Wang Xizhi, Wang Xianzhi's father and son's calligraphy and allusions Xue Lang knows, not because he likes antiques, let alone because of his hobby of calligraphy, but because these two people are too famous, they can be called the originators of calligraphy in later generations of China, how can they not be known?

And this Huang Tingjing on silk is rumored to be Wang Xizhi's masterpiece in Xiaokaili, and there is a story that people talk about. Although the original work has long been lost, the story has survived to this day.

Legend has it that there was a scholar in Shanyin who wanted to get Wang Xi's calligraphy. Because he knew that Wang Xizhi loved geese, he specially prepared a cage of fat and big white geese, and specially asked someone to inquire about Wang Xizhi's travel route, and put geese on its route.

When Wang Xizhi traveled, he saw this group of white geese, and he really liked it very much, and wanted to buy it, because he thought that raising geese could not only cultivate sentiment, but also realize some calligraphy theories from observing the movements of the geese, so he found the Taoist priest who put the geese, and discussed buying this group of geese.

This is the origin of the goose post. As for the authenticity of the record, there is no way to verify it. But his Huang Tingjing really exists and has a far-reaching impact.

The facsimile inscriptions of the Tang and Song dynasties are all national treasure-level cultural relics, not to mention authentic works.

Xue Lang took a deep breath, pressed the huge shocking impact, looked at Liu Chengcheng again, and asked, "Sir, did you let me enter the cave just to see these when you were finishing up that day?" ”

Unbeknownst to him, when his voice fell, Liu Yucheng just nodded, shook his head like a rattle, and said, "It's to look at these, but not these two." ”

Not these two?

Xue Lang didn't know what he meant.

Liu Yucheng didn't speak again, put on gloves, carefully rolled up the Huang Tingjing, and then, ignoring Xue Lang, put away Luo Shenfu again, and then walked over, pointed behind Xue Lang and said, "It's to look at it." ”

Xue Lang turned around and looked, his pupils shrank suddenly.

Rantei set preface!

Shocked, he didn't ask right away, but looked carefully.

I saw that the whole text is charming and elegant, every word is very exquisite, a little painting is like a dance, as if there is a god and man to help each other, but it has a chic and beautiful, beautiful and moving infinite charm.

From the beginning to the end, Xue Lang counted it again and confirmed that it was really twenty-eight lines and three hundred and twenty-four words.

It can't really be Wang Xizhi's first line of calligraphy......

Xue Lang's eyes were empty, and he looked up at Liu Chengcheng.

Liu Chengcheng will calm down a lot, looking at Xue Lang's view, then said: "I have seen the Tang Dynasty's Ma Chengsu copy of the Shenlong Benlan Pavilion preface, and this comparison, but it can really be called the strongest brushwork, the highest artistic conception of the copy, but a comparison, but the lack of cheerful and happy artistic conception, want to come to the scene of Wang Xizhi's forty-one people drinking and writing poems in the Lanting Pavilion at that time, Ma Chengsu can not understand the reason. ”

"Just because of that you think it's the first book to be lost?"

Xue Lang still couldn't believe it was true.

Liu Yucheng nodded and said: "My calligraphy is derived from these facsimiles, and most of the calligraphy carriers I learn are authentic works from the Tang and Song dynasties, but I can feel the artistic conception and brushwork of Wang Xizhi in them. Moreover, silkworm cocoon paper is not a rare paper, and it is extremely rare to circulate to modern times, especially in the Jin Dynasty. Although the ink has not been tested, it can be roughly judged that it is an item of the Jin Dynasty. ”

All right......

Xue Lang's head was a little foggy, he took a deep breath, spit it out, glanced at the Lan Pavilion Order, which might exceed tens of billions, and understood why Liu Defeated City was protecting itself as if it were facing the enemy.

Retracting his gaze from Lan Tingxu, Xue Lang suddenly remembered something.

At that time, when I looked at these introductions, I saw an account that I don't know whether it was apocryphal or wild history, saying that Li Shimin, Taizong of the Tang Dynasty, greatly admired Wang Xizhi's calligraphy, but did not like Wang Xianzhi's, so the two kings were completely concluded, Wang Xizhi's calligraphy was the first, and his son's was inferior. Moreover, I also found Wang Xizhi's authentic handwritings, and I admired and studied them every day. Including Lan Tingxu, they were all in the bag, and they were all buried in the end.

As for whether it is buried with it, those may not have an accurate basis, and it may be the same as the jade seal of the country, which is missing anyway, and it will be over with a story.

Thinking of this, he turned his head to look at Liu Yucheng and asked, "These are all in the room of your ancestor Tian Chanzi?" ”

"Yes."

Liu Yucheng pointed to the boxes in the room and said, "There are also some Taoist books from the Tang and Song dynasties, and the engraved books of the Song Dynasty are richer than the collections in our sect. ”

"Are they?"

Xue Lang looked around and felt strange.

I didn't see so many books at the beginning, on the bookshelf built by Agarwood, most of them are the design drawings of his ancestors, and the book scrolls are hundreds or thousands, so it's good, how can there be a room full of them?

As if seeing Xue Lang's doubts, Liu Yucheng carefully put away the Lan Tingxu and said: "The stone room we are in should belong to the studio, that is, the place where the ancestor researched and designed, and the study room is in another secret cave, a cave of books, but Wang Xizhi's real work is still in the design room." ”

Liu Yucheng mentioned the Lanting Collection Order again, which reminded Xue Lang of the problem that had just been forked, and turned his head and asked, "Sir, I remember that the introduction of the Lanting Order didn't say that he was buried with Li Shimin?" ”

To his surprise, Liu Yucheng nodded and said: "That's right, there is a record in the sect that the seniors of the sect did not find the true trace of Wang Xizhi when they went to the palace, and the statement that he was buried with him is credible." ”

"Huh?"

Xue Lang blinked his eyes, looked at Liu Yucheng and asked, "Since it is a burial, then the seniors of your division are not ......?"

Who knows, Liu Yucheng's answer once again surprised him.

Liu Yucheng nodded and said: "Before the Tang Dynasty, Shimen felt that it was a pity that those precious items were buried with them, and even led to their loss. In particular, some alchemy controlled by the royal family also had special materials, so during that period, there were senior masters who occasionally entered the royal tombs and took away some items that had to be taken away. This Lan Tingxu and Huang Tingjing are also the results of tomb robbery during that period, including the jade seal of the country, which should have been brought into the tomb, otherwise, the predecessors of the master would not destroy the inheritance of imperial power. ”

"Huh?!"

Xue Lang looked at Liu Chengcheng in shock, and the glorious image of their division collapsed in an instant. Feelings: His master is actually a tomb robber!

Liu Yucheng smiled, stretched out his hand and gestured, walked to the other box and said: "This kind of behavior was put an end to in the middle of the Song Dynasty, and the helmsman of the division believes that since they are buried, it means that they should disappear, and the luck is the same, and they must not destroy the heavenly morality. ”

Ay......

Xue Lang sighed secretly.

If this ban is not issued, the number of exhibits may increase dozens of times. As soon as the ban was issued, tomb robbers who were much cheaper stole the treasures and sold them to other countries, or simply stolen them from other countries.

Although their division has also robbed tombs, their starting point is different, at least they protect those objects that will be damaged, and they have not lost them, especially this will, and they also shoulder the responsibility of restoration and tidying.

He didn't know whether to praise his seniors for robbing the tomb or reprimand. It's hard to define.

I think that many of those treasures were the result of tomb robbing......

pondering, looking at the bamboo slips spread out on the box in front of him.

Seeing the words on the bamboo slips, Xue Lang's eyes were empty.

Bamboo slips, it should be before the Jin Dynasty, the Han Dynasty was at its peak, and there was paper in the later period, replacing the writing and heavy trouble of thousands of bamboo slips in a book.

If it is a thing of the Han Dynasty, the value is definitely not low. If it is the work of everyone in the Han Dynasty, the value is incalculable.

Passed down to the present, not to mention the Han Dynasty, most of the Jin Dynasty are stone inscriptions, there are few copies, and the authentic works are even more impossible.

Seeing that Xue Lang didn't seem to understand, Liu Chengcheng moved his shoulders and said, "This is Sima Xiangru's official book. ”

Sima Xiangru?

Xue Lang didn't know Zixufu, and he didn't study history, but he knew Sima Xiangru, because he didn't know much about Sima Xiangru except for his literary name, but his love story with a generation of talented women Zhuo Wenjun, especially a guqin song, Phoenix Seeking Phoenix, has been passed down through the ages and is famous all over the world.

Xue Lang didn't know what official scripts were, what Eastern Han and Western Han scripts were, but Sima Xiangru he still knew. If this is the authentic work, it will also be a sensational discovery in China and the world.

In shock, Xue Lang was just about to ask, but Liu Yucheng said: "There is also the comment of Emperor Wu of the Han Dynasty on it, the handwriting is majestic and magnificent, and it really has an endless majestic momentum." ”

Emperor Wu of the Han Dynasty commented......

Xue Lang was a little dumbfounded.

He didn't know how Liu Yucheng concluded that the different handwriting behind it was that of Emperor Wu of Han, but he didn't doubt it either. Liu Yucheng's eyesight is not a joke.

Shocked, he blurted out, "Is that all there are four?" ”

Liu Yucheng took a deep breath, spit out heavily, and said: "In addition to Sima Xiangru's bamboo slips, there are also Wang Xizhi's official script, cursive, Wang Xianzhi's official script, cursive, line script, a font, including all the fonts of that era, and some other calligraphers, including the inkstone used by Wang Xizhi, brushes, and some bamboo slips of the Han Dynasty, whether there is still uncertainty before, I didn't have time to look at them." ”

it!

Xue Lang was a little dumbfounded.

Is this a time travel to the Jin Dynasty?

A thought flashed, and then he shook his head.

With these authentic works, what kind of impact will it have on the modern decline of calligraphy, not to mention the value of these cultural relics, this alone is enough to shock Xue Lang.

The golden dragon was no longer the most valuable item he judged at this moment. Even if the value is not as good as the golden dragon, its influence and intrinsic value are not comparable to jade and gold.

As his thoughts turned, he suddenly remembered the precious value of these things in Huaxia.

These, each of which is a priceless treasure, the Orchid Pavilion preface in the collection of the Huaxia Museum or a copy of the Song Dynasty, if these are present, what kind of shock will it cause?

As soon as this thought came to him, he gradually calmed down.

Glancing at Liu Chengcheng, who was still immersed in the artistic conception of worship, Xue Lang asked: "Sir, everything here is precious, and it has an irreplaceable position in Chinese calligraphy and historical research, have you thought about how to deal with it?" ”

"Processing?"

Liu Yucheng was stunned for a moment, quickly retreated from the artistic conception of perception, and then his eyes were empty, and he understood what Xue Lang meant.

Indeed, these are not those bottles and cans, which have extremely high historical research value and the impact on the decline of calligraphy in China.

Once it appears, it will be comparable to the power of a nuclear bomb explosion, sweeping the whole of China. As for foreign countries, one can imagine how many eyes will be staring.

It doesn't matter if it's abroad, it's a dish when it comes, but what about at home?