Chapter 21 Finding the Door (Middle) Asking for Recommendations and Collections
Guo Yi looked at the two people who walked out of the door, and originally wanted to shout to stop the two of them, today's events are full of evil, Guo Yi can't guess what happened, so that a predator in Li Yang's mouth is so low, but since it is specified that the apology is used, this is given for free, so why not accept it, are you still afraid that he will not be able to make any calculations, and if you want to calculate Guo Yi, then he has that strength.
Guo Yi got up and walked to the window, looking at the Audi and Bentley downstairs that had started walking slowly, thinking that no one would let him take a sip when the two came to the door, and couldn't help but feel funny.
What kind of person is this, when they enter the door, they only apologize and apologize for reasons that can't stand scrutiny, they must have other things to do, "nothing to do, either treachery or theft".
Guo Yi looked at the car that he didn't see when he turned the corner, turned his head to the small black box on the coffee table, and after they left, Rhubarb had somehow climbed onto the coffee table and lay on the top of the box, looking at Guo Yi with two eyes, as if to say something good here.
Guo Yi walked over, took the rhubarb away, put his hand on the black leather suitcase, opened the lock, and lifted the lid of the box.
The top is a scroll tied with a small string, below is an incense burner, mouth diameter 8.5 cm, height 5 cm, the shape is simple, the surface of the paste aging signs are natural, the style of the times is obvious, the color is warm, the quality is good, Guo Yi carefully took him in his hand and carefully checked and confirmed with the knowledge he knew, and finally Guo Yi himself concluded that this is the real Ming Xuande double-eared three-legged copper incense burner, in order to increase the correctness of the identification Guo Yi looked at it with his eyes, and confirmed that this was the Ming Dynasty after his own powder Dai to them. Is it that the official construction during the Xuande period only needs to wait for Uncle Hai to return, and bring it over to ask Uncle Hai to break off the generation, at least it seems to be true now. As for whether it is an imitation, it will be imitated during the Ming Dynasty, and it will carry a font size.
Next to the Xuande double-eared three-legged copper incense burner is an inkstone and a few brushes, Guo Yi took out gloves and a magnifying glass in his pocket, and now he looks much more professional, in fact, Guo Yi's eyes can be seen without a magnifying glass after entering the strength, and the knowledge habitually took out these tools when he saw the antiques.
The brush is made of Zihao, and when he saw Zihao, Guo Yi suddenly flashed a thought in his mind, this is a soft pen, "Zihao of Lake Pen".
Lake pen, together with Hui ink, rice paper, and Duan inkstone, is called the "Four Treasures of Study". One of the traditional handicrafts of the Han nationality. It is an important symbol of the long and splendid Chinese civilization. The hometown of the lake pen is in Shanlian Town. There is a local temple of Bizu Mengtian. Legend has it that Meng Tian, the general of Qin Shi Huang, "used dead wood as a tube, deer hair as a pillar, and wool as a quilt (coat)". The brush was invented. In 2006, the tsuò technique was included in the national intangible cultural heritage list.
Zihao is the rarest of the three main ingredients of mountain rabbit hair, and it is a raw material for making pens. Zihao pen is a side branch of the lake pen and milli category, it belongs to Jianhao, and there are many specifications and varieties. This is dark and black. Its length and content directly affect the value of the pen. Resilient. Sharp and wear-resistant. It is mainly written in small and medium-sized letters. Generally, the pen can only open one-third, only the purple pen, can fully open its edge, with the characteristics of more ink absorption and long writing.
The more I look at it, the more I feel that Guo Yi's cognition of pens is limited to the knowledge on paper, after all, Uncle Hai doesn't write much calligraphy.
Tong guò double pupils perceive that this is a modern lake pen, but the delicate system is not a trace of flaws, and at first glance it is the master's system. It's supposed to be custom-made, and it's worth a lot of money. Putting the brush back in its place, Guo Yi looked at the inkstone next to him.
Since the pen is a lake pen, the inkstone is certainly not ordinary, the inkstone Jackie Chan Shoucheng mud inkstone, its shape is exaggerated, the dragon head is powerful and square, the eyes are blazing, and the hair is scattered on all sides, which shows its "majestic" inner rhyme. What's more ingenious is that the dragon's mouth is wide on the outside and deep on the inside, which can be used as a water bowl.
"Cheng Ni Yan Cheng Ni Yan" Guo Yi shouted in his heart
Chengni inkstone is processed and fired with special cement due to the different firing process and time, it can be a variety of colors, some inkstone is multi-colored, especially pay attention to carving technology, there are relief, semi-tire, three-dimensional, passing and other varieties. Chengni inkstone is processed and fired by using the fine mud that has been washed as raw materials, so the texture of Chengni inkstone is delicate, just like the baby's skin, and it has the characteristics of storing water without drying up, not freezing through cold, sending ink without damage, and moisturizing the water can be comparable to the characteristics of stone inkstone, so the predecessors have many praises. The ancient Cheng mud inkstone seen today is extremely rare, and the top grade is even more difficult to find.
Finally, Guo Yi confirmed with his eyes that the color of the Xuande amphora three-legged copper incense burner was the same, so it can be determined that this is also the Chengni inkstone of the Ming Dynasty.
In the Ming Dynasty, the mud quality of Chengni inkstone was the best, the most dense, and the ratio of all kinds of Jinsha powder was perfect. Its mud repair style has gradually changed from the "barbaric" of the Yuan Dynasty to "vigorous", which is both elegant and solemn. These are in line with the characteristics of this inkstone and the identification methods recorded in the book.
Guo Yi looked at the inkstone little by little, while combining it with the knowledge of the Chengni inkstone introduced in the book he remembered, and finally confirmed that it was correct, this is in case the Chengni inkstone of the Ming Dynasty was not wrong.
After playing for more than ten minutes, Guo Yi had confirmed that there was no mistake in his identification, carefully put the Chengni inkstone back, and finally looked at the scroll that was placed there without opening it, and the rest of the scrolls were not ordinary, so this scroll was even better.
After thinking about it for a long time, Guo Yi still stretched out his hand to the scroll, untied the string that bound the scroll, and carefully threw him on the coffee table and slowly unfolded it.
The scroll slowly unfolded, blooming in front of Guo Yi's eyes, Guo Yi's eyes widened "Guanshan Travel Map" Looking at the inscription and seal, the first seal belonged to Tang Yin.
Tang Yin, the word Bohu, and the word fear, with the word line, the number six such as the layman, the peach blossom hermitage, the Lu State Tang Sheng, the escape of the Zen immortals, etc., Suzhou Wu County (now Suzhou, Jiangsu Province) people, the Ming Dynasty famous painter, poet. It is said that he was born in the sixth year of Chenghua of Ming Xianzong, so he was named Yin. Tang Yin is cynical and talented, and his poems are famous, and Zhu Yunming, Wen Zhengming, and Xu Zhenqing are called "Wuzhong Four Talents" (that is, the folk say "Jiangnan Four Talents"), and the name of the painting is changed, and Shen Zhou, Wen Zhengming, Qiu Ying and called "Wumen Four Families", also known as "Ming Four Families".
Guo Yi's mind revealed an introduction to Tang Yin: "Tang Yin's middle-aged landscape paintings are mainly patriarchal Zhou Chen, and Zhou Chen's landscape painters are Li Tang and Liu Songnian of the Southern Song Dynasty, so Tang Yin's paintings can be traced back to the courtyard painting school represented by Li Tang and Liu Songnian in the Southern Song Dynasty." Under the influence and guidance of his teacher Zhou Chen, he learned the rigorous and majestic style of the Song people's penmanship. At the same time, he also participated in the composition and brushwork skills of Ma Yuan and Xia Gui, and extensively dabbled in the strengths of Li Cheng, Fan Kuan, Guo Xi of the Northern Song Dynasty and Huang Gongwang and Wang Meng of the Yuan Dynasty. The layout of the picture is rigorous and neat, the shape is real and vivid, the mountains are majestic, the stone is steep, the axe is chopping, the brushwork is strong, and the ink is dripping. His representative works include "Wang Wei Out of the Mountain", "Peitai Real Scene", "Xingchun Bridge", "Guanshan Travel Map" and so on. ”
Is it really Tang Yin? Guo Yi had doubts in his heart, and firmly determined the age of the painting with his eyes, there is no mistake, isn't this work not handed down?
Guo Yi's practice was too little, and he began to follow the identification methods recorded in the book, comparing the inscription with Tang Yin's words in his mind, inscription, painting style, and so on
Half an hour later, Guo Yi reluctantly made it to the sofa, still looking at the "Guanshan Travel Map" in front of him in disbelief, and kept asking himself that this was really Tang Yin's?
He only came to his senses when Rhubarb began to bite his trouser leg.
"It's because I'm too persistent, the world's qiē has its own fixed number, and it is reasonable to save zài, I haven't seen him disappear with my own eyes, so now he has appeared, and there is no trace of flaws that can be illuminated, that is true, I am still in contact with too few physical objects, it seems that I must contact more physical objects or visit museums to increase my knowledge in the future." Guo Yi patted the rhubarb and said, Dahuang was stunned for a moment, raised the dog's head and looked directly at Guo Yi with his eyes, wanting to see if he had an explanation.
Guo Yi didn't speak, slowly rolled the scroll up again, put him in the small box, glanced at the items in front of him, and then closed the lid of the suitcase and locked it.
After looking at the time, it was already five o'clock, and after a delay of more than three hours, Uncle Shi's side should be about to start dinner.
Picking up the small suitcase, Guo Yi led Rhubarb downstairs and drove back to the "Eight Immortals Residence"
Clear Water Bay Villas, Hong Kong
"Master, news came from the third that Zhao Yu went to see the little young master this afternoon, and the little young master rushed back to the "Eight Immortal Residence" in the urban area. The elusive butler appeared silently in front of Long Lao, who was standing by the window and looking at the scenery outside the courtyard, and said
Long Lao didn't speak, and continued to look at the scenery in front of him that had not changed for thousands of years, and he knew that the housekeeper must have something to say.
"Zhao Yu took the housekeeper's area with him, and when he went, he brought a small box, and when the young master entered the room, the two of them left without staying long." Sure enough, the old butler continued
"Do you know what to bring?" Long Lao asked
"I don't know for the time being, but the little young master has been staying in the room since they left, because the little young master is too perceptive now, No. 3 doesn't dare to approach, and he almost leaked several times, he can only watch from afar. But I don't think it's a mundane thing like money. The old butler said
"Vulgar things can't move that kid, and if you can move him, he won't live a hard life as always these years, and it's very simple to live a good life in the mainland with his skills." Long Lao thought for a while and said
"No. 3 is completely withdrawn, staying in the mainland is no longer useful, the little guy has grown up, I believe he will return to Hong Kong soon, enter this industry, Christie's auction has a chance to come back for sure." Long Lao was silent for a while and said
"Okay." The butler said
After the housekeeper finished speaking, he saw that Long Lao had no instructions, so he withdrew by himself
Xinzhuang villa area
"Sir, they stopped." Uncle Zhong stood beside Zhao Yu and said softly
Zhao Yu nodded, didn't speak, just quietly looked in a direction in the courtyard.
ps: Yesterday the question was written incorrectly, it should be a recommendation. (To be continued......)