Chapter 323: Can't Bear It
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Walking towards the back, Jin Muchen was really getting more and more numb, because there were so many good things he saw, and even so many that he felt like he was countless.
For example, in the later Qing Dynasty, the porcelain imitating Ru kiln, although it was not even like a god, but it also had a unique charm.
In recent years, in domestic auctions, there have been frequent auctions of this kind of Qing Dynasty imitation Ru kiln porcelain, although it is not really Ru kiln porcelain, but take out a random piece, it must be a price of twenty or thirty million.
Ordinary collectors can have a Qing Dynasty imitation Ru kiln boutique, which is already a very remarkable, very worthy of boasting, but the Qing Dynasty imitation Ru kiln boutique here is like Chinese cabbage, a cabinet is a cabinet.
Looking at the back, it is the famous porcelain of the Ming and Qing dynasties.
The Ming Dynasty is okay, not a lot, but there are a lot of blue and white products, but the most famous talent Chenghua Doucai, but I didn't see it.
Jin Muchen secretly screamed in his heart to be happy, after all, Ming Chenghua's Doucai porcelain can be said to be the pinnacle of Ming Dynasty and even Chinese porcelain, not only the porcelain is exquisitely shaped, the workmanship is fine, and it can reach the point of impeccable.
And the number of surviving is also very rare, which is also the main reason why a Ming Chenghua Doucai chicken bowl cup can be auctioned for a sky-high price of more than 200 million.
At present, it has been confirmed that the surviving Ming Chenghua Doucai porcelain is definitely the kind that can be counted by two palms, and if this British Museum, even Chenghua Doucai can collect a cabinet. Then Jin Muchen felt that he was afraid that he was really going to kneel for the successive directors of the British Museum.
However, although there was no fighting color in the Ming Dynasty. But the imitation of Ming Chenghua doucai and pastel porcelain of the Qing Dynasty. There are so many big cabinets here.
Jin Muchen walked over to browse, and really felt that not only did he not have enough eyeballs, but even his saliva was not enough.
Looking at the large pastel plate of the Qing Dynasty in the cabinet, as well as the blue and white pastel bowl in the other cabinet, and the huge pastel bottle, Jin Muchen didn't know how he could bear it, and he didn't pull the hammer out of the purple jade space.
This is the exhibition area of Qing Dynasty porcelain, and it is also the most abundant exhibition area of Chinese porcelain. This is related to the Qing Dynasty, which was already an ancient Chinese porcelain, and developed to the era of Dacheng, and the precious porcelain produced in this dynasty can be described as countless.
Two large cabinets of various types of various Qing Dynasty pastels, bucket color porcelain, various types, including cups, dishes, wine jugs, vases. Large plate, all kinds of utilities. and ornaments.
These treasures, pick out one at random, and take it to any museum in China, you can use it as a treasure of the town hall, but here, just like Chinese cabbage, you can put it casually, and there are several large cabinets.
In addition to these two cabinets of Qing Dynasty pastels and bucket colors, in the cabinet on the other side, there is also a cabinet of Qing enamel porcelain.
Because of the craftsmanship, this enamel porcelain can be said to be an original work of the Qing Dynasty.
In today's auction market, it can be said that it is an invincible and vulgar work, the reason why it is invincible and vulgar is because this kind of enamel color painting, extremely gorgeous, colorful colors, almost all kinds of colors have to be used, it looks very complex and luxurious, which is similar to our classical porcelain, pay attention to the simple and simple personality to the left, so many people say that he is tacky.
However, in the market, the price of this enamelled porcelain is also invincible, and it can often set an invincible sky-high price record at auction.
The reason for this is mainly because more than 400 pieces of enamel porcelain were fired that year, and before the Xinhai Revolution, this thing had never been out of the palace at all.
It can be said that from his birth to the end of the Qing Dynasty, the common people, ordinary collectors, and porcelain lovers did not know that there was this kind of enamel porcelain in the world.
Therefore, this increases the mystery of this kind of enamel porcelain, as well as the scarcity problem brought about by the scarcity of quantity, so that this kind of enamel porcelain, in the market, as long as it appears, it will definitely not escape, and it will be sought after by porcelain lovers from all walks of life.
In China, there are not many pieces of this enamel porcelain, because of years of war, and later improper protection, many enamel porcelain, either lost overseas, or annihilated in the long river of history.
But in this British Museum, at a casual glance, it was this full cabinet, and Jin Muchen felt that his heart was dripping blood.
Looking back, well, there seems to be a little less in this cabinet, just a tall bowl, a big man with a wide mouth, and a few large plates.
But after a closer look, Jin Muchen suddenly had a feeling of tears,, is this the legendary blue and white glaze red?
Nima's, Lao Tzu has never seen it even in the Palace Museum! Nima's, you have a whole set here!
On those porcelain, the turbulent sea is depicted with blue glaze, but in the middle of this sea, there happens to be a red Chinese dragon, playing in the wind......
Looking at these blue and white glazed red porcelain, Jin Muchen felt that he was speechless, and as for what he felt, he couldn't say what he felt.
There is also a cabinet in the back, and it is even simpler in this cabinet, just a few pieces of blue and white porcelain with a yellow background, but when he walked to the front and looked at it closely, Jin Muchen really couldn't wait to pull out the hammer directly from the purple jade space and smashed the cabinet directly.
The largest No. 1 utensil in this cabinet is a blue and white cloud dragon plate with a yellow background, the delicacy and pattern of this plate will not be repeated, the key is the size of this plate, the diameter is about one meter, such a large utensil, this is definitely the Qing Dynasty emperor used Ha!
There was also the basin, the beautiful pattern on it, and the size, Jin Muchen only glanced at it a few times, and then walked away from the front of the cabinet, because he really couldn't stand it.
It's not because the things in it are not good-looking, but he is afraid that if he continues to watch, he really can't help but pull out the hammer in anger, and if he can't help it, then tonight will be bad, and all the plans will have to be ruined.
And I have to be on the blacklist of all museums in the world, and I don't even want to go to any museum in the future.
He forcibly endured his mood, walked out of the Oriental Pavilion Porcelain Pavilion, and took a few deep breaths, which was barely able to calm his state of mind.
To be honest, even the last time he went to the Museum of Fine Arts in Boston, he had never been so excited, which may have something to do with the fact that he didn't know much about ancient paintings.
After all, he has been in contact with Chinese antiques for so long, and compared with those ancient paintings, these exquisite porcelain are more pleasing to him.
Jin Muchen's mood at this time, I really don't know how to describe it, it can be said that there is a feeling of blood dripping from my heart, and at the same time, there is a feeling of happiness.
The blood dripping in the heart is also these treasures, any one of them is taken out, and it has to be a national treasure-level treasure in China, a treasure that is offered by various cultural and museum personnel as an ancestor, but here, it is like a cabbage on the rotten street, so casually put in a cabinet for display.
This is not only a pride of our Chinese, but at the same time it is also a shame, even the things left by the ancestors can not be kept, and these white-skinned ghost animals are used as cabbage to display, which must make us Chinese embarrassed?
Fortunately, thanks to these things, they came overseas, otherwise after the fall of the Qing Dynasty, the Republic of China would have been in chaos for another forty years, and the country could be said to be full of beacons.
The warlords of all walks of life fought back and forth for 20 years, and then the little Japanese devils invaded for 20 years, and then they lived a stable life, but the good days only lasted for a few days, and all kinds of movements made trouble for nearly 20 years.
And the destruction of domestic historical relics in those 20 years is not much worse than even compared with the previous decades.
Thinking about that period of history, it will make people feel a sense of lingering feelings.
Forget those are over, anyway, these treasures, you British don't pay much attention to them, and in your pavilion, they can't even be counted as treasures of the town hall, so don't blame me for being polite.
Jin Muchen looked at the time, and the museum was closed in more than an hour, but he was not in a hurry to leave here, but turned his head and walked over to the art museum in the eastern department.
I wandered around for another hour or so, and at this time, the loudspeaker in the museum had already begun to send out the administrator's notice, and the museum was about to close for half an hour, so please be ready to leave.
One after another, people began to flow in the direction of the entrance of the museum, and Jin Muchen took advantage of people's inattention to sneak directly into an inconspicuous corner, which happened to have a bathroom......
After the museum closed, the security guards in the museum began to patrol the museum in groups of several people to prevent tourists from getting lost, getting lost, and not leaving the museum in time.
Then the staff of each branch began to take the list and count the collections in the branch library they were responsible for to see if there was any damage or loss, but most of them were just looking at the situation, because they all knew that this situation could not happen.
After about another hour, the staff of the museum finally finished their work, and then began to get off work one after another, and the security personnel in charge of the night shift also began to be in place.
Then the cleaners came in and started to clean the building, these cleaners were very familiar with the environment, and it took about two hours to clean the place, and then they said goodbye and left. (To be continued......)