Such a treasure, since Jin Muchen has seen it, of course there is no reason to miss it, of course, it is directly in the bag.

After putting away this treasure, Jin Muchen feels almost the same, you must know that the above three treasures are all treasures of the Kyushu National Museum, and now they have been collected by him without much effort, and if the people in the Kyushu National Museum know, they must not cry to death.

These three treasures are all treasures that have been rated as Japan's top national treasures, and some Chinese people have even evaluated them as treasures that can be included in the top ten national treasures that China has dispersed to Japan.

And the top ten national treasures are the Luodian red sandalwood five-string pipa, the Yaobian Tianmu bowl, the golden seal of the Han and Japanese slave kings, the Southern Song Dynasty Li's "Xiaoxiang Lying Tour", Wang Xizhi's "Funeral Post", the late Shang Dynasty bronze tiger cannibal, the Song Dynasty's "Wuzhun Normal Statue", the Song Dynasty Li Di's "Red and White Hibiscus Picture", and the Western Wei Dynasty's "Bodhisattva Virgin Sutra".

Of the top ten national treasures scattered to Japan, Jin Muchen has already received seven of them, which is already a few great achievements, and this trip to Japan has not been in vain.

The authenticity of the Yaobian Tianmu bowl, because the place where it is preserved is in the Jingjiatang Library, where is the private museum belonging to the Mitsubishi chaebol, it is not easy to patronize, and Jin Muchen has a large number of modern high imitations in his hand, so Jin Muchen did not go to it.

And Wang Xizhi's "Funeral Post" is because it is the private collection of the Japanese Emperor, and it is also the kind of private collection that is highly valued.

In addition, the Song Dynasty's "Statue of Wuzhun Teacher" has been kept in Tofukuji Temple in Kyoto, and Jin Muchen has not had time to go to Kyoto, so he can't get it.

He has basically collected the remaining seven treasures, which is already quite a remarkable achievement for Jin Muchen.

You must know that the Japanese are familiar with Chinese culture, so the rating of Chinese antique cultural relics, the taste is basically the same as Chinese, and the things they assess as top national treasures are basically not in the category of top national treasures when they are taken to China.

Westerners, on the other hand, have different cultural values from us, so although the number of treasures they have captured is much greater than that of Japan, they are not as professional as the Japanese in terms of rating.

Even because of the prosperity of Western civilization in the last few hundred years, modern Westerners do not think very highly of the treasures in the Chinese cultural circle.

At most, they are willing to put some effort into porcelain, and as for traditional Chinese calligraphy and painting, they don't rate it at all.

So if you want to find all these things in a Western museum, it will take a lot of effort, but in Japanese museums, these little Japanese have already rated you well, so it will save a lot of effort.

This is also the main reason why Jin Muchen was able to be so successful when he came to Japan this time.

Now the treasure of the Kyushu National Museum, Jin Muchen feels that he has almost collected it.

After all, the Kyushu National Museum is much smaller than the other three national museums in Tokyo, Nara and Kyoto in terms of scale, and the construction time is also short, and the collection on display is not much, especially the fine collections, in Jin Muchen's opinion, there are only these few pieces worthy of his 'collection'.

As for the fine products in the eyes of other Japanese, they can't get into his eyes at all.

The other Japanese people's own cultural relics and antiques, because they had patronized the Tokyo National Museum before, now Jin Muchen can't look at them at all.

After all, the Japanese antiques at the Tokyo National Museum are some of the best in Japan.

After receiving those top Japanese national treasures from the Tokyo National Museum, Jin Muchen couldn't look down on these Japanese national treasures in the Kyushu National Museum.

In addition to these three national treasures from China, as well as the few Chinese national treasures that came to Taiwan @ Bay before, Jin Muchen didn't have the heart to look at other Japanese cultural relics and antiques at all, in his opinion, it was a complete waste of time to rummage through such Japanese cultural relics, and it was also a waste of his purple jade space.

With that spare time, it is better to ponder and ponder, how to collect those Western artworks upstairs.

As soon as he thought of this, Jin Muchen immediately remembered the "Sunflowers" that they had seen at the Fukuoka City Art Museum before and that they had consigned to the National Museum of Western Art in Tokyo.

He roughly judged that the painting should be Van Gogh's authentic work, but after all, it was just a glimpse, and now he finally has time to distinguish the authenticity of this painting.

Thinking of this, Jin Muchen walked quickly to the storage place of the oil painting, when the artwork from Fukuoka was transported, these people from the National Museum of Western Art in Tokyo did a good job of partitioning the storage.

The artworks and antiques from the Kyushu National Museum are all on the left hand side of this warehouse, and the artworks from the Fukuoka City Museum of Art are on the right hand side of the warehouse.

Moreover, the number of artworks in the Fukuoka City Art Museum is not very large, so it is easy to find, and Jin Muchen has been staring at this box before, so it took him less than a few minutes to find the box.

pried open the box, and then took out the oil painting to take a look at it, and immediately Jin Muchen concluded that it must be the same, it should be the authentic work of Van Gogh.

Because the yellow light flashing on this "Sunflower" is too dazzling, although he has not been exposed to Western oil painting much, he has also made up for his knowledge of Western oil painting before.

And Van Gogh, Gauguin, Cézanne, Monet, Picasso and other Western Impressionist oil painters painting characteristics, he still remembers.

The works of the earliest founders of Impressionism, Van Gogh, Cézanne, and Gauguin, are very different from those of rising stars such as Picasso and Monet.

Their oil paintings still retain some traces of realist oil paintings, while the works of Picasso and Monet, most of which are the kind of works that make people misty and do not know why.

After reading it, you can only rely on your imagination and then guess the meaning of the painting according to the name of the painting.

And the works of Van Gogh, Gauguin, and Cézanne, although they look very sloppy and blurry, can still give you a general idea.

In particular, Van Gogh's masterpiece "Sunflowers" has been commented on countless times by those famous artists, so its characteristics have been introduced in art magazines of various periods.

For example, the picture of "Sunflowers" in front of you is a tabletop, there is a vase, and there are eight sunflowers in the vase, and these sunflowers, if you look carefully, you can taste different shapes, and each sunflower has its own characteristics.

However, although the forms are different, but in terms of spirit, they have a lot in common, that is, their kind of warm and vigorous vitality, which is a powerful spiritual perception, only if you pay close attention to this oil painting, after looking into it, can you experience the artistic realm.

And after looking at it for a long time, people can feel the warmth conveyed in this painting, and this is what makes those art masters different from ordinary painters.

Ordinary oil paintings, ordinary people just look at the landscape, but a really good oil painting can often make people reverie, and even make people reach a kind of selfless spiritual realm, and the "Sunflower" in front of me is such a work.

No wonder the Yasuda Water Fire Insurance Company was willing to talk about more than 30 million US dollars for this painting, it seems that they really didn't spend this money in vain.

Although they had just bought the painting, Japan was hit by an economic crisis, and the value of the painting had depreciated a lot due to the exchange rate and the deterioration of the international economic situation.

But from a long-term point of view, if the Yasuda Water Fire Insurance Company could hold on, then this painting would not have made them lose money, and even if they held it for a long time, they could still make a profit.

It's a pity that the company was too anxious, and it encountered the problem of tight capital chain, so it had to change the painting.

Although I don't know who the current owner of this "Sunflower" is, from today onwards, this oil painting will be changed, and from today onwards he will belong to Jin Muchen.

With a wave of his hand, tens of millions of dollars of oil paintings have entered the account, and Jin Muchen's refreshment at this time is not to mention.

It seems that he really thanked that Abe Zhengkuan, if he hadn't insisted on holding on to Jin Muchen and Helen in the first place, Jin Muchen wouldn't have thought of getting rid of him.

Later, it was precisely because Jin Muchen wanted to get rid of this Abe Zhengkuan that he broke into the warehouse of the National Museum of Western Art in Tokyo by mistake, and brought a bumper harvest by the way.

This guy really doesn't know, should he say that he is his own lucky star? It's better to say that he is his own disaster star!

So when this time is over, do you want to spare his dog's life?

Thinking of this, Jin Muchen scratched his head a little, but when he turned his head to think about it, I am afraid that this matter will not have a headache for him, if the theft of the National Museum of Western Art in Tokyo this time is spreading.

Then the Tokyo Metropolitan Police Department must be in a hurry, and they may not need to do it themselves at all, so they will have to kill this Abe Masakuan.

After all, there are so many mistakes, there is always a substitute for the dead to stand up, and with the behavior of those officials, they will definitely not come out and bear the consequences. (To be continued.) )