Further back, there are a few pieces of Western furniture, and next to the Western furniture, there are actually two old-fashioned gramophones, and a table clock, and then there is a piano of unknown age.

This stall is really interesting, and it is really different from other stalls.

Everyone is specialized, and his house is like opening a World Exposition, not only mixed things, but also from all over the world.

Jin Muchen has been shopping around the exhibition for a few days, but this is the first time he has seen such a stall.

Judging from the Japanese habit of deducting details, it is really not easy for the stall to be able to do business like this, if you have to use one word to describe it, it is not professional enough, very unprofessional.

However, when I thought about Shenmu's introduction to this stall, I was relieved, after all, these few people who set up the stall are not professional antique connoisseurs, but the kind of community members who take a ticket and leave.

They don't come here to buy antiques, their purpose is to cash in on what is in front of them as soon as possible.

Looking at the price of these things on their stall, it is also very consistent with Jin Muchen's previous judgment, it is indeed a few floors lower than other stalls, but although the price of the things on their stall is low, there are very few people who come to see the goods in front of this stall, and even say that they buy the goods.

The reason for this situation,It's normal,After all, this exhibition is still very word-of-mouth.,There's something in it.,Although there are fakes.,But at least there's one thing that people can guarantee.,That is, even if it's a fake.,People also tell you clearly.。 Fakes are labeled handicrafts.

Like the Tatar he dealt with yesterday. Although he played a side-kick nature of the means. But at the very least, the Hindustan jade he bought was indeed from Hindustan.

Although the year is not right, at least the materials that people give you are also real materials, although it is not a real ancient Hindustan jade, but the things of others have indeed not insulted the name of Hindustan jade, at least the processing technology and materials are still real.

Even if the person who bought his thing in the end went back and knew that it was a fake Hindustan jade. It is also gratifying to know that although I didn't buy real Hindustan jade, I also bought back a top-of-the-line luxury item.

But compared to those stalls, the things in this stall are different, although the price is lower than the things in other stalls, but the people who open this stall are Yakuza members.

The names of these guys are known to the Japanese, and a group of guys who do everything they can to deal with them. Sometimes I don't even know how to get swallowed.

And if you buy a fake from them, turn back and you are thinking about theorizing with them. People don't reason with you at all.

Besides, these guys are from the dark, and who knows where their stuff came from? What if it's dirty? I spent the money, bought it home, and didn't play it for a few days, and when the time came, the owner was lost, and the police came to the door.

It costs money, energy and time to fight a lawsuit, and even if the lawsuit is won in the end, what can it do?

Ordinary consumers, who wants to do such a waste of energy?

That's why even though the prices at their stalls are relatively low, not many Japanese people want to patronize them.

And those who are willing to patronize this stall are probably foreigners like Jin Muchen, who have money and eyesight, and can ensure that the things they sell in this stall are genuine, and after the business is completed, they will leave Japan without fear of the Japanese police and the owner coming to the door, let alone worrying about lawsuits.

Therefore, such people are the main customer group of this stall.

Although Oda and Tanaka didn't know Jin Muchen's identity, looking at the ******** around this guy and the enthusiastic and unrestrained foreign style of others, they also estimated that this guy should not be Japanese.

Since I'm not Japanese, and I don't look bad for money, it's a good sales target.

"Jim-san, just look at it, just say hello to something, and we'll give you a twenty-percent discount when the time comes."

The half-breed named Tanaka Ricciardo is a very good businessman, with a fast brain and a clever person.

The things on their stall can be said to be all obtained from no business, and their club usually mainly focuses on lending, and they play very slippery, so it is definitely a profiteering business.

In the past two years, Japan's economic situation has not been very good, many small and medium-sized enterprises are struggling, such enterprises are facing fierce market competition, and they have no R&D and innovation capabilities, and it is very difficult to go to the bank for loans.

And before they lent money to these companies, they also made a good decision, once the other party can't pay back, they have to go to the other party's house to take the most valuable things.

Those small and medium-sized business owners generally developed twenty or thirty years ago, during the golden age of the Japanese economy, and the Japanese enterprises at that time, led by several major electrical appliances and automobile companies, can be said to be booming.

And these small and medium-sized enterprises, centered on these large enterprises, do a good job of steering support.

But now these large enterprises in Japan, in addition to those large automobile companies, even their proudest electrical appliance companies have been declining and on the verge of bankruptcy, how can these small and medium-sized enterprises get mixed up?

Small and medium-sized enterprises are having a hard time, and the owners are on the verge of bankruptcy one by one, which gives these vampires of the B society an opportunity to take advantage of it.

In fact, according to the scale of their borrowing, they wish that those companies would not survive in the end, and then go bankrupt one by one.

In that case, they can get back a lot of things from those business owners alone, such as the business owner's real estate, factories, second-hand production lines, and some other family assets of those owners.

These things, if they are taken by regular banks and go through the process, the time is slow and the cost is high, so most banks don't look down on them, but for them who don't pay much attention to the rules of the B society, these are good things to realize.

It's easy to say that the house is everything, they have their own real estate company, they can sell it no matter how they get it, and they can rent it out if they can't sell it.

The second-hand production line is even simpler, those big banks or something take these things, can only stare dryly, the state has regulations, even if these second-hand production lines are a generation behind, but they are also forbidden to take out for export.

Therefore, it is not easy for the bank to sell it, but these B societies are different, and the laws of the country are like fart in their eyes.

Although the technology of those second-hand production lines is not the top in China, it is also a good thing for some Chinese and Southeast Asian companies, so of course they can smuggle those production lines abroad and sell them.

As for the other things in the creditor's house, especially antiques and art, it is even better, and this thing is the favorite hard currency of these B societies, which are the best at selling stolen goods.

This is also the main source of goods for Oda and Tanaka in their stall today, Jin Muchen touched his chin and looked at the things on this stall.

Mainly silverware, most of which are eighteenth-century, English Victorian silver tableware, tea sets and the like.

I have to say that the Japanese still know a lot about Western antiques, especially in the choice of silverware, European silverware, the most popular in the market is this eighteenth century, Queen Victoria's silverware.

This is mainly related to Britain's strong national strength and special world status, and those about the embodiment of Britain's national strength can be seen on almost all these silverware, exquisite carving patterns, whimsical shapes, such silverware, is difficult to match in other European countries.

It seems that the Japanese also knew about this period of history back then, so they bought a lot of these things.

However, Jin Muchen himself has several sets of such silverware, and even he has coffee pots made by the top silversmiths in Britain at that time, so for these silverware, that is, looking at it, although he can barely get into his eyes, he doesn't have too strong a desire to buy them.

Just when he felt that there was nothing worth keeping in front of this stall, suddenly an oil painting casually placed in a cardboard box at the back of the stall aroused his interest.

The oil painting looks very new, no more than 30 years old, but it continues to shine with a red light that is difficult to hide.

Jin Muchen couldn't help but be more interested in this painting, he raised his hand and pointed to the cardboard box, and Oda and Tanaka cooperated very well to lift the cardboard box in front of him.

"You guy, your eyes are really poisonous enough, I watched over there for a long time, and I didn't dare to do it, I didn't expect you guy, I saw such a good thing as soon as I came up, no wonder, you guy will make a fortune so quickly."

Xiao Tian and Tanaka carried the box in front of Jin Muchen, and Jesse also whispered in his ear at this time, and rolled his eyes at him charmingly.

Jin Muchen smiled in his heart, with Jesse's words, it seems that he really chose the right thing.

The box was lifted in front of him, but Jin Muchen was not in a hurry to take out the oil painting, just squatted down, pretending to rummage through the cardboard box, but in fact, most of his energy was put on the oil painting in front of him.

It stands to reason that it takes a very long time to identify an oil painting, especially for this kind of oil painting, you must first determine what style it is, and then you can pass the style, and it is even more difficult to preliminarily conclude that it is from the painter, and finally to determine which era it came from. (To be continued.) )