When Lu Laosi talked about these porcelains, his eyes looked at these broken porcelain, and he was also full of love, it seems that this guy also has extraordinary feelings for these ceramics.

Jin Muchen looked at this Lu Laosi's expression at this time, and his heart was also full of emotion, to be honest, his perception of this Lu Laosi at this time can be said to be very complicated.

On the one hand, he admired this guy's methods very much, and said that the porcelain placed on the Bogu shelf, although each of them was a counterfeit product.

But almost every piece can be done to the point of being fake, and it is said that his restoration method is very unusual, if you really want to talk about skills, this guy can definitely be regarded as one of the best cultural relics restoration masters in the world.

Many experts who specialize in the restoration of antique porcelain do not necessarily have such means as him, so his craftsmanship is definitely worthy of admiration, but it is a pity that this guy uses these skills in crooked ways.

He relied on these porcelains to make money, if he was to do antique restoration in a fair and honest way, I am afraid that his achievements would not be low, but now he is going astray.

Although he may also have his own hardships, after all, the industry he is doing now is still not very desirable, and Jin Muchen can only feel pity for people like him.

"You are friends of Li Lao Liu, then I won't go around in circles with you, these things, you have a fancy to them, just speak out, I will definitely give you a friendship price when the time comes."

This Lu Laosi's next words are a little full of copper smell, and it can be seen that this guy likes money very much.

The porcelain he restored, although it looks good. And most of them can be done to the point of being fake. However, it is not in Jin Muchen's eyes.

After all, there are too many good things in his hands now. Even if it is Brother Ruguan Jun Dingge of the Song Dynasty, who is in short supply in the world, he does not lack any porcelain from the five famous kilns, so he naturally looks down on the porcelain repaired by Lu Laosi.

But he can't look down on it, but it doesn't mean that Sister Tao can't look down on it either, at this time, Sister Tao is already in the point of being dazzled. staring at this Lu Laosi's work, I can't take my eyes off it.

The porcelain spliced and burned this time can be said to be all high-quality products, and each piece is a good thing that has been carefully polished by this Lu Laosi.

Not to mention ordinary Chinese antique porcelain players, even if they are ordinary antique appraisal masters, maybe a careless person will fall on this guy's work.

These things, even if they are taken to the domestic market, can be sold at a good price, let alone if they are shipped to the United States. Wouldn't it be better to sell for those American collectors with half a bucket of water?

When I think of this. Sister Tao is full of enthusiasm at this time, her eyes can't leave these porcelains at all, she wants to see this one, and pick up another one, it's not like letting go, she doesn't know which one to take.

Jin Muchen saw that Sister Tao couldn't finish picking for a while, so he said to this Lu Laosi with a smile.

"Boss Lu, I'll leave the selection of goods to Sister Tao, do you have any other good things here, can you take them out and open my eyes."

This Lu Laosi is a master of counterfeiting, and Jin Muchen certainly doesn't believe that there are only so many of his works.

And he probably looked at the works of Lu Laosi on the Bogu shelf, most of which were copied according to the pattern of genuine antique porcelain and according to the one-to-one pattern.

Not only is the shape of the vessel exactly the same, but even the painting on the porcelain is exactly the same as the original, which shows that this Lu Laosi is a very strict person, and may even be a perfectionist.

He was able to reproduce these fake porcelains so perfectly, which means that he has seen those real guys before, and maybe he has collected a lot of good things himself.

What's more, Li Lao Liu also said before that a lot of broken porcelain pieces that he had made out of the previous theft were handed over to this Lu Lao Si to deal with, so Jin Muchen also wanted to take a look at this guy's 'raw material box' and see if there was anything worth excavating in his broken porcelain pieces.

However, since he wanted to see those things, he definitely didn't have to see them in this room, so he could only change the topic as much as possible, and it was best to let this Lu Laosi take him to his other collection rooms to have a look.

This Lu Laosi also does not doubt him, this banana man named Jim obviously has a lot to do with the Li family, and he is also a big boss in the United States, Li Laoliu also secretly whispered a few words to him before, which is nothing more than saying how rich this guy is, which makes him also moved.

He also knows that what he makes is a good thing, but he has always been worried about the relatively simple market.

In the past, there were still many people who came to him to buy goods, but in recent years, there have been a group of people who have monopolized all the sources of goods on his side, and even if other people want to come to him to buy, they have all had accidents.

This made Lu Laosi also very distressed, after all, there were fewer buyers, so when he negotiated a deal with those people, he would have no advantage, and those people always pressed his price, which also made him dissatisfied with those guys for a long time.

Now that this banana man has appeared, it is also a good thing for him, not to mention that this guy is still very rich?

So as soon as he heard that Jin Muchen still wanted to see his other works, he didn't talk nonsense, and directly took Jin Muchen out of the studio and walked to the inside of this small courtyard.

"Hehe, I just burned a batch of good things recently, if you are interested, Mr. Jim, you might as well go and take a look, if you can see it, the price or something, we can discuss."

This Lu Laosi didn't say exactly what the things he just burned out were, he just bought a pass, but this successfully aroused Jin Muchen's curiosity.

And when he turned his head, he happened to see a smug look flashing on Li Laoliu's face, and Jin Muchen was even more able to conclude at this time that what Lu Laosi took him to see this time must be a very good thing.

A group of people came directly to the edge of the porcelain kiln in the middle of the courtyard, at this time it was still the cold winter season, the temperature outside was not very high, but as soon as they approached the vicinity of this porcelain kiln, they could feel that the temperature of the air was several degrees higher than that of other places, which showed that the porcelain kiln was still burning things.

But the kiln hasn't been opened yet, and Jin Muchen doesn't know what is being burned inside.

But Lu Laosi obviously didn't want to take him into the porcelain kiln, but took him to a small room next to the porcelain kiln, opened the door and turned on the light, and took a few of them into the house.

The situation in this room is much simpler than the studio they saw before, the room is dark, there is even a layer of soot on the roof, and the walls have not been painted, but a layer of floor tiles has been laid on the ground, but because it is too close to the porcelain kiln, the floor tiles in this room are not stepped on black.

When the group entered the room, Lu Laosi went straight to the corner of the wall, pulled out a half-meter-high camphor wood box from the corner, and then with the help of several of his subordinates, he lifted the box onto the table, opened the box, and revealed the thick straw laid in the box, and the good thing was obviously buried in this straw.

Looking at this rather ancient setting, Jin Muchen was also interested, and as soon as they opened the box, he walked over, and after obtaining Lu Laosi's consent, he reached out and fished out a piece of porcelain in the box.

As soon as he got his hands on this porcelain, Jin Muchen immediately felt the difference from the porcelain he had come into contact with before.

In the past, he came into contact with all kinds of precious porcelain, from the fetal quality, most of them pay attention to two words, one is light, the other is thin, and then the bottom tire, must be the best white porcelain.

However, these characteristics are not reflected in this porcelain.

He got his hands on this porcelain, the tire was very thick, and the hand was also very heavy, and he took a closer look at the bottom tire, not to mention what was white, but it was a piece of black.

If it weren't for the glazed reflection on these porcelains, he would have even suspected that he was not holding a porcelain at all, but a piece of pottery.

What the hell is this Nima?

Jin Muchen was also stunned when he saw this thing in his hand, after all, there were too many antique porcelains he had handled, but until now, except for those porcelains in the Song Dynasty, almost all other porcelains have a white porcelain bottom tire, and porcelain like this now, he is really the first time to see it.

Even the porcelain from the five famous kilns of the Song Dynasty in his hand did not have such a black guy.

The Song Dynasty was a peak period in the development of ancient Chinese porcelain, and it was from this era that China's ancestors began to be able to fire white porcelain for the first time, which was truly close to the modern meaning.

However, because of the aesthetic taste of the people of the Song Dynasty at that time, most of the porcelain at that time was azure glaze, and that color was the mainstream aesthetic taste at that time.

In the period of the Yuan Dynasty, the blue and white porcelain with a white background sketch was truly on the stage of Chinese porcelain history for the first time.

Since the Yuan Dynasty, porcelain with white bottom tire has become the mainstream of the development of Chinese porcelain, even the pastel porcelain of the Ming and Qing dynasties is also developed on the basis of white bottom tire porcelain.

And now the black guy in his hand is not only not related to the white bottom tire, but also looks at the outside of the porcelain, and he can't see any traces of painting or sketching at all, such porcelain makes Jin Muchen feel even more strange.

This porcelain, the shape is not large, a slap can just be held, and looking at the appearance, you can see that this should be a bowl used by the ancients, which can be used for drinking wine or tea.

When I looked into the bowl, I saw that the inner wall of the bowl had a lot of kiln markings due to poor firing process, or uneven glazing, or uneven temperature, which looked very ugly...... (To be continued.) )