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This guy is in his spare time painting, and he has such a hobby, which is to show people, to put it bluntly, he is a European dancing god, so many of his paintings are religious themes that are chattering about gods.

And the era in which he lived happened to be the stage when Europe was ignorant and moving towards enlightenment, so his paintings with religious themes could still bring him some income.

So although he failed as a professional dancer, the engravings of religious themes that the gods chattered about could still bring him some income at that time, so when he was alive, he was more comfortable than Van Gogh.

But another benefit of his ability to look at faces also brought him was that he had a very unique experience of observing a person's facial expressions, which was the main reason why his portraits became famous later.

This buddy had a more unfortunate life in his later years, because of the failure of the investment, and finally to the point of bankruptcy and the family property was auctioned.

And after his death, he became famous because hundreds of his own works were discovered one after another, especially portraits, as well as story history paintings.

Judging from Jin Muchen's understanding, this buddy is a living ancient, Arthur. Pinajan!

Looking at the portrait of this obscene old man with a black hat, slightly bald curly hair, garlic nose, small eyes, and half-cut eyebrows, Jin Muchen couldn't figure out how the value of such a painting was actually higher than the original price of $250 million Vermeer's "Concert".

The aesthetic taste of Western white-skinned ghost animals, and the temperament. Ordinary people can only retreat and avoid!

According to that magazine. That is, this old man. There are dozens of portraits of Ping Shenghua, but there are not many self-portraits of himself, there seem to be only two in the world, but the Museum of Fine Arts, Boston, happens to have such one.

Another reason is that in this painting, the master used a strong chiaroscuro method when creating this self-portrait. The use of light to shape the form, the picture is rich in layers, and the task in the painting is full of strong drama.

This kind of artistic painting technique can definitely be called a master representative of European portrait painting, and even a pioneering masterpiece of modern European portrait painting, which is not an exaggeration.

It's just that Jin Muchen didn't see the Taoism mentioned in those magazines, and he was very aware of the strong drama of the characters in the last picture.

The old man on this screen is really obscene. In particular, his eerie expression is very reflective of his dramatic heart......

Forget it, although I can't appreciate the beauty of this painting. But Jin Muchen doesn't have to compete with hundreds of millions of dollars in banknotes, and he can't appreciate it, but there are always some people who understand it who can appreciate it.

Or those who like to show off the B grid, if you can appreciate it, forget it yourself.

stepped forward to pocket this painting, Jin Muchen felt that it was almost the same, in the Boston Museum, the famous paintings with a unit price of hundreds of millions, except for those locked in the Monet Museum, had basically been emptied by himself.

With these paintings as the foundation, Jin Muchen can't look down on those oil paintings that cost tens of millions of dollars at all......

In this bag, I'm afraid these paintings will be worth more than a billion dollars, and the other tens of millions are small money, and the space in this bag is limited, so I can't fit it, you 'low-end goods'.

In fact, it was mainly because he was afraid of arousing Jesse's suspicion, if it weren't for Jesse, he would have wanted to sweep all the oil paintings that cost tens of millions of dollars into his purple jade space.

However, I was afraid that after the incident, when the museum announced the loss, the gap between it and the things I planned to sue Jesse was too big, and I was also afraid of attracting the treatment of aliens by the US government, so I went crazy to hunt and kill.

So he could only force down the little thoughts in his heart and forcibly take his eyes off those oil paintings.

He didn't know what those oil paintings were painted by famous artists, what their content was, what their special meanings were, or their artistic value, and he didn't want to know.

Anyway, in his eyes, those paintings seemed to be green banknotes with huge denominations printed on them.

The allure of this thing to him is too great.

Forcibly leaving the oil painting area, Jin Muchen looked at his watch and entered this museum, it had been almost two hours.

This also surprised him, he had been immersed in the joy of a bumper harvest before, and he really didn't pay attention to the time, which was the refreshing feeling of hundreds of billions of treasures, which was like a stimulant for him, so that he completely ignored the storage of time.

Quickly cleaned up briefly, and then went to the monitoring room at the back to take a look, and the security guards sat honestly in the middle of the security room as when they left, wrapped in duct tape.

Depending on the situation, they were very cooperative, no one tried to struggle, no one wanted to be a hero, and even there was a big one in the middle, sitting there, all snoring.

It seems that they really don't have much honor for their own work.

Think about it, face all day long, often millions of antiques, or even hundreds of millions of artworks, but look at yourself, only fourteen and a half yuan an hour, even if you don't eat or drink for a lifetime, you can't make a piece of antique money, how can you let these security guards have any sense of honor?

Forget what they think, Jin Muchen can't care about it, and he doesn't want to care about it, as long as they stay like this obediently, and cooperate until he and Jesse complete this ransacking, then it will be done.

After carefully checking the binding of these security guards again, and then saying a few words of comfort, Jin Muchen left the security room and went straight to the second floor of the East Building to find Jesse.

Jesse had told herself before that what she wanted was here.

Although she didn't say what those things were, Jin Muchen also knew that those things must have a very important meaning to her.

Upstairs, Jin Muchen went directly inside, and what Jesse liked was some ancient Egyptian relics on the façade of Hall 23 on the innermost part of the second floor.

These treasures are actually some ancient Egyptian jewelry, when Jin Muchen and Jesse came to step on it together a few days ago, Jesse turned around here countless times and explained it to him.

Speaking of antique jewelry, in fact, our Chinese antique jewelry is really incomparable with Europe.

European antique jewelry, according to the current perspective, mainly originated in the Renaissance, and until then, their antique jewelry has not developed its own style, has been influenced by ancient Egypt and ancient Roman style, and this influence, especially the influence of ancient Egyptian jewelry, is a continuation of this day.

And the antique jewelry of ancient Egypt is definitely one of the few antique treasures in ancient Egypt that can be sold.

The ancient Egyptians had mastered the techniques of casting, hammering, carving, coloring, setting, forging gold leaf and other techniques of modern gold, and the cutting, polishing and polishing of gemstones were not much better than now.

Such characteristics, many of the ancient Egyptian cultural relics unearthed now are reflected, the ancient Egyptians usually use finely carved gold and silver, with precious stones, semi-precious stones, to create a gorgeous and changeable shape, commonly used gemstones are feldspar, turquoise, malachite, garnet, chalcedony, lapis lazuli, etc.

The collection of ancient Egyptian jewellery here is often brightly coloured and exquisitely made, demonstrating not only the outstanding and amazing level of jewellery processing at the time, but also the extraordinary creativity and artistic attainment of mankind at that time.

Most of these ancient Egyptian jewels are rich and fiery in color, reflecting the exuberant vitality and love of nature of the people of that era.

From the perspective of modeling, the design of these jewelry is not untargeted, but mixed with people's understanding of the universe, fate, and royal power, so most of the works are symbolic and colorful, exaggerated, grotesque, and mysterious.

Of course, these are all things that the art museum said in the introduction of their collection of Egyptian antique jewelry, Jin Muchen, a rough man, can only appreciate the beauty of antique jewelry, as for what vigorous vitality, what love for nature, what experience of the universe, royal power, destiny or something, he can't see it.

When Jin Muchen arrived at the exhibition hall where Jesse was, Jesse had just opened the security door of the exhibition hall.

Unlike those oil paintings, as well as the Oriental Department where Chinese antiques are stored, this place is not open, because it displays antique jewelry, so an anti-theft door is also installed outside this exhibition hall, but this security door is not as thick as the security door of the Monet Art Gallery downstairs.

The reason why the museum is doing this is not because the value of the antique jewelry displayed here is higher than the oil paintings downstairs or the Chinese antiques in the Orient.

It's just that the antique jewelry displayed here is all real money, silver, and precious stones, and such treasures are much more valuable to many simple-minded thieves than those oil paintings and Chinese antiques that they can't read.

After all, this thing is real money, unlike those messy oil paintings, and Chinese paintings that can't be understood at all, this thing is real, and it can be realized when you take it out.

So a lot of stupid thieves with a relatively low IQ like this kind of thing, and the art museum has encountered several direct thefts of this kind of antique jewelry, so the protective measures here, they do much more severe than the oil paintings below.

After all, these antique jewelry jewelry, small in size, very easy to hide, can be easily taken out of the museum, from the beginning of the museum to the present, there have been dozens of precious ancient Egyptian antique jewelry lost one after another, so they can't ignore the security measures here. (To be continued......)