(Thanks to Feng Ling Ghost, Xiao Zhou and Xiao Gao, legend315315 for rewarding 100 Quge www.biquge.info coins, Long Renyu again rewarded 100 Quge www.biquge.info coins, this book is on the weekly push list, but it is in jeopardy, please vote for free recommendation.) From a distance, this incense burner is really similar to the incense burner that Han Chong received, with a round shape and three legs. Including the size is as big as the mouth of the bowl.

But at a closer look, Han Chong easily knew the difference between the two, the most obvious being that his incense burner was made of copper, but the current incense burner was porcelain.

Speaking of which, there are many materials for incense burners.

There is copper, iron, porcelain and jade.

The material of the incense burner is even closely related to its placement, for example, in Buddhist temples, the incense burners outside the main hall are copper, and the small incense burners placed in the hall are porcelain for burning incense.

Han Chong has learned a lot about the incense burner in the past two days, and he has a subtle understanding of the placement of the incense burner and the relationship between the gods.

Here I will say that the incense burner is mostly used in the Buddha, or Taoism to worship the gods, and the incense burner is often associated with the Buddha, the gods, etc., so there is a certain feng shui metaphysical relationship between the incense burner and the gods.

When Han Chong first got involved in it, he was inevitably overstretched, so he didn't dare to talk too much at this time, but when it came to appreciating the incense burner brought by Chen Honghe, Han Chong had a learning attitude and studied it.

When he returned to the Treasure Zhai and the tea continued, Chen Honghe placed his incense burner on the tea table.

This bowl of large incense burner, three-legged standing, in the bowl mouth-shaped furnace groove periphery, there are two ears, the mouth is a kind of hornless dragon, legend is one of the nine sons of the dragon, handicrafts often use its shape as decoration. So this shape is not rare.

However, being able to add this craft to his body exudes an unusual atmosphere.

Both of them sat down, Chen Honghe's tone was preachy, and he pointed to his incense burner and said. "Speaking of incense burners, it can be described as a sacred object of Buddhism and Taoism. It is also a ritual vessel that they often use to burn incense and worship. And for our collectors, the incense burner has the good effect of appreciating and cultivating sentiment. Do you see the difference in my censer? ”

Chen Honghe spoke, and he glanced at Tu Yuwei who was lying on the sofa next to him, his voice was very loud, but he actually said it to Tu Yuwei on purpose.

He always thinks that such a little girl, when she goes to work in an antique shop, the general meaning is for sugar daddy.

He Chen Honghe is good inside and out, and he thinks that Tu Yuwei will definitely be attracted by his charm.

Han Chong didn't say it, he really saw a little bit of the doorway of this incense burner. The incense burner of ordinary porcelain has a single color, even if it is multi-colored, but it cannot achieve the effect of the current incense burner.

The whole incense burner is under the white background, and there are still lines of red glow, which is dotted on the incense burner, and there is a hint of pale green on the top, and the whole picture looks more like a doll face.

Han Chong smiled.

"Boss Chen, I've seen kiln glaze change before, such as apple green, cowpea red, this classic color, normal firing can't be presented. It can only be produced through a kiln change, and if I guess correctly, it should be a kiln-glazed incense burner. ”

"Haha."

Hearing Han Chong say this, Chen Honghe was a little incredulous.

Seeing this guy's stunned appearance, he didn't notice it, and he knew that the kiln had changed glaze.

The so-called kiln glaze, as the name suggests, is an unexpected glaze effect in the firing process.

Complexly speaking, it is due to the fact that the kiln contains a variety of color elements, and after the oxidation or reduction in the kiln, the porcelain shows an unexpected glaze effect after leaving the kiln.

This kind of kiln glaze is not in the control of people at all, because it is accidental, the shape is special, so there is a sense of unpredictable mystery of "kiln change".

"You can, young man. In fact, kiln changes appeared on blue-glazed porcelain before the Tang Dynasty. However, at that time, the kiln change in the kiln was regarded as ominous, especially the kiln change in the official kiln, which was often smashed. ”

Later, in the late Ming Dynasty, with the deepening of people's understanding of the kiln glaze, the defective beauty of the kiln gradually became recognized by everyone. Even in the Qing Dynasty, especially in the Yongzheng and Qianlong periods of the Qing Dynasty, the kiln change has been regarded as a kind of auspiciousness, and even specialized in production as a famous color glaze. ”

"The incense burner that I have turned into is another kind of cowpea red and apple green you said. Doll face. It's white and red, with a hint of green. The whole glaze flows naturally, and it can be seen that the pyrotechnics are just right. You know, in recent years, the price of kiln glaze in the market has risen year by year, my incense burner, don't look so exquisite, it is estimated that the price has exceeded one million. ”

Chen Honghe is not boasting, in fact, the kiln glazed porcelain has indeed been favored by more people over the years, and the search for iron shoes has been broken.

According to statistics, the value of kiln glaze auctions exceeding one million has reached 12 pieces.

Han Chong heard Chen Honghyuk boasting about himself, but he was not intoxicated by his depiction, "Can I pick it up and take a look?" ”

Han Chong asked out of politeness. Chen Honghe waved his hand to show generosity. "Take it, it's okay, just look at it."

Han Chong was very cautious, confirming that this incense burner was not a "porcelain" product, and Fang took it into his hand.

The main colors on this ear incense burner are white and red, but under each other, there are actually many colors.

For example, deep red, light red, azure, moon white, where the blend, it is easy to produce beautiful ornaments.

The magic of the kiln glaze can be said to be fully displayed, and Han Chong saw the bottom of this instrument, and the Yongzheng year system was impeccable.

It should be said that this is a kiln glazed incense burner from the official kiln in the Yongzheng period, and the value is not as good as the one million Chen Honghe said, and there are definitely six or seven hundred thousand.

Han Chong closed the coffin and prepared to put the incense burner down steadily, but he didn't know why Jiaolong flew out of his left eye uncontrollably.

Han Chong was sure that this dragon came out a little weird, and before he could analyze it, he saw that the dragon had turned into a ball and wrapped around this incense burner.

Han Chong judged that this incense burner was genuine, an antique from the Yongzheng period, so it didn't make much sense for Jiaolong to appreciate the treasure.

But in the next second when Han Chong was slack, there was no treasure light on Jiaolong's body for a long time.

This made Han Chong couldn't help but be horrified.

And after the dragon lay around the incense burner for a long time, its tail swept over the foot of the incense burner, and at this time, there was a faint color.

Han Chong realized something, and was about to let go of his hand to pick up the citrus incense burner again.

There was a strictness on his face that he had never seen before.

Following the glaze of the incense burner, he began to search carefully. With Jiaolong's assistance, in the next second, Han Chong smiled.

I didn't expect that this ear incense burner would be so perfect, and it would be true to save it.

Generally, the kiln becomes glazed, and the elements of various ingredients must be harmoniously proportioned before firing, and then fired at a high temperature of about 1300 °C in the kiln, so that all kinds of glazes will blend with each other and present unexpected effects.

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The glaze of this kiln is naturally flowing, the colors are brilliant and colorful, and between the melting colors, it shapes the classic color of the doll face, and even, there is a little flutter of the color between the connections, giving people an illusion that on the way to firing, due to the subtle differences in the ratio of elements, its glaze has a little problem.

But the imperfections make it look real.

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