Speaking of Nabeshima, it is a sacred place in the hearts of all Japanese porcelain makers, and the status of this place in the Japanese porcelain world is similar to that of Jingdezhen in the hearts of Chinese porcelain makers.

Nabeshima was the first place in Japan where white porcelain could be fired, but the age of his production of white porcelain probably dates back to the early 18th century, when China has been able to produce white porcelain for hundreds of years.

Porcelain in the true sense of China should have been born in the Five Dynasties and Ten Kingdoms period before the Northern Song Dynasty, but at that time, because of the high impurities in the soil of the fired porcelain, we could not fire pure white porcelain at the beginning.

Therefore, it was not until the early Northern Song Dynasty that we were able to fire the earliest white porcelain because we found the right porcelain clay, but the white porcelain at that time was also white porcelain in a broad sense, and the quality of white porcelain in the Ming and Qing dynasties can be said to be far away.

Jin Muchen's earliest collection of gold-bound vessels can be said to be a model of the earliest fired white porcelain in China.

However, the aesthetics of people at that time were also different from those of later generations, and the royal family of the Song Dynasty at that time preferred the kind of azure porcelain, so in the Song Dynasty, that kind of pea clear, or azure porcelain, was the mainstream.

The era that really changed the aesthetic concept of porcelain for Chinese was the Yuan Dynasty, because the emperors of the Yuan Dynasty preferred that kind of blue and white porcelain, and this kind of porcelain needed to be glazed on the white porcelain bottom tire, so the technology of firing white porcelain in China began to advance by leaps and bounds in this era, and later in the Ming and Qing dynasties, the firing technology of white porcelain was developed to the peak.

And this happened to become the most golden period of Jingdezhen's development, and later in the Ming and Qing dynasties. Porcelain firing technology in Jingdezhen. It is because of the accumulation of the Yuan Dynasty. As a result, it became the porcelain capital of China and established an immortal position in the history of Chinese porcelain.

In the era when China was able to fire white porcelain tires, people in other parts of the world did not have the concept of porcelain at all, and Europeans were still using pottery at this time, and even many barbarian peoples were still using wood.

Japan, which received the influence of Chinese civilization earlier, could not fire white porcelain at this time.

And the Japanese have always wanted to learn from the Chinese how to fire white porcelain. However, it was not until the early 18th century in the Edo period that the Japanese found the right porcelain clay for firing white porcelain in the Nabeshima area, and from then on, they were able to actually fire real white porcelain.

With white porcelain as the bottom tire, Japan's porcelain-making technology began to enter an era of real leaps and bounds, and it was from this time that Japanese porcelain began to derive its own truly unique artistic style.

So Nabeshima. For the Japanese, especially for the Japanese porcelain industry. But it has a pivotal position.

The piece that Jin Muchen 'collected' this time, the color-painted cherry blossom picture dish, is the first batch of porcelain with obvious Japanese style that was really fired in the Nabeshima area after mastering the real firing white porcelain technology.

The huge cherry blossom tree, all of which are painted on the porcelain plate, looks beautiful, and it is very much a reflection of the artistic skills of the Japanese porcelain masters at that time.

Although it is impossible to verify whether this porcelain plate was made by the master porcelain maker, this porcelain plate is enough to be regarded as a national treasure by the Japanese just by relying on the region and historical age of this plate.

But now, this earliest piece of Japan's national treasure porcelain has fallen into the hands of Jin Muchen, and it will not be as easy for the Japanese to see it in the future.

After collecting this porcelain plate, Jin Muchen went straight to the next goal, which was also a work that Jin Muchen was optimistic about when he stepped on the spot earlier.

Compared with the previous two pieces of porcelain, this work can be said to be more representative of the characteristics of Japanese porcelain, and the name is called the color-painted cherry tree picture bowl.

You can feel the Zen spirit of this porcelain when you hear the name, but although it is called a bowl, it is not a bowl used by monks to eat and fast, but a tea bowl used by Japanese nobles to taste tea.

This bowl is about 10 centimeters high, 5 centimeters thick, wide at the top and narrow at the bottom, with white porcelain as the base, and several cherry blossom trees are painted on the bowl, and at the mouth of the bowl, there are more than a dozen irregular holes scattered with stars.

And the location of these holes is exactly where the cherry blossoms of the cherry blossom trees are located, and it looks like it is ingenious.

The shape of the whole bowl is extraordinarily beautiful, it can be said that it is unique, just looking at this tea bowl, it can make people have a feeling of relaxation and happiness, ethereal and transparent.

If you use this tea bowl to brew a cup of tea, through the hole in the mouth of this bowl, looking at the pale yellow tea soup in the tea bowl, you will have a unique sense of humor and comfort.

And the person who made this bowl is also not small, the name of the person who made this bowl is Ren Ya Midohachi, this guy is a famous porcelain master in Japan, and he was born in a porcelain family.

In fact, this guy's full name should not be called Ren Ah Mi Daobachi, his real name should be called, Takahashi Ren Ah Mi As for Daobachi, it should be the unique title of the patriarch of his family.

They Takahashi family, but Japan's famous porcelain family, was first Takahashi Shigefumi in 1740 to start a business, because in porcelain, especially in the production of tea sets is very famous, and later created their own school, began to specialize in making tea sets.

So there is the inheritance of their so-called Daoba, which has been passed down from generation to generation, and has been passed down to this Takahashi Ren Ahmi, which should have been passed on to the fourth generation.

It was also in the late 19th century, in the late Edo period, that this generation of Dopachi fired such a tea bowl.

So this bowl has been red since its birth, with a unique shape, unique painting, and exquisite white porcelain, so this tea bowl has been sought after by dignitaries from all walks of life in Japan since its birth.

Originally, a total of eight such tea bowls were fired, plus a teapot.

And this set of tea sets, which was later collected by a member of the Japanese royal family, turned out to be good to die, in World War II, because of the strategic bombing of the Americans, the princes failed to preserve this set of tea sets.

In the end, there was only such a tea bowl left, and later the original owner of this tea bowl did not want to see this tea bowl, because he would see the injuries of things, and when he saw this one, he would inevitably think of the other tea bowls and teapots that were destroyed in the war.

simply donated it directly to the Tokyo National Museum, but I didn't expect it to be cheaper for Jin Muchen today.

After a sound of glass breaking, the tea bowl fell into Jin Muchen's hands, and he clapped his hands contentedly.

This search for the main building is finally almost complete, and it is time to go around elsewhere.

But before he leaves, he still has to leave some small gifts for the Japanese.

Then he began to pull out all kinds of bombs from the space, and installed them in the glass cover of the treasures that could not be taken away, or under the base.

By the time he is gone, these bombs will be able to wreak havoc on these Japanese national treasures.

For many people who have the feelings of the Virgin, these treasures are works of art that belong to all mankind, even if the Japanese have a blood feud with us, but we should also crusade against those Japanese, and should not punish these art treasures.

Besides, decades have passed since Japan's war of aggression against China, so what's the point of being entangled in this way? It's better to take a big step and go straight forward.

But for such a person, Jin Muchen could only sigh a few times in his heart.

He doesn't have the broad feelings of these Virgins, Lao Tzu is a little person, a little person who likes to get along with the Japanese.

You can love the world, but Lao Tzu doesn't have the same feelings as you.

These Japanese people are so damned, and Japanese things should not be kept, even if these are treasures left by Japanese ancestors, it is the same, they should not be kept.

What did the Japanese do in China back then?

Burn it all, kill it all, rob it all!

How many of our Chinese ancestors fell under the butcher's knife of the Japanese, and how much suffering did we Chinese suffer?

At that time, why didn't you Japanese friends have such fraternity as you?

How did the Japanese develop and expand? Didn't you rely on the huge war reparations that we in China after the First Sino-Japanese War, and then nourished it?

Later, they even more advanced and encroached on so much land of our Chinese? How many resources were looted?

Only then did the Japanese army that could compete with the Americans in World War II?

And what about the ordinary Japanese people in your eyes at that time? Without their fanatical support, how could there be so many Japanese soldiers who were like beasts?

And the wounds left by those Japanese soldiers on us Chinese, not to mention that it has been seventy years now, even a hundred years, a thousand years should not be forgotten!

Especially after World War II, the Japanese did not give us a public and formal humility on any occasion!

Later, it became even more intensified, tampering with textbooks, obscuring the past, and now following behind the Americans, opposing us everywhere and blocking us everywhere.

Such a guy is absolutely unforgivable in Jin Muchen's opinion.

Now the descendants of these guys, there are still a large group of people visiting the Yasukuni Shrine, and those innocent Japanese people in the mouth of the media, Jin Muchen sneered in his heart, hehe, how many of those Japanese have a good impression of China?

There are even many people who have made anti-China remarks, look at how these Japanese dogs talk on the Internet in recent years, whenever there is any natural or man-made disaster in China?

All of them are gloating and cold-talking, so such people are not worthy of forgiveness at all! (To be continued.) )