1766. Chapter 1766 1766 Three Choices
Hugo did need more time to think about it again.
The end of the "Stormy" tour was a huge blow to Hugo, strictly speaking, for the five members who were glorious to death, the feeling of emptiness behind the cheers and the disappearance of the boiling heatwave, the boredom and boredom that was far away from the stage and after the practice, was almost unbearable, and the intense loneliness completely swallowed up all the energy.
From the extremely busy, incomparably noisy, incomparably lively life, suddenly back to the leisurely life of idleness, not only makes people at a loss, but also makes people collapse frequently, as if all the vitality is left in the tour, leaving only an empty shell of the body to return to daily life like a walking corpse.
This huge gap is surging, and it is impossible for people to resist it.
Rational as Neal even tried poison once. Immediately Neil realized his terrible state the next day, and he was deeply aware that his situation had reached the edge of the cliff and must not be contaminated with poison. Pin let him be initiated.
Later, Neil found the drunken Fogin and Pedro, as well as Alfonso, who was hiding in the bathroom and refused to come out, trying to make them sober up, only to find that Hugo had completely disappeared.
Not only did Hugo leave New York quietly, but he didn't greet anyone, didn't take his cell phone or other contact information with him, as if he had evaporated from the air. This scared Neil and the others so much that they were about to have a heart attack, and they asked Joseph, Samora, Alexander, Henry, and others, and almost no one knew where Hugo had gone.
After Cameron found out, he collapsed directly, helpless, and had no master. Neil couldn't blame Pedro for telling Cameron, although then they had to take care of Cameron.
However, Neil and the others have no clue where Hugo will go after leaving New York. Even the Devil's Advocate (The) is filming in New York. Devil’s。 Advocate)" Charlize was so alarmed that he temporarily asked the crew for a day off and rushed to meet everyone.
In the end, Charlize came up with a conjecture, "Will Hugo go to San Francisco?" The idea was confusing to everyone, but when everyone understood that Sally Hansen's hometown was San Francisco, and not long ago the Hansons brought their daughter's body home for a funeral, it realized that Charlize's idea made a lot of sense, and it was the only clue that made sense at the moment.
Holding on to this life-saving straw, Joseph called Rick, who was far away in Los Angeles, and Rick rushed straight to San Francisco that night to find Hugo who had fallen asleep there in front of Sally's tombstone.
Rick didn't tell anyone about the details of the day, and the others didn't ask too much about Hugo's condition. When Rick arrived at the scene, he saw Hugo curled up in a ball, sleeping next to the tombstone, covered in dew, the whole person fell into a state of fever, shivering in the cold wind, his lips were white, and his mind was blurred. This almost frightened Rick and took Hugo to a nearby emergency room, where he tossed around for a while before making sure it was okay.
Faced with such a situation, Hugo had no way to deal with the media, so the glorious team members quietly went to Long Beach to recuperate. Rick knew that the paparazzi would definitely not give up easily, so everyone, including Cameron and Joseph, stayed in Los Angeles instead of going to Long Beach. Although it is said that it would be better for Hugo to have the company of friends, but in recent times, Hugo needs to recuperate.
Not only Hugo, but also Neil and others. Even more terrifying is the poison attempt in Neil. None of them were aware of the anomaly, including Henry.
In fact, the end of the "Tempest" tour is only part of the reason, and the recent victory of glory to death at the Grammys also made them a little confused, although they still have the great dream of awakening the faith of rock and roll, but they have no way to start, because now they have stood at the pinnacle of the music career, reached heights that no one has reached before, they have done their best, and in addition to this, what else is there to do to revive the faith of rock and roll, there is only a blank in front of them, and no one can give an answer.
So, the end of the tour is just a motivation that stimulates the confusion after reaching the peak.
Fortunately, the members of the glorious to death woke up in time, otherwise the consequences would be unimaginable. Although they were still confused at this time, at least they were no longer drunk and dreamed of death.
After two weeks of rest, Hugo finally gradually came back to his senses, and the emptiness in his heart slowly calmed down, although he still did not fully adapt, but the regular daily life is becoming more comfortable little by little. Due to Hugo's special condition, the originally scheduled meeting with the director of "Unruly Night" had to be postponed, which gave Barry Meyer a respite.
However, even Hugo has to abide by certain rules in Hollywood - time waits for me, and once the opportunity is missed, no one wants to delay and wait, because business also needs to be timely. If they miss the business opportunity, then even Hugo, a cash cow, they will not wait forever.
Of course, even if he misses the recent opportunity, Hugo still doesn't have to worry about not having a script to come to the door next. It's just that it always takes some luck to meet the right script, and it is even more rare to encounter three excellent scripts at the same time.
"L.A. Confidential" and "Murder of Green Toes" go without saying, the excellence of the two scripts has been affirmed by Hugo, no matter which work they starred in, it is exciting. But Hugo didn't expect that the script of "Unruly Night" would also appear in front of him. Either you can't see a single good script, and once it appears, three of them come in one go.
Hollywood is a circle of young talents, and there are geniuses almost every year, but there are very few geniuses who can amaze the world and go down in history. Among the few geniuses who have stood the test of time, Paul Thomas Anderson (Paul. Thomas。 Anderson is undoubtedly the best of the bunch.
The director, born in 1970, is an absolute all-rounder, good at original scripts and adapted scripts, almost every one of his works is written by himself, and as of the era known to Hugo, he has dedicated a total of six works, all of which can be called classics, "Magnolia" and "Punch-Drunk. Love)", "Blood is Coming", "Master" and other works are each amazing, not only making Tom Cruise, Adam Sandler and others win heavyweight acting nominations, but also achieving Daniel Day-Lewis's second Oscar, only 42 years old won the honor of Best Director at the three major European film festivals!
The most incredible thing is that Paul is also a super handsome guy, and he is jokingly called "the most suitable director to be an actor". In addition to his directorial debut "Hard. Eight)" is a little green, "Paul's work must be a masterpiece" has become a law. The name of genius is well deserved.
The work that really made Paul a blockbuster was his "Unruly Night" when he was only 27 years old, which shocked the entire film critics, amazed Paul's talent, and also amazed Paul's accurate grasp of the work. This "Unruly Night" won three nominations for Best Supporting Actor, Best Supporting Actress, and Best Original Screenplay at the Oscars that year, and it also allowed Julianne Moore to really start her fierce acting career.
"Unbodely Night" is a very special work, it is about the United States. Hue. Feeling. The story of karma, through a color. Feeling. The actor as an entry point tells the story of the human world behind the industry, and the intertwined characters and social intricate clues form an intricate network of relationships, showing the bizarre and bizarre beneath the surface of that era, just like a social epic in the 70s and 80s in the United States, hiding the grandeur and decline of an era behind the exquisite lens, with a far-reaching aftertaste.
Strictly speaking, "Unruly Night" is Paul's debut novel. Because of the previous filming of "Casino Vertical", he was fired just because he was responsible for the completion of the filming, without any editing rights, and was more like a photographer than a director. Therefore, Paul's personal talent is not seen in the "casino horizontal" at all, and "Unruly Night" is the first time.
After the film came out, almost every critic was amazed, it was unimaginable that a young man who was only 27 years old could skillfully master such a complex film, and at the same time showed the audience his excellent ability to carve characters, digging deep into each character in a limited space.
When he was just starting out, Paul was known as a genius director with Robert Ultraman-style group drama style, Martin Scorsese-style camera use, and Stanley Kubrick-style cold atmosphere, which can be described as infinitely beautiful, and even made many people worry about whether his talent in "Unruly Night" was short-lived, but fortunately, two years later, "Magnolia" once again amazed the world and became one of Paul's most outstanding works.
It is worth mentioning that Paul is also one of the directors who know how to use actors the most, and his excavation and shaping of characters follows the delicacy and profundity of script creation, and is completely carved out through the language of the lens.
The core of the script of "Unruly Night" is similar to Martin's "Raging Bull", which tells the ups and downs and disillusionment of the American dream, showing the ups and downs of society through the fate of the little people, and that grand big picture injects incredible energy into the story.
Purely from the perspective of the script, "Unruly Night" and "Los Angeles Confidential" are top works on the same level, and "Murder Green Toes" is slightly inferior, but the gap is not big, and it is still wonderful. It's definitely not an easy task to pick one of the three scripts.