thing, the person who carved this gloomy wood of red sandalwood back then, I don't know how he found out that this gloomy wood will show texture when it enters the water.

All in all, that's not known.

But the principle is such a principle, including the purple gas that appears in the water cup, it is not purple gas at all, it is the light refracted by the beads in the water. As the beads swirled in the water, the purple light swayed with them. So it's as if the dragon snake is spreading its teeth and claws.

"This orb is truly amazing. I don't see why it's different? ”

The antique dealer shook his head, and the other Tibetans looked at the gloomy wood of rosewood in the water, and it was not easy to explain.

"It seems that this gloomy wood of red sandalwood is really a treasure, and its value is also comparable to Han Chong's divine painting."

"Heh, I think this jewel is a little more valuable than Han Chong's painting."

Fang Shuai stepped forward and said to everyone. "Han Chong's painting looks amazing, but it is actually produced according to the change of the ink mass when it meets the water, but this gloomy wood of red sandalwood is indeed a treasure. Even no one can explain the mystery, and when you think about it, he is a treasure that cannot be explained by science. That's why it's so precious. ”

"Yes, if you don't meet the water, this jewel won't have a painting, but when you get into the water, this magical painting will appear, which is really weird. Moreover, looking at this red sandalwood gloomy wood, its age is also relatively old, I think. It is supposed to have been buried in the ground for thousands of years, and it was unearthed later. ”

About the age of this red sandalwood gloomy wood. Han Chong is hard to say, but he said that this painting is out of science. It's totally exotic, it's not.

However, Han Chong was not interested in saying the truth by himself, after all, as a junior in the antique circle, Han Chong was a bit out of place at this time.

"I see which treasure is of high value, and I still need to make a decision when Wu Lao comes, it's not interesting for you to sell melons like Wang Po."

It is Qian Jian who can speak, he has long been unable to look at this Fang Shuai, he relies on Jiang Youfu's relationship, and he is arrogant here, and Qian Jian still doesn't think that this jewel is so magical, and the appearance of the painting, Qian Jian doesn't think it's an inexplicable mystery.

On the surface, everyone has passed, but in their hearts they have been fighting for each other, after all, the third item of the treasure is the weight of the past years, and the next project will no longer be so real, and compared to the first two rounds of the treasure, the champion of the third round, especially the winning treasure, he can almost conclude that it will become a hot collection in the next few years.

It is easy to fetch hundreds of millions of sky-high prices at every turn.

And those rich people, they are also staring at the champion treasures of the previous treasure fighting competitions, for these people, money is just a number, what they need is these treasures.

Han Chong said to be honest, he didn't care about this championship, with the previous double king, Han Chong actually wanted to be low-key in his bones.

Otherwise, he would not have seen the secret, and he was still silent at the moment.

But how to say it, although Han Chong didn't want to take the lead, he didn't like Fang Shuai, and he was also unhappy to see him.

In particular, he despised the practice of others in the upper position, and Han Chong did not despise it at all.

Time passed little by little, and the people of the organizing committee went to pick up Wu Lao, but after more than half an hour, Wu Lao still didn't pick him up, seeing that this time was getting further and later, Director Zhao Wenyou was also nervous.

I was delayed yesterday, and it's afternoon again, and according to the original plan, the fourth project will be carried out today.

When he was worried, the car of the organizing committee finally drove into the square, and an old man with gray hair and crutches came down, and Zhao Wenyou hurriedly greeted him.

The old man's body was a little rickety, his pace was also a little unsteady, and there was another person next to him, who could see that Wu was old and sick.

The old man walked this way, not only Director Zhao, but even Jiang Youfu and Tu Yimo stood up respectfully, and this scene immediately made Han Chong realize that this martial old man must be an old-timer in the antique circle.

Wu Lao was surrounded by the stars and the moon, and he made it to the rostrum, and he had already heard from the people of the organizing committee that the Doubao Conference had encountered treasures that were difficult to identify, so he didn't say much at the moment, and someone invited him to the water cup containing the gloomy wood of red sandalwood, and as soon as he sat down, he began to appreciate the gloomy wood of red sandalwood.

When Wu Lao appreciated, everyone held their breath, for fear that there would be a little bit of discussion to disturb Wu Lao, including half of the people here who knew that Wu Lao was not in good health, like the evening drum and morning bell, I am afraid that in two years, he will pass away.

Therefore, the respect and admiration for him made everyone keep silent and look at the old man seriously when Wu Lao appraisaled.