Chapter 18: I met an actress
"Nima, it's not first class." After seeing the narrowness of international flights, Shen Zhenghui began to complain in his heart, blaming himself for not paying too much attention to buying tickets, otherwise wouldn't Wang Anran be able to book a first-class cabin if he came to book a ticket? He found his place with regret and consoled himself with the fact that Japan was not very far and would soon arrive.
"Ahh When he sat down in his seat, he turned his head and saw that the girl who had patted behind him before was looking at him dumbfounded, and she noticed that when Shen Zhenghui looked at her, she couldn't help but make a sound, and then she covered her mouth in embarrassment.
"Hello!" Shen Zhenghui showed a friendly smile.
"Hello!" The other party was a little embarrassed, and nodded, as if he was about to bow, obviously a Japanese.
"Go home?" Shen Zhenghui asked casually, after a long and long journey, it is also a pleasing thing to be able to have a good relationship with the girls around him.
"Yes," the other party responded in more jerky Chinese, and the flight attendant began to check the suitcases and everyone's seat belts one by one, both in Chinese and Japanese, and sometimes in English, but Shen Zhenghui wanted to laugh when he heard this English.
The girl next to her seemed a little nervous and reserved.
Shen Zhenghui was interested and introduced in Japanese, "My name is Shen Zhenghui, and I travel to Japan to work by the way, can I know your name?" â
"Okay." For Shen Zhenghui speaking Japanese, the other party flashed a trace of surprise, but immediately returned to a polite smile.
The Japanese still do a good job on the surface, Shen Zhenghui thought.
"My name is Tomoaki Aonuma," the girl couldn't help but half-bow again, "I came to China to travel and study, and now I'm back in Japan." â
"What is Miss Chiaki going to China to study?" Shen Zhenghui continued to ask.
"It's mostly Chinese and acting." The other party replied.
"Oh, are you an actor?" Shen Zhenghui squinted his eyes, and took this opportunity to take a closer look at this girl, there was no trace of heavy makeup on her skin, and she looked pure and cute.
"Hey," Tomoaki seemed a little embarrassed, "I've been a model, and I've always wanted to be an actor. â
"You're so cute, you're going to make it."
The other blushed, "Thank you," she whispered, "but in Japan, it's hard." He sighed, "Maybe I'll have to make that kind of film in the end." â
Isn't it, Shen Zhenghui shouted in his heart, is this Japanese girl stupid and cute or are all Japanese girls so open, and they actually said in front of strangers that they were going to make that kind of film? Shen Zhenghui felt that the muscles on his face were a little uncontrollable.
"Ah," Zhizhao seemed to understand what she was saying, and she lowered her head, "Shen Jun," she whispered, "You Chinese look down on women who make that kind of film, right?" â
For a while, Shen Zhenghui really didn't know how to answer, the conservative idea of marriage is the foundation of social stability, on the other hand, in the future, millions of otaku will also worship the actress of that kind of film as the goddess in their minds, in a sense, this is also the impact of utilitarian capitalist society on tradition.
Of course, traditional society also has the same content to please men, but it will not be expressed in such a naked and straightforward form, capitalism has deprived it of the veil that is used as a cover, and the men's ** with the ** expression of the woman with red fruit fruit is really hearty and straight to the heart.
What's more, this straightforwardness circulates through the channels of capitalism to where everyone can reach it, as long as you pay, or even you don't have to pay, you can use it to satisfy a certain **. The erosion of a certain limitation of society in the past has spread in a deformed form to the reach of everyone in the whole society. Globalization is expanding in depth and breadth, and both good and bad things are inflated in the form of commodities under the capitalist system of the world.
This reminds Shen Zhenghui of Engels' words: the materialist view of history follows from the following principles: production and the exchange of products that accompany production are the basis of a social system; In every historically occurring society, the distribution of the product, and the division of the society that accompanies it, into classes or hierarchies, is determined by what is produced, how it is produced, and how it is exchanged.
Therefore, the ultimate cause of social and political change should not be found in people's minds and in people's growing awareness of eternal truth and justice, but in changes in the mode of production and exchange; It should not be found in the philosophy of the time, but in the economy of the time.
The growing awareness of the irrationality and unfairness of the existing social system, of the "rationalization of nonsense, of happiness into misery", is only a symptom of the imperceptible changes that have taken place in the methods of production and the forms of exchange, and that the social system adapted to the earlier economic conditions is no longer compatible with these changes.
At the same time, it also shows that the means used to eliminate the ills that have already arisen must also exist in the already changed relations of production themselves, in a more or less unfolded form. These means should not emerge from the mind, but from the ready-made material facts of production.
Therefore, it is not so much that the actor, that kind of film is a kind of moral degradation, but because of the development of the productive forces and the relations of production, a new, popular commodity and its way of consumption. This commodity and mode of consumption is also limited by capitalist morality under capitalist society, so as not to hinder the reproduction of the whole social system, and the rejection of the socialist countries is not because of their high moral level, but because the two societies have completely different modes of reproduction and have their own limits to the level of tolerance. At least on the surface, the socialist state cannot tolerate its open activity as a mode of social reproduction, and when it does, it destroys the entire socialist system of reproduction.
Therefore, in a sense, China's prostitutes depend on the world's prostitutes for their survival.
Therefore, for this kind of film and the evaluation of this kind of practitioner, for Chinese, it is necessary to understand that he is outside this system. Therefore, he can praise the film and the actors, he can like it, he can appreciate it, he can criticize it, he can oppose it, he can curse it, but he must clearly realize that the whole system of his homeland, from the top to the bottom, will not tolerate the occupation of this industry in the production system of society, because this may mean the deterioration or collapse of the entire social reproduction system.
So the Chinese are real outsiders, they are independent of the entire production system, and their position on this kind of film and actors cannot have any effect on them. Of course, in the future, there may be a hole in the open and a bunch of chaotic ideas will arise, but as long as the reproduction system of the state and society remains the same, it will always remain outside the system, unless individual consumption is out of the control of the state.
It was difficult for Shen Zhenghui to express the whole meaning in Japanese, but he tried hard. It's also a way to improve your Japanese language skills. This is also because of the cooperation of Aonuma Tomoaki, if other girls listen to Shen Zhenghui's film about Japan is so bizarre, they have long been not interested in listening to it, but Aonuma Tomoaki's serious attitude of listening to the lecture aroused Shen Zhenghui's character of being a good teacher, he stammered in Japanese, some words in the middle had to be in Chinese, the two worked together, and finally completed the narration and listening.
"Shen Jun is very powerful!" Zhizhao patted his head, "It's so profound, I don't even understand it." â
"It's just talking, don't take it personally." Shen Zhenghui smiled, "I'm just explaining from the perspective of economics why socialist countries don't have zĂ i kind of film industries, while capitalist countries do, so it's easy to say." â
Tomoaki Aonuma showed an expression of adoration, "Sounds really powerful. â
The old man who had been eavesdropping next to him seemed to be unable to hold back, and couldn't help but interject, "I don't think what you said is right, as far as I know, in your China, Beijing, isn't there that kind of place?" That kind of film has to be sold! â
Qingnuma Tomoaki suddenly felt a little cramped, and she looked at Shen Zhenghui.
"It's not legal."
"There's already zĂ i, isn't it? Your public security bureau has also acquiesced in their storage, and will not bother with it. The old Japanese man was a little proud, "Isn't this no different from legal?" â
"Not caring doesn't mean it's legal," Shen Zhenghui squinted his eyes and glanced at the gray-headed old gentleman, "First of all, there isn't any law in China that says it's legal, so it's obviously illegal." No one cares that this is just a matter of management, maybe the leadership feels that some kind of process needs to maintain this kind of existence, but if the development of this kind of thing reaches the bottom of unscrupulousness, it is faint to the point that it thinks it is legitimate, and it only needs a unified will of the leadership, or even a unified will, only that some people feel that its exhibition is no longer suitable, not hiding in the dark, but interfering with the normal order under the light, and it does not need any drastic action, it will simply be swept away. â
The other party responded with a look that you were too young, "So you hope that an honest and honest leader will appear?" â
"You don't need to be honest and honest, as long as your mind is clear enough, and when it is time to do something, he will understand what to change, it is enough."
The old man shook his head, "The water in this industry is very deep, and it won't be as easy as you say." â
"It may be difficult for a government that lacks executive power, but," Shen Zhenghui said, spreading his hand, "From the perspective of executive power, our government is sometimes trustworthy." â
This guy is quite self-contained, although he didn't think much of what Shen Zhenghui said, but he didn't continue to argue, but closed his eyes and began to close his eyes and recuperate.
Shen Zhenghui and Aonuma Tomoaki chatted about some light topics again, Shen Zhenghui was afraid that Aonuma Tomoaki would be embarrassed to stop talking because of Japanese politeness, and after talking for a while, he would mention that he would take a break, and Aonuma Tomoaki still agreed with a cute look, but before that, she wrote down her contact information on a sticky note and handed it to Shen Zhenghui, saying that if she was free, she invited Shen Zhenghui to her home in Saitama County as a guest.
Shen Zhenghui couldn't confirm whether this was a Japanese politeness, so he had to answer, "I don't have a fixed place of residence and contact information in Japan, if I have time, I will definitely contact you." â
This was a kind of euphemism to persuade the other party not to get too much hope, but Tomoaki Aonuma seemed happy to accept it.
The plane landed at Narita Airport, Shen Zhenghui got off the plane and saluted, and said goodbye to Tomoaki Aonuma at the exit, the other party was going to take the airport bus, and Shen Zhenghui was picked up. The two sides politely said goodbye to each other, Shen Zhenghui looked at the back of Qingnuma Zhizhao for a few seconds, and suddenly remembered that he knew this woman. The dregs of memory are flooding at this moment, in the last life, this woman is an actress of a famous kind of film.
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